Songs of Miramichi, by Louise Manny and James Reginald Wilson PDF Download

Author: Louise Manny
Publisher:
ISBN:
Category : Folk songs
Languages : en
Pages : 330

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Author: Louise Manny
Publisher:
ISBN:
Category : Folk Songs, Canadian-New Brunswick
Languages : en
Pages : 330

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Author: Doug Underhill
Publisher:
ISBN: 9781896270111
Category : Folklore
Languages : en
Pages : 134

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Author: Louise Manny
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Author: Alan MacEachern
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228002842
Category : History
Languages : en
Pages :

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Book Description
On 7 October 1825, a massive forest fire swept through northeastern New Brunswick, devastating entire communities. When the smoke cleared, it was estimated that the fire had burned across six thousand square miles, one-fifth of the colony. The Miramichi Fire was the largest wildfire ever to occur within the British Empire, one of the largest in North American history, and the largest along the eastern seaboard. Yet despite the international attention and relief efforts it generated, and the ruin it left behind, the fire all but disappeared from public memory by the twentieth century. A masterwork in historical imagination, The Miramichi Fire vividly reconstructs nineteenth-century Canada's greatest natural disaster, meditating on how it was lost to history. First and foremost an environmental history, the book examines the fire in the context of the changing relationships between humans and nature in colonial British North America and New England, while also exploring social memory and the question of how history becomes established, warped, and forgotten. Alan MacEachern explains how the imprecise and conflicting early reports of the fire's range, along with the quick rebound of the forests and economy of New Brunswick, led commentators to believe by the early 1900s that the fire's destruction had been greatly exaggerated. As an exercise in digital history, this book takes advantage of the proliferation of online tools and sources in the twenty-first century to posit an entirely new reading of the past. Resurrecting one of Canada's most famous and yet unexamined natural disasters, The Miramichi Fire traverses a wide range of historical and scientific literatures to bring a more complete story into the light.

Author: Anna Kearney Guigné
Publisher: University of Ottawa Press
ISBN: 0776623850
Category : Music
Languages : en
Pages : 462

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In 1951, musician Kenneth Peacock (1922–2000) secured a contract from the National Museum of Canada (today the Canadian Museum of History) to collect folksongs in Newfoundland. As the province had recently joined Confederation, the project was deemed a goodwill gesture, while at the same time adding to the Museum’s meager Anglophone archival collections. Between 1951 and 1961, over the course of six field visits, Peacock collected 766 songs and melodies from 118 singers in 38 communities, later publishing two-thirds of this material in a three-volume collection, Songs of the Newfoundland Outports (1965). As the publication consists of over 1000 pages, Outports is considered to be a bible for Newfoundland singers and a valuable resource for researchers. However, Peacock’s treatment of the material by way of tune-text collations, use of lines and stanzas from unpublished songs has always been somewhat controversial. Additionally, comparison of the field collection with Outports indicates that although Peacock acquired a range of material, his personal preferences requently guided his publishing agenda. To ensure that the songs closely correspond to what the singers presented to Peacock, the collection has been prepared by drawing on Peacock’s original music and textual notes and his original field recordings. The collection is far-ranging and eclectic in that it includes British and American broadsides, musical hall and vaudeville material alongside country and western songs, and local compositions. It also highlights the influence of popular media on the Newfoundland song tradition and contextualizes a number of locally composed songs. In this sense, it provides a key link between what Peacock actually recorded and the material he eventually published. As several of the songs have not previously appeared in the standard Newfoundland collections, The Forgotten Songs sheds new light on the extent of Peacock’s collecting. The collection includes 125 songs arranged under 113 titles along with extensive notes on the songs, and brief biographies of the 58 singers. Thanks to the Research Centre for the Study of Music Media and Place, a video of the launch event, held in St.John's, Newfoundland, is available at https://www.youtube.com/watch?v=ghj6E6-QiLI&t=21s.

