Sources of Han Décor: Foreign Influence on the Han Dynasty Chinese Iconography of Paradise (206 BC-AD 220) PDF Download

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Sources of Han Décor: Foreign Influence on the Han Dynasty Chinese Iconography of Paradise (206 BC-AD 220)

Author: Sophia-Karin Psarras
Publisher: Archaeopress Publishing Ltd
ISBN: 1789693268
Category : History
Languages : en
Pages : 152

Book Description
Using archaeological data to examine the development of Han dynasty Chinese art (206 BC-AD 220), this book focusses on the iconography of paradise. Influence from the Chinese Bronze Age is discussed along with a surprisingly profound debt to Greece, the Near East and the steppe.

Sources of Han Décor: Foreign Influence on the Han Dynasty Chinese Iconography of Paradise (206 BC-AD 220)

Author: Sophia-Karin Psarras
Publisher: Archaeopress Publishing Ltd
ISBN: 1789693268
Category : History
Languages : en
Pages : 152

Fantastic Fauna from China to Crimea

Author: Petya Andreeva
Publisher: Edinburgh University Press
ISBN: 1399528548
Category : History
Languages : en
Pages : 338

Book Description
Numerous Iron-Age nomadic alliances flourished along the 5000-mile Eurasian steppe route. From Crimea to the Mongolian grassland, nomadic image-making was rooted in metonymically conveyed zoomorphic designs, creating an alternative ecological reality. The nomadic elite nucleus embraced this elaborate image system to construct collective memory in reluctant, diverse political alliances organised around shared geopolitical goals rather than ethnic ties. Largely known by the term "e;animal style"e;, this zoomorphic visual rhetoric became so ubiquitous across the Eurasian steppe network that it transcended border regions and reached the heartland of sedentary empires like China and Persia. This book shows how a shared fluency in animal-style design became a status-defining symbol and a bonding agent in opportunistic nomadic alliances, and was later adopted by their sedentary neighbours to showcase worldliness and control over the "e;Other"e;. In this study of enormous geographical scope, the author raises broader questions about the place of nomadic societies in the art-historical canon.