Author: Cornel BierensPublisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Sonsbeek 93 international art exhibition
Author: Cornel BierensSonsbeek Ninety-three
Author: Valerie SmithPublisher:
ISBN:
Category : Arnhem (Netherlands)
Languages : en
Pages : 328
Book Description
The Uncanny
Author: Mike KelleyPublisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 276
Book Description
Erweiterte Neuauflage des legendären Arnheim-Katalogs von 1993 in zwei Auflagen: Im März die rein englische Ausgabe anlässlich der Ausstellung in der Tate Liverpool, im Juli 2004 eine Ausgabe mit deutschem Textanhang mit einem zusätzlichen Interview mit Mike Kelley anlässlich der Ausstellung im Museum Moderner Kunst Stiftung Ludwig, Wien. Museum Moderner Kunst, Stiftung Ludwig, Wien, Juli 2004
Come as You Are
Author: Alexandra SchwartzPublisher: Univ of California Press
ISBN: 0520282884
Category : Art
Languages : en
Pages : 114
Book Description
"Come as You Are: Art of the 1990s is the largest and most ambitious contemporary art exhibition ever to be mounted by the Montclair Art Museum. The exhibition and book spotlight a pivotal moment in the recent history of art. Chronicling the "long" 1990s between 1989 and 2001-from the fall of the Berlin Wall to 9/11-"Come As You Are" examines how the art of this period both reflected and helped shape the dramatic societal events of the era, when the combined forces of new technologies and globalization gave rise to the accelerated international art world that we know today"--
The First International Art Exhibition of 15 Artists
Author: Japan International Artist Society (Nagoya)Publisher:
ISBN:
Category :
Languages : en
Pages : 28
Book Description
Artbibliographies Modern
Author: Publisher:
ISBN:
Category : Art
Languages : en
Pages : 848
Book Description
Abstracts of journal articles, books, essays, exhibition catalogs, dissertations, and exhibition reviews. The scope of ARTbibliographies Modern extends from artists and movements beginning with Impressionism in the late 19th century, up to the most recent works and trends in the late 20th century. Photography is covered from its invention in 1839 to the present. A particular emphasis is placed upon adding new and lesser-known artists and on the coverage of foreign-language literature. Approximately 13,000 new entries are added each year. Published with title LOMA from 1969-1971.
Sonsbeek (1971, 1986)
Author: Yves AupetitallotPublisher:
ISBN: 9783037644478
Category :
Languages : en
Pages : 24
Book Description
"Sonsbeek 1971," curated by Wim Beeren, introduced film, video and environmental art through works by Robert Smithson, Panamarenko and Claes Oldenburg. Fifteen years later, "Sonsbeek 1986," curated by Saskia Bos, reprised the exhibition by offering a "scattered experience." Jef Cornelis recorded both shows, presented on this 76-minute DVD.
Artificial Hells
Author: Claire BishopPublisher: Verso Books
ISBN: 1844676900
Category : Art
Languages : en
Pages : 401
Book Description
This searing critique of participatory art—from its development to its political ambitions—is “an essential title for contemporary art history scholars and students as well as anyone who has . . . thought, ‘Now that’s art!’ or ‘That’s art?’” (Library Journal) Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as “social practice.” Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawel Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling, and bolder forms of participatory art and criticism.
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