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Author: Sylvia Mieszkowski Publisher: BRILL ISBN: 9401205094 Category : Language Arts & Disciplines Languages : en Pages : 324
Book Description
Sonic Interventions makes a compelling case for the importance of sound in theorizing literature, subjectivity and culture. Sound is usually understood as our second sense and – as our belief in a visually dominated culture prevails – remains of secondary interest. Western cultures are considered to be predominantly visual, while other societies are thought to place more importance on the acoustic dimension. This volume questions these assumptions by examining how sound differs from, and acts in relationship to, the visual. It moves beyond theoretical dichotomies (between the visual and the sonic, the oral and literature) and, instead, investigates sonic interventions in their often multi-faceted forms. The case studies deal with political appropriations of music and sounds, they explore the poetic use of the sonic in novels and plays, they develop theoretical concepts out of sonic phenomena, and pertain to identity formation and the practice of mixing in hip hop, opera and dancehall sessions. Ultimately, the book brings to the fore what roles sound may play for the formation of gendered identity, for the stabilization or questioning of race as a social category, and the conception of place. Their intricate interventions beckon critical attention and offer rich material for cultural analysis.
Author: Sylvia Mieszkowski Publisher: BRILL ISBN: 9401205094 Category : Language Arts & Disciplines Languages : en Pages : 324
Book Description
Sonic Interventions makes a compelling case for the importance of sound in theorizing literature, subjectivity and culture. Sound is usually understood as our second sense and – as our belief in a visually dominated culture prevails – remains of secondary interest. Western cultures are considered to be predominantly visual, while other societies are thought to place more importance on the acoustic dimension. This volume questions these assumptions by examining how sound differs from, and acts in relationship to, the visual. It moves beyond theoretical dichotomies (between the visual and the sonic, the oral and literature) and, instead, investigates sonic interventions in their often multi-faceted forms. The case studies deal with political appropriations of music and sounds, they explore the poetic use of the sonic in novels and plays, they develop theoretical concepts out of sonic phenomena, and pertain to identity formation and the practice of mixing in hip hop, opera and dancehall sessions. Ultimately, the book brings to the fore what roles sound may play for the formation of gendered identity, for the stabilization or questioning of race as a social category, and the conception of place. Their intricate interventions beckon critical attention and offer rich material for cultural analysis.
Author: Paulo de Assis Publisher: Rowman & Littlefield ISBN: 1786611511 Category : Reference Languages : en Pages : 265
Book Description
Artistic Research: Charting a Field in Expansion provides a multidisciplinary overview of different discourses and practices, exploring cutting-edge questions from the burgeoning field of artistic research. Intended as a primer on artistic research, it presents diverse perspectives, strategies, methodologies, and concrete examples of research projects situated at the crossroads of art and academia, exposing international work of significant projects from Europe, Asia, Australia, South and North America. The book includes chapters on diverse fields of thought and practice, addressing a common thread of questions and problematics. The comprehensive editors’ introduction offers a much-needed extensive overview of practice-based artistic research in general. This book is ideal for graduate students across philosophy, cultural studies, art, music, performance studies and more.
Author: Julian Henriques Publisher: Bloomsbury Publishing USA ISBN: 1441163468 Category : Music Languages : en Pages : 496
Book Description
The reggae sound system has exerted a major influence on music and popular culture. Out on the streets of inner city Kingston, Jamaica, every night, sound systems stage dancehall sessions for the crowd to share the immediate, intensive and immersive visceral pleasures of sonic dominance. Sonic Bodies concentrates on the skilled performance of the crewmembers responsible for this signature sound of Jamaican music: the audio engineers designing, building and fine-tuning the hugely powerful "sets" of equipment; the selectors choosing the music tracks to play; and MCs(DJs) on the mic hyping up the crowd. Julian Henriques proposes that these dancehall "vibes" are taken literally as the periodic motion of vibrations. He offers an analysis of how a sound system operates - at auditory, corporeal and sociocultural frequencies. Sonic Bodies formulates a fascinating critique of visual dominance and the dualities inherent in ideas of image, text or discourse. This innovative book questions the assumptions that reason resides only in a disembodied mind, that communication is an exchange of information, and that meaning is only ever representation.
