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Author: Norbert Krapf Publisher: Indiana University Press ISBN: 0253006368 Category : Poetry Languages : en Pages : 234
Book Description
“In these 101 poems Norbert Krapf explores the richness of his ancestry . . . a book that confirms Krapf’s status as one of America’s finest living poets.” —Benjamin Hedin, author of Under the Spell A collaboration born of a shared love of music, photography, poetry, and Indiana, this book celebrates the history, literature, and art that informs the present and shapes our identity. Richard Fields’s black and white photos are evocative imaginings of Norbert Krapf’s poems, visual metaphors that extend and deepen their vision. Krapf’s poems pay tribute to poets from Homer and Virgil to Walt Whitman, Emily Dickinson, and Wendell Berry, and to singer-songwriters such as Woody Guthrie and John Lennon. They also explore the poet’s German heritage, question ethnic prejudice and social conflict, and praise the natural world. The book includes a cycle of 15 poems about Bob Dylan; a public poem written in response to 9/11, “Prayer to Walt Whitman at Ground Zero”; “Back Home,” a poem reproduced in a stained glass panel at the Indianapolis airport; and ruminations on the twentieth anniversary of the fall of the Berlin Wall, “Questions on a Wall.” “Pursuing a tri-fold creative concept that unites poetry, art in the form of photography, and music is certainly not a light challenge. Norbert Krapf has mastered it with remarkable virtuosity and once again reinforced his reputation as the pre-eminent German-American poet of the English language.” —Yearbook of German-American Studies “Some of Krapf’s poetry is breathtakingly moving. Most of it is very insightful . . . The way he joins history and emotion is wonderful.” —Englewood Review of Books
Author: Norbert Krapf Publisher: Indiana University Press ISBN: 0253006368 Category : Poetry Languages : en Pages : 234
Book Description
“In these 101 poems Norbert Krapf explores the richness of his ancestry . . . a book that confirms Krapf’s status as one of America’s finest living poets.” —Benjamin Hedin, author of Under the Spell A collaboration born of a shared love of music, photography, poetry, and Indiana, this book celebrates the history, literature, and art that informs the present and shapes our identity. Richard Fields’s black and white photos are evocative imaginings of Norbert Krapf’s poems, visual metaphors that extend and deepen their vision. Krapf’s poems pay tribute to poets from Homer and Virgil to Walt Whitman, Emily Dickinson, and Wendell Berry, and to singer-songwriters such as Woody Guthrie and John Lennon. They also explore the poet’s German heritage, question ethnic prejudice and social conflict, and praise the natural world. The book includes a cycle of 15 poems about Bob Dylan; a public poem written in response to 9/11, “Prayer to Walt Whitman at Ground Zero”; “Back Home,” a poem reproduced in a stained glass panel at the Indianapolis airport; and ruminations on the twentieth anniversary of the fall of the Berlin Wall, “Questions on a Wall.” “Pursuing a tri-fold creative concept that unites poetry, art in the form of photography, and music is certainly not a light challenge. Norbert Krapf has mastered it with remarkable virtuosity and once again reinforced his reputation as the pre-eminent German-American poet of the English language.” —Yearbook of German-American Studies “Some of Krapf’s poetry is breathtakingly moving. Most of it is very insightful . . . The way he joins history and emotion is wonderful.” —Englewood Review of Books
Author: Helen Abbott Publisher: Oxford University Press ISBN: 0192513656 Category : Poetry Languages : en Pages : 205
Book Description
Why do we find it hard to explain what happens when words are set to music? This study looks at the kind of language we use to describe word/music relations, both in the academic literature and in manuals for singers or programme notes prepared by professional musicians. Helen Abbott's critique of word/music relations interrogates overlaps emerging from a range of academic disciplines including translation theory, adaptation theory, word/music theory, as well as critical musicology, métricométrie, and cognitive neuroscience. It also draws on other resources-whether adhesion science or financial modelling-to inform a new approach to analysing song in a model proposed here as the assemblage model. The assemblage model has two key stages of analysis. The first stage examines the bonds formed between the multiple layers that make up a song setting (including metre/prosody, form/structure, sound repetition, semantics, and live performance options). The second stage considers the overall outcome of each song in terms of the intensity or stability of the words and music present in a song (accretion/dilution). Taking the work of the major nineteenth-century French poet Charles Baudelaire (1821-67) as its main impetus, the volume examines how Baudelaire's poetry has inspired composers of all genres across the globe, from the 1860s to the present day. The case studies focus on Baudelaire song sets by European composers between 1880 and 1930, specifically Maurice Rollinat, Gustave Charpentier, Alexander Gretchaninov, Louis Vierne, and Alban Berg. Using this corpus, it tests out the assemblage model to uncover what happens to Baudelaire's poetry when it is set to music. It factors in the realities of song as a live performance genre, and reveals which parameters of song emerge as standard for French text-setting, and where composers diverge in their approach.
