Sound Recording Technology and American Literature PDF Download

Author: Jessica Teague
Publisher: Cambridge University Press
ISBN: 1108840132
Category : Art
Languages : en
Pages : 263

View

Book Description
Based on the author's dissertation (doctoral)--Columbia University, 2013.

Author: Jessica Teague
Publisher:
ISBN: 9781108879002
Category :
Languages : en
Pages :

View

Book Description
"When Gertrude Stein published Three Lives, her first book-length work, in 1909, readers were struck by her peculiar, repetitive style. As one dust jacket review put it, Stein's prose was like a "stubborn phonograph." Taken in passing, the comparison might seem unremarkable, but in 1909, when the phonograph was still a relatively new technology, the dust jacket remark penned by Georgiana Goddard King (a Reader in English at Bryn Mawr College) reveals how at least one early reader heard Gertrude Stein. According to King, Stein had "pushed the method of realism as far as it would go," and "the patient iteration, the odd style, with all its stops and starts, like a stubborn phonograph, are a part of the incantation. The reader must take it or leave it,-but always, taken or left, it remains astonishing.""

Author: David Morton
Publisher: Rutgers University Press
ISBN: 9780813527475
Category : Business & Economics
Languages : en
Pages : 246

View

Book Description
A cultural and economic history of sound recording technology.

Author: David Morton
Publisher: JHU Press
ISBN: 9780801883989
Category : Business & Economics
Languages : en
Pages : 236

View

Book Description
How did one of the great inventions of the nineteenth century—Thomas Edison's phonograph—eventually lead to one of the most culturally and economically significant technologies of the twentieth and twenty-first centuries? Sound Recording traces the history of the business boom and the cultural revolution that Edison's invention made possible. Recorded sound has pervaded nearly every facet of modern life—not just popular music, but also mundane office dictation machines, radio and television programs, and even telephone answering machines. Just as styles of music have evolved, so too have the formats through which sound has been captured—from 78s to LPs, LPs to cassette tapes, tapes to CDs, and on to electronic formats. The quest for better sound has certainly driven technological change, but according to David L. Morton, so have business strategies, patent battles, and a host of other factors.

Author: Andre Millard
Publisher: Cambridge University Press
ISBN: 9780521835152
Category : History
Languages : en
Pages : 480

View

Book Description
This study provides a history of sound recording from the acoustic phonograph to digital sound technology. Copyright © Libri GmbH. All rights reserved.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

View

Book Description
Tracing the shifting role of sound over the century, each chapter features a pairing of literary texts alongside key historical events in the development of sound technology and the recording industry, including the invention of the phonograph (Stein and DosPassos), ethnographic uses of recording (Lomax and Bechet), subversive uses of the tape-recorder (Kerouac and Burroughs), and the advent of long-play albums and stereo (Hughes and Baraka). The final chapter reflects upon August Wilson's Ma Rainey's Black Bottom and encapsulates the ongoing tension between live and recorded performance. Ultimately, I contend that while literary innovations were shaped by phonographic technologies, texts also played a key role in tutoring the ear to listen amidst a modern multimedia environment.

Author: James Lastra
Publisher: Columbia University Press
ISBN: 0231505469
Category : Performing Arts
Languages : en
Pages : 289

View

Book Description
Representational technologies including photography, phonography, and the cinema have helped define modernity itself. Since the nineteenth century, these technologies have challenged our trust of sensory perception, given the ephemeral unprecedented parity with the eternal, and created profound temporal and spatial displacements. But current approaches to representational and cultural history often neglect to examine these technologies. James Lastra seeks to remedy this neglect. Lastra argues that we are nowhere better able to track the relations between capital, science, and cultural practice than in photography, phonography, and the cinema. In particular, he maps the development of sound recording from its emergence to its confrontation with and integration into the Hollywood film. Reaching back into the late eighteenth century, to natural philosophy, stenography, automata, and human physiology, Lastra follows the shifting relationships between our senses, technology, and representation.

Author: David Morton
Publisher: Turtleback
ISBN: 9780613918428
Category :
Languages : en
Pages :

View

Book Description
Morton (research historian for the IEEE History Center at Rutgers U.) examines the process of invention, innovation, and diffusion of communications technology in the development of the phonograph record, recording for radio, the dictation machine, the telephone answering machine, and home taping.

Author: Susan Schmidt Horning
Publisher: JHU Press
ISBN: 1421410222
Category : Business & Economics
Languages : en
Pages : 322

View

Book Description
The recording studio, she argues, is at the center of musical culture in the twentieth century.--Emily Thompson, Princeton University "Science"

Author: Mark Katz
Publisher: Univ of California Press
ISBN: 0520261054
Category : Business & Economics
Languages : en
Pages : 336

View

Book Description
Fully revised and updated, this text adds coverage of mashups and auto-tune, explores recent developments in file sharing, and includes an expanded conclusion and bibliography.