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Author: Stephen Millar Publisher: University of Michigan Press ISBN: 047213194X Category : Music Languages : en Pages : 265
Book Description
The signing of the Good Friday Agreement on April 10, 1998, marked the beginning of a new era of peace and stability in Northern Ireland. As the public overwhelmingly rejected a return to the violence of the Troubles, loyalist and republican groups sought other outlets to continue their struggle. Music, which has long been used to celebrate cultural identity in the North of Ireland, became a key means of facilitating the continuation of pre-Agreement identity narratives in a “post-conflict” era. Sounding Dissent draws on three years of sustained fieldwork within Belfast's rebel music scene, in-depth interviews with republican musicians, contemporary audiences, and former paramilitaries, as well as diverse historical and archival material, including songbooks, prison records, and newspaper articles, to understand the history of political violence in Ireland.The book examines the potential of rebel songs to memorialize a pantheon of republican martyrs, and demonstrates how musical performance and political song not only articulate experiences and memories of oppression and violence, but also play a central role in the reproduction of conflict and exclusion in times of peace.
Author: Stephen Millar Publisher: University of Michigan Press ISBN: 047213194X Category : Music Languages : en Pages : 265
Book Description
The signing of the Good Friday Agreement on April 10, 1998, marked the beginning of a new era of peace and stability in Northern Ireland. As the public overwhelmingly rejected a return to the violence of the Troubles, loyalist and republican groups sought other outlets to continue their struggle. Music, which has long been used to celebrate cultural identity in the North of Ireland, became a key means of facilitating the continuation of pre-Agreement identity narratives in a “post-conflict” era. Sounding Dissent draws on three years of sustained fieldwork within Belfast's rebel music scene, in-depth interviews with republican musicians, contemporary audiences, and former paramilitaries, as well as diverse historical and archival material, including songbooks, prison records, and newspaper articles, to understand the history of political violence in Ireland.The book examines the potential of rebel songs to memorialize a pantheon of republican martyrs, and demonstrates how musical performance and political song not only articulate experiences and memories of oppression and violence, but also play a central role in the reproduction of conflict and exclusion in times of peace.
Author: Georges Denis Zimmermann Publisher: Four Courts Press ISBN: Category : History Languages : en Pages : 356
Book Description
This classic collection is a discussion of songs that gave utterance to the opinions and feelings of an important part of the Irish people in political, social, and religious feelings. First published in 1966, this is a new edition with corrections and additional notes. The songs, which were within the reach of all strands of society, were not only an expression of the singers' and listeners' feelings or opinions but also a form of propaganda. And when printers invested in them with the production of broadsheets and booklets, they became an industry. Thus, as the author states in his introduction, they are a curious melting pot for different kinds of literature or sub-literature.
Author: Andrew Catlin Publisher: ISBN: 9781999881856 Category : Languages : en Pages : 116
Book Description
Rebel Song is a collection of pictures and words of some of the most important musicians who changed the face of Irish Music to the international force it is today. As Irish musicians began to find international fame in the second half of the 20th century, there was a growing swell of bands like the Fureys, the Pogues and the Dubliners who transformed traditional rebel music into something with an energy and intensity that was more direct and outspoken than ever before. Irish folk music had expressed the pain of generations under colonial domination. This blossomed into a nation's resistance and rebellion, and spilled over into rock and pop, and then into a fusion with punk. Filled with passion and politics, the tunes of rebellion moved from a rallying call to resistance, and onto a global stage that continues to push back and assert Irish identity and love of life. Artists like U2, Sinéad O'Connor, Bob Geldof and the Pogues have often taken an outspoken stand on matters of global politics, while always maintaining a direct connection back to Ireland. Featuring pictures by legendary music photographer Andrew Catlin that include many taken very early in the careers of the artists, often while at their creative peak, with photographs that span more than thirty years. The book explores the connection between the traditions of Irish music, the history of Ireland, and the extraordinary power and intensity of some of the greatest songwriters and performers of the last 50 years.