Author: Michael Bull Publisher: Bloomsbury Publishing USA ISBN: 1501338765 Category : Music Languages : en Pages : 849
Book Description
The field of Sound Studies has changed and developed dramatically over the last two decades involving a vast and dizzying array of work produced by those working in the arts, social sciences and sciences. The study of sound is inherently interdisciplinary and is undertaken both by those who specialize in sound and by others who wish to include sound as an intrinsic and indispensable element in their research. This is the first resource to provide a wide ranging, cross-cultural and interdisciplinary investigation and analysis of the ways in which researchers use a broad range of methodologies in order to pursue their sonic investigations. It brings together 49 specially commissioned chapters that ask a wide range of questions including; how can sound be used in current academic disciplines? Is sound as a methodological tool indispensable for Sound Studies and what can sound artists contribute to the discourse on methodology in Sound Studies? The editors also present 3 original chapters that work as provocative 'sonic methodological interventions' prefacing the 3 sections of the book.
Author: Brigitte Schulte-Fortkamp Publisher: Springer Nature ISBN: 3031227794 Category : Medical Languages : en Pages : 338
Book Description
The concept of the “Soundscapes” includes all of the sounds in one’s environment and focuses not only on the sounds itself. Instead, it focuses on the interrelationships between person and activity and place, both in space and time. Soundscape also include influences on the acoustic environment through auditory sensation, its interpretation, and the responses to the acoustic environment in context. The conceptual framework of Soundscape describes the “process of perceiving or experiencing and/or understanding an acoustic environment, highlighting general concepts and their relationships: context, sound sources, acoustic environment, auditory sensation, interpretation of auditory sensation, responses, and outcomes” (International Organization for Standardization, ISO 12913-1:2014 Acoustics Soundscape Part Definition and Conceptual Framework, ISO, Geneva, 2014). With soundscape, one achieves a deeper understanding of acoustic environment and its effects on people. The ISO standard 12931-1 on soundscape provides an important, and rigorous, distinction in the use of “Soundscape.” But, it is recognizable that some individuals, particularly planners, designers, lay persons, and even those primarily interested in management of the acoustic environment through environmental noise control, will find it convenient to use “Soundscape” as a synonym for the physical acoustic environment. When it comes to noise management and urban planning, soundscape research has the potential to promote healthy urban environments by sharing and incorporating the significant knowledge of all concerned parties. Understandably, this shows that the communication with regard to noise management has to be forced to guarantee that the specifics of Soundscapes (i.e., the relevance of perception) are seriously considered alongside the whole. This book will bridge the gap between soundscape theory and practice and therefore it will be different from our earlier publications as “Soundscape and the built environment” (ed. by J. Kang and B. Schulte-Fortkamp CRC Press, Taylor and Francis Group, Boca Raton, Fl 2016) and also from the respective Special Issues on Soundscapes in 2012 in The Journal of the Acoustical Society of America (ed. by B. Schulte-Fortkamp and J. Kang), and also the Special Issue in Acta Acustica 2006 *(ed. by B. Schulte-Fortkamp and D. Dubois), and the E-book on soundscape This volume will be driven by the difficult process of standardization of Soundscape and its evaluation procedures. The main goal of the proposed volume is to present and review the developments in Soundscape, reflecting the standardization procedure and the diverse inputs. the needs in management and planning in urban acoustic environments, the book will also focus on the difficulties, as well as the solutions, in interdisciplinary grounded communication, that is, on the one hand, related to science, but on the other to application, that needs guidance.
Author: Sylvia Mieszkowski Publisher: Rodopi ISBN: 9042022949 Category : Art Languages : en Pages : 324
Book Description
Sonic Interventions makes a compelling case for the importance of sound in theorizing literature, subjectivity and culture. Sound is usually understood as our second sense and – as our belief in a visually dominated culture prevails – remains of secondary interest. Western cultures are considered to be predominantly visual, while other societies are thought to place more importance on the acoustic dimension. This volume questions these assumptions by examining how sound differs from, and acts in relationship to, the visual. It moves beyond theoretical dichotomies (between the visual and the sonic, the oral and literature) and, instead, investigates sonic interventions in their often multi-faceted forms. The case studies deal with political appropriations of music and sounds, they explore the poetic use of the sonic in novels and plays, they develop theoretical concepts out of sonic phenomena, and pertain to identity formation and the practice of mixing in hip hop, opera and dancehall sessions. Ultimately, the book brings to the fore what roles sound may play for the formation of gendered identity, for the stabilization or questioning of race as a social category, and the conception of place. Their intricate interventions beckon critical attention and offer rich material for cultural analysis.
