Author: Annegret Fauser Publisher: OUP USA ISBN: 0199948038 Category : Music Languages : en Pages : 385
Book Description
Classical music in 1940s America had a cultural relevance and ubiquitousness that is hard to imagine today. No other war mobilized and instrumentalized culture in general and music in particular so totally, so consciously, and so unequivocally as World War II. Through author Annegret Fauser's in-depth, engaging, and encompassing discussion in context of this unique period in American history, Sounds of War brings to life the people and institutions that created, performed, and listened to this music.
Author: Susanna Hast Publisher: ISBN: 9781910814352 Category : Political Science Languages : en Pages : 170
Book Description
Sounds of War is a book on the aesthetics of war experience in Chechnya. It includes theory on, and stories of, compassion, dance, children's agency and love. It is not simply a book to be read, but to be listened to. The chapters begin with the author's own songs expressing research findings and methodology in musical form.
Author: Steve Goodman Publisher: MIT Press ISBN: 0262266334 Category : Music Languages : en Pages : 291
Book Description
An exploration of the production, transmission, and mutation of affective tonality—when sound helps produce a bad vibe. Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread—to produce a bad vibe. Sonic weapons of this sort include the “psychoacoustic correction” aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or “sound bombs”) over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations. Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture. Goodman concludes with speculations on the not yet heard—the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths.
Author: Renata Tanczuk Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften ISBN: 9783631753460 Category : History Languages : en Pages : 0
Author: LCDR James J. May USN Publisher: Pickle Partners Publishing ISBN: 1786253798 Category : History Languages : en Pages : 177
Book Description
This study is a historical analysis of Union joint operations that occurred during the American Civil War in northeastern North Carolina. The study begins with a historical overview of joint operations then transitions into the events that occurred in northeastern North Carolina between February 1862 and June 1865. Joint operations in the sounds began with the assault of Roanoke Island in February 1862. This study documents the Roanoke Island operation and the missions that supported the capture of New Bern, Plymouth and Washington, North Carolina during 1862. Specific emphasis is placed on the difficulties encountered conducting joint riverine warfare in the restricted waters of North Carolina without the benefit of a unified commander. Although the concept of a unified commander was not utilized in the sounds of North Carolina, this study documents the maturation of the joint relationship that did exist. It further displays how the joint forces overcame the challenges of communications and both natural and manmade obstacles. Overall, this study shows how success in the waters of northeastern North Carolina was dependent on a joint effort but could have been more successful had a unified commander been appointed. Conclusions include present day application and considerations.
Author: Rebecca Weeks Publisher: University Press of Kentucky ISBN: 0813195314 Category : Performing Arts Languages : en Pages : 300
Book Description
The television industry is changing, and with it, the small screen's potential to engage in debate and present valuable representations of American history. Founded in 1972, HBO has been at the forefront of these changes, leading the way for many network, cable, and streaming services into the "post-network" era. Despite this, most scholarship has been dedicated to analyzing historical feature films and documentary films, leaving TV and the long-form drama hungry for coverage. In History by HBO: Televising the American Past, Rebecca Weeks fills the gap in this area of media studies and defends the historiographic power of long-form dramas. By focusing on this change and its effects, History by HBO outlines how history is crafted on television and the diverse forms it can take. Weeks examines the capabilities of the long-form serial for engaging with historical stories, insisting that the shift away from the network model and toward narrowcasting has enabled challenging histories to thrive in home settings. As an examination of HBO's unique structure for producing quality historical dramas, Weeks provides four case studies of HBO series set during different periods of United States history: Band of Brothers (2001), Deadwood (2004–2007), Boardwalk Empire (2012–2014), and Treme (2010–2013). In each case, HBO's lack of advertiser influence, commitment to creative freedom, and generous budgets continue to draw and retain talent who want to tell historical stories. Balancing historical and film theories in her assessment of the roles of mise-en–scène, characterization, narrative complexity, and sound in the production of effective historical dramas, Weeks' evaluation acts as an ode to the most recent Golden Age of TV, as well as a critical look at the relationship between entertainment media and collective memory.
Author: Christopher Lapides Publisher: Cal-Productions ISBN: Category : Fiction Languages : en Pages : 456
Book Description
In war, no one is safe. War has come to Thornstone, Tarkin’s Point, and Thoriddon, throwing all three nations into chaos. Led by the demon lord Vagborar, the legions of orcs are bent on nothing less than the total annihilation of both human and dwarf. With their demonic allies, they just might succeed. But not without a fight. As Serena tries to find answers and a path to victory, Orin and Brom fight with both sword and spell to turn back the tide of darkness. Beside them are a kingdom of dwarves and a city of humans, but even they may not be enough to beat back such a force. If they hope to survive, they need to come together, but with each nation under siege, uniting as one is easier said than done. When one of them is freed from battle, hope is rekindled, but prejudices rise to the surface, threatening everything. If any of them hope to survive, past actions and old hatreds must be forgotten. Hard decisions and painful sacrifices must be made. And pride and egotism must be set aside for the greater good. If not, a new age of evil will dawn upon the world.
Author: Annegret Fauser
Author: Susanna Hast
Author: Emma Hanna
Author: Steve Goodman
Author: Renata Tanczuk
Author: LCDR James J. May USN
Author: 
Author: Alma Blount
Author: Rebecca Weeks
Author: Christopher Lapides