Author: Declan Finn Publisher: Createspace Independent Publishing Platform ISBN: 9781537131290 Category : Languages : en Pages : 180
Book Description
"For all Their Wars Are Merry" is an examination of the uses and implications of songs in Irish terrorist organizations such as the IRA and all of their various and sundry splinter factions. Basically, it will examine why the Irish have these songs as such a widespread phenomenon, and what the songs tell us about these Irish terrorists. From songs like "My Little Armalite" to "Come out Ye Black and Tans," one gets the feeling that the IRA doesn't quite take their British opponents as seriously as one would think, given the amount of bombs and firepower the IRA and all of its mutations has thrown at them in their fight to have Northern Ireland united with the Republic of Ireland, or at least independent of the United Kingdom. Along the way, it will cover why the Irish terrorists have such songs, why they apologize for their atrocities, how Catholic they thing they are. It will trace these traditions going back back to the days of the Druidic Bards-Irish poets-of the early Celts some three thousand years ago, up to and including the poet Patrick Pearse in the 1916 Easter Uprising in Dublin.
Author: James Connolly Publisher: Pm Press ISBN: 9781604868265 Category : History Languages : en Pages : 80
Book Description
Songs of Freedom is the name of the 1907 songbook edited by the Irish revolutionary socialist James Connolly. For the first time in nearly 100 years, readers will find all of his original songs. Both are reproduced exactly as they originally appeared, providing a fascinating glimpse of the workers' struggle in the early 1900s. To complete the picture, the book includes the James Connolly Songbook of 1972, which contains the most complete selection of Connolly's lyrics and historical background essential to understanding the context in which the songs were written.
Author: Helen Creighton Publisher: New York : Dover Publications ISBN: Category : Music Languages : en Pages : 394
Book Description
Songs of love, of the sea, of batt≤ humorous songs, songs on the theme of the broken ring token, Irish songs, nursery songs, songs native to the province or North America, and more. Unlike many collections, this book includes not only the words but the music for every song. 150 songs. Introduction. Bibliography. Index of Titles.
Author: Michael Brendan Dougherty Publisher: Penguin ISBN: 0525538674 Category : Biography & Autobiography Languages : en Pages : 242
Book Description
The perfect gift for parents this Father’s Day: a beautiful, gut-wrenching memoir of Irish identity, fatherhood, and what we owe to the past. “A heartbreaking and redemptive book, written with courage and grace.” –J.D. Vance, author of Hillbilly Elegy “…a lovely little book.” –Ross Douthat, The New York Times The child of an Irish man and an Irish-American woman who split up before he was born, Michael Brendan Dougherty grew up with an acute sense of absence. He was raised in New Jersey by his hard-working single mother, who gave him a passion for Ireland, the land of her roots and the home of Michael's father. She put him to bed using little phrases in the Irish language, sang traditional songs, and filled their home with a romantic vision of a homeland over the horizon. Every few years, his father returned from Dublin for a visit, but those encounters were never long enough. Devastated by his father's departures, Michael eventually consoled himself by believing that fatherhood was best understood as a check in the mail. Wearied by the Irish kitsch of the 1990s, he began to reject his mother's Irish nationalism as a romantic myth. Years later, when Michael found out that he would soon be a father himself, he could no longer afford to be jaded; he would need to tell his daughter who she is and where she comes from. He immediately re-immersed himself in the biographies of firebrands like Patrick Pearse and studied the Irish language. And he decided to reconnect with the man who had left him behind, and the nation just over the horizon. He began writing letters to his father about what he remembered, missed, and longed for. Those letters would become this book. Along the way, Michael realized that his longings were shared by many Americans of every ethnicity and background. So many of us these days lack a clear sense of our cultural origins or even a vocabulary for expressing this lack--so we avoid talking about our roots altogether. As a result, the traditional sense of pride has started to feel foreign and dangerous; we've become great consumers of cultural kitsch, but useless conservators of our true history. In these deeply felt and fascinating letters, Dougherty goes beyond his family's story to share a fascinating meditation on the meaning of identity in America.
Author: Áine Mangaoang Publisher: Routledge ISBN: 0429811853 Category : Music Languages : en Pages : 361
Book Description
Made in Ireland: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology and musicology of 20th- and 21st-century Irish popular music. The volume consists of essays by leading scholars in the field and covers the major figures, styles and social contexts of popular music in Ireland. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Irish popular music. The book is organized into three thematic sections: Music Industries and Historiographies, Roots and Routes and Scenes and Networks. The volume also includes a coda by Gerry Smyth, one of the most published authors on Irish popular music.
Author: Stephen Millar
Author: Stephen Millar
Author: Georges Denis Zimmermann
Author: Andrew Catlin
Author: Declan Finn
Author: Georges Denis Zimmermann
Author: James Connolly
Author: Helen Creighton
Author: Michael Brendan Dougherty
Author: Áine Mangaoang
Author: Thomas Moore