Author: Lewis C. Mainzer Publisher: Xlibris Corporation ISBN: 1479735116 Category : Poetry Languages : en Pages : 108
Book Description
This collection, written since Two Wives Ago: Selected Poems, includes poems on Isaac and strong-willed Abraham, King Lear and his troublesome daughters, the mysteries of choir practice, the historical prominence of male decapitation, a boy shot by the cops, searching the lake for a missing boy, a hippo in the bed (with the poet's wife?), old age and decay, death-timely, too soon, too late, sweet love in youth and in old age, lilac blossoms in an outhouse, a gardener's hopes and joys and failures, elephant dung, a skunk, a quite day at the frog pond, the history and esthetics of tattooing, a Japanese woodblock print moon, a Robert Frost tool, an E.M. Forster story, and a message which may have gone astray. Cover engraving by J.G. Posada
Author: Lloyd Godman Publisher: PHOTO-synthesis media ISBN: 0645715107 Category : Photography Languages : en Pages : 96
Book Description
In The Last Rivers Song, Lloyd Godman presents a stunning series of black and white photographs that show the raw, natural, beauty of Clutha River (which flows from Lake Wanka) and Kawarau River (which flows from Lake Wakatiku, Queenstown) before the water was stilled with the filling of Lake Dunstan at the completion of the hydro dam at Clyde in Central Otago, New Zealand. The hydro dam was planned to provide power to an aluminium smelter at Aromana which due to protests never eventuated. In an age where rivers are increasingly under threat from development, it offers an emblematic, evocative portrait of a wild, free-flowing river that has been lost to hydro development. The publication includes a detailed introduction to the conception of the project and the technical challenges of producing large mural photographs (which are gold toned from gold mined from the very river itself) and were first exhibited at the Dunedin Public Art Gallery. From photographic stop motion to time exposure the aura of the river is captured beyond human vision. Exhibited at the Marshall Seifert Gallery, to compliment the murals at the DPAG, was a series of smaller photographs, the Clutha Panels, which show the expansive mood of the river. The full suite of photographs is included in the book. Hyperlinks within the publication link to animated video using sequences of the photographs and an original soundscape composed by Trevor Coleman and Paul Hutchins to accompany the DPAG exhibition. "Water surges, sprays, foams, whirls, ripples and rests, framed by very black rock which, when devoid of detail cameos the textures of its movements. In other instances a chiaroscuro lighting throws forward rock surface, its water-worn texture combining in rhythmic counterpoint with the current. The mural works are more expressively extreme, and have a greater over-all movement, each work capturing a different mood, from candy-floss fibres of foam in mural five, to the bone-crushing torrents". Alastair Galbraith
Author: Ferdinand Schuyler Mathews Publisher: ISBN: Category : Birds Languages : en Pages : 420
Book Description
A description of the character and music of birds, intended to assist in the identification of species common in the United States east of the Rocky Mountains.
