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Author: Smt. Rajeshwari Krishna Publisher: Sapna Book House (P) Ltd. ISBN: 8128017918 Category : Languages : en Pages : 22
Book Description
Purandara Dasa systematized the method of teaching Carnatic music which is followed to the present day. He introduced the raga Mayamalavagowla as the basic scale for music instruction and fashioned series of graded lessons such as swaravalis, janti swaras, alankaras, lakshana geetas, prabandhas, ugabhogas, daatu varase, geeta, sooladis and kritis. Another of his important contributions[citation needed] was the fusion of bhava, raga, and laya in his compositions. Purandara Dasa was the first[citation needed] composer to include comments on ordinary daily life in song compositions. He used elements of colloquial language for his lyrics. He introduced folk ragas into the mainstream, setting his lyrics to tunes/ragas of his day so that even a common man could learn and sing them. He also composed a large number of lakshya and lakshana geetas, many of which are sung to this day. His sooladis are musical masterpieces and are the standard for raga lakshana. Scholars attribute the standardization of varna mettus entirely to Purandara Dasa.
Author: Smt. Rajeshwari Krishna Publisher: Sapna Book House (P) Ltd. ISBN: 8128017918 Category : Languages : en Pages : 22
Book Description
Purandara Dasa systematized the method of teaching Carnatic music which is followed to the present day. He introduced the raga Mayamalavagowla as the basic scale for music instruction and fashioned series of graded lessons such as swaravalis, janti swaras, alankaras, lakshana geetas, prabandhas, ugabhogas, daatu varase, geeta, sooladis and kritis. Another of his important contributions[citation needed] was the fusion of bhava, raga, and laya in his compositions. Purandara Dasa was the first[citation needed] composer to include comments on ordinary daily life in song compositions. He used elements of colloquial language for his lyrics. He introduced folk ragas into the mainstream, setting his lyrics to tunes/ragas of his day so that even a common man could learn and sing them. He also composed a large number of lakshya and lakshana geetas, many of which are sung to this day. His sooladis are musical masterpieces and are the standard for raga lakshana. Scholars attribute the standardization of varna mettus entirely to Purandara Dasa.
Author: Sharif Gemie Publisher: Manchester University Press ISBN: 1526114631 Category : History Languages : en Pages : 344
Book Description
This is the first history of the Hippie Trail. It records the joys and pains of budget travel to Kathmandu, India, Afghanistan and other ‘points east’ in the 1960s and 1970s. Written in a clear, simple style, it provides detailed analysis of the motivations and the experiences of hundreds of thousands of hippies who travelled eastwards. The book is structured around four key debates: were the travellers simply motivated by a search for drugs? Did they encounter love or sexual freedom on the road? Were they basically just tourists? Did they resemble pilgrims? It also considers how the travellers have been represented in films, novels and autobiographical accounts, and will appeal to those interested in the Trail or the 1960s counterculture, as well as students taking courses relating to the 1960s.
Author: Raghavendra Narayanarao Tippur Publisher: T.N.Raghavendra ISBN: Category : Biography & Autobiography Languages : en Pages : 132
Book Description
Purandharadasa is a poet saint of sixteenth century from Karnataka . He was a rich business who renounced the world . He was a wandering monk and wandered all over singing the way of the world and glory of God . He composed about 60,000 songs . He is verily called the great grand father of carnatic music , This book is the translation of some of his songs . Though it does not rank anywhere near the original either in content or in devotion , it is only an effort to introduce sri Puranadharadasa to the non kannada speaking peole .
Author: Bonnie C. Wade Publisher: University of Chicago Press ISBN: 9780226868400 Category : Art Languages : en Pages : 534
Book Description
The rulers of the Mughal Empire of India, who reigned from 1526 to 1858, spared no expense as patrons of the arts, particularly painting and music. They left as their legacy an extraordinarily rich body of commissioned artistic projects including illustrated manuscripts and miniature paintings that represent musical instruments, portraits of musicians, and the compositions of ensembles. These images from the basis of Bonnie C. Wade's study of how musicians of Hindustan encountered and Indianized music from the Persian cultural sphere. Combining ethnomusicological and art historical methods with history and lore, Wade has written a truly interdisciplinary study of cultural life on the Indian subcontinent. Wade focuses first on Akbar, showing how political and cultural agendas intertwined in the portrayal of Mughal court life. She then follows the depictions of music-making through paintings of Akbar's successors, Jahangir and Shah Jahan, to trace the gradual synthesis of Persian and Indian culture. Because music of the period was not notated but was transmitted orally, Wade relies on this wealth of visual evidence to reconstruct the musical life of the Mughals and its relation to the Mughal political agenda. As a major untapped resource, these images suggest new interpretations of the history of the Mughal Empire -- including original ideas about the role of patrons in the production of the arts and, importantly, the role of women in Mughal court life -- that are confirmed and complemented by the written sources of the period. Imaging Sound is a contribution to many fields in its unique combination of sources and methods: it is the study of musical change; of image-making in the pastand the methodological use of images as "texts" in the present; of the role of patronage in the Mughal Empire; and of the development of South Asian culture. In her synthesis of music, literature, art, and culture, Wade deepens our knowledge of the manner in which the orally transmitted tradition of Hindustani music came to be what it is today. The book is beautifully illustrated with more than 180 reproductions of Mughal paintings and manuscripts. These rare images are the basis for a study that is fully immersed both in current intellectual debates and in three centuries of Mughal cultural life.
Author: Smt. Rajeshwari Krishna
Author: Smt. Rajeshwari Krishna
Author: 
Author: ANANT PAI
Author: Sharif Gemie
Author: Raghavendra Narayanarao Tippur
Author: Bonnie C. Wade
Author: Sumita Roy
Author: Purandaradāsa
Author: Bruno Nettl
Author: Jagannāthadāsa