Author: Wolfgang Ernst Publisher: Amsterdam University Press ISBN: 904852847X Category : Art Languages : en Pages : 185
Book Description
Our studies of aesthetics and knowledge have long tended to privilege the visual - at the expense, Wolfgang Ernst argues, of the aural. 'Sonic Time Machines' aims to correct that, presenting a striking new approach to theorising sound that investigates its split existence: as a temporal effect in a techno-cultural context and as a source of knowledge and information. Ernst creates a new term for the concept at the heart of the book, "sonicity," a flexible and powerful term that allows him to consider sound with all its many physical, philosophical, and cultural valences.
Author: Holger Schulze Publisher: Bloomsbury Publishing USA ISBN: 1501335413 Category : Music Languages : en Pages : 577
Book Description
The Bloomsbury Handbook of the Anthropology of Sound presents the key subjects and approaches of anthropological research into sound cultures. What are the common characteristics as well as the inconsistencies of living with and around sound in everyday life? This question drives research in this interdisciplinary area of sound studies: it propels each main chapter of this handbook into a thoroughly different world of listening, experiencing, receiving, sensing, dreaming, naming, desiring, and crafting sound. This handbook is composed of six sections: sonic artifacts; sounds and the body; habitat and sound; sonic desires; sounds and machines; and overarching sensologies. The individual chapters explore exemplary research objects and put them in the context of methodological approaches, historical predecessors, research practices, and contemporary research gaps. This volume offers therefore one of the broadest, most detailed, and instructive overviews on current research in this area of sensory anthropology.
Author: Mark V. Campbell Publisher: Bloomsbury Publishing USA ISBN: 1501379305 Category : Music Languages : en Pages : 153
Book Description
Afrosonic Life explores the role sonic innovations in the African diaspora play in articulating methodologies for living the afterlife of slavery. Developing and extending debates on Afrosonic cultures, the book attends to the ways in which the acts of technological subversion, experimentation and production complement and interrupt the intellectual project of modernity. Music making processes such as dub, turntablism, hip-hop dj techniques and the remix, innovate methods of expressing subjecthoods beyond the dominant language of Western “Man” and the market. These sonic innovations utilize sound as a methodology to institute a rehumanizing subjectivity in which sound dislodges the hierarchical ordering of racial schemas. Afrosonic Life is invested in excavating and elaborating the nuanced and novel ways of music making and sound creation found in the African diaspora.
Author: International Research Group on Authoritarianism and Counter-Strategies Publisher: transcript Verlag ISBN: 3839470552 Category : Political Science Languages : en Pages : 358
Book Description
Authoritarianism operates on a visceral level rather than relying on arguments. How can we counter authoritarian affects? This publication brings together more than 50 first-hand accounts of anti-authoritarian movements, activists, artists, and scholars from around the world, focusing on the sensuous and emotional dimension of their strategies. From the collective art and aesthetics of feminist movements in India, Iran, Mexico, and Poland, to sewing collectives, subversive internet art in Hong Kong, and even anti-authoritarian board games, the contributions open new perspectives on moments of resistance, subversion, and creation. Indeed, the handbook itself is a work of anti-authoritarian art. The editors behind the »International Research Group on Authoritarianism and Counter-Strategies« and »kollektiv orangotango« are: Aurel Eschmann, Börries Nehe, Nico Baumgarten, Paul Schweizer, Severin Halder, Ailynn Torres Santana, Inés Duràn Matute, and Julieta Mira.
Author: Sylvia Mieszkowski
Author: Sylvia Mieszkowski
Author: Paulo de Assis
Author: Julian Henriques
Author: Michael Bull
Author: Brigitte Schulte-Fortkamp
Author: Sylvia Mieszkowski
Author: Wolfgang Ernst
Author: Holger Schulze
Author: Mark V. Campbell
Author: International Research Group on Authoritarianism and Counter-Strategies