Author: Gale Huntington
Publisher: University of Georgia Press
ISBN: 0820336254
Category : Music
Languages : en
Pages : 674

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The story of Ireland—its graces and shortcomings, triumphs and sorrows—is told by ballads, dirges, and humorous songs of its common people. Music is a direct and powerful expression of Irish folk culture and an aspect of Irish life beloved throughout the rest of the world. Incredibly, the largest single gathering of Irish folk songs had been almost inaccessible because, originally newspaper based, it was available in only three libraries, in Belfast, Dublin, and Washington D.C. Sam Henry's “Songs of the People” makes the music available to a wider audience than the collector ever imagined. Comprising nearly 690 selections, this thoroughly annotated and indexed collection is a treasure for anyone who performs, composes, studies, collects, or simply enjoys folk music. It is valuable as an outstanding record of Irish folk songs before World War II, demonstrating the historical ties between Irish and Southern folk culture and the tremendous Irish influence on American folk music. In addition to the songs themselves and their original commentary, Sam Henry's “Songs of the People” includes a glossary, bibliography, discography, index of titles and first lines, melodic index, index of the original sources of the songs and information about them, geographical index of sources, and three appendixes related to the original song series in the Northern Constitution.

Author: Scott B. Spencer
Publisher: Scarecrow Press
ISBN: 0810881551
Category : Antiques & Collectibles
Languages : en
Pages : 247

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Book Description
Much has been written about the songs gathered in North America in the first half of the 20th century. However, there is scant information on those individuals responsible for gathering these songs. The Ballad Collectors of North America: How Gathering Folksongs Transformed Academic Thought and American Identity fills this gap, documenting the efforts of those who transcribed and recorded North American folk songs. Both biographical and topical, this book chronicles not only the most influential of these "song catchers" but also examines the main schools of thought on the collection process, the leading proponents of those schools, and the projects that they shaped. Contributors also consider the role of technology--especially the phonograph--in the collection efforts. Chapters organized by region cover such areas as Appalachia, the West, and Canada, while others devoted to specialized topics from the cowboy tune and occupational song to the commercialization of folk music through song collections and anthologies. Ballad Collectors investigates the larger role of the ballad in the development of American identity, from the national appreciation of cowboy songs in popular culture to the use of Appalachian song forms in radio broadcasts to the role of dustbowl ballads in the urban folk revival of the 1950s and 1960s. Finally, this collection assesses the changing role of songs and song texts in the academic fields of folklore, anthropology, musicology, and ethnomusicology. Scholars and students of American cultural and social history, as well as fans of North American folk and popular music, will find The Ballad Collectors of North America a fascinating story of how the American folk tradition gained greater visibility, fueling the revolutions that would follow in the writing and performance of American music.

Author: Christopher R. Fee
Publisher: Bloomsbury Publishing USA
ISBN: 1610695682
Category : Social Science
Languages : en
Pages : 1265

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Book Description
A fascinating survey of the entire history of tall tales, folklore, and mythology in the United States from earliest times to the present, including stories and myths from the modern era that have become an essential part of contemporary popular culture. Folklore has been a part of American culture for as long as humans have inhabited North America, and increasingly formed an intrinsic part of American culture as diverse peoples from Europe, Africa, Asia, and Oceania arrived. In modern times, folklore and tall tales experienced a rejuvenation with the emergence of urban legends and the growing popularity of science fiction and conspiracy theories, with mass media such as comic books, television, and films contributing to the retelling of old myths. This multi-volume encyclopedia will teach readers the central myths and legends that have formed American culture since its earliest years of settlement. Its entries provide a fascinating glimpse into the collective American imagination over the past 400 years through the stories that have shaped it. Organized alphabetically, the coverage includes Native American creation myths, "tall tales" like George Washington chopping down his father's cherry tree and the adventures of "King of the Wild Frontier" Davy Crockett, through to today's "urban myths." Each entry explains the myth or legend and its importance and provides detailed information about the people and events involved. Each entry also includes a short bibliography that will direct students or interested general readers toward other sources for further investigation. Special attention is paid to African American folklore, Asian American folklore, and the folklore of other traditions that are often overlooked or marginalized in other studies of the topic.

Author: Ian Russell
Publisher:
ISBN:
Category : Folk singers
Languages : en
Pages : 572

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Book Description
"Over the last thirty years, there have been very few volumes published in the UK devoted to the study of folk song and the folk song revival, much of the research in the field appearing in the pages of the Folk Music Journal or coming from North America. This extensive collection of papers, while not comprehensive, is intended in part to fill this void and to make a contribution to the field of study. It is the unashamed product of a major conference to mark the centenary of the founding of the Folk-Song Society, held at the University of Sheffield, 10-12 July 1998, and organised jointly by the University's Department of Music and National Centre for English Cultural Tradition, together with the English Folk Dance and Song Society, the successor to the Folk-Song Society since its merger with the English Folk Dance Society in 1932."--p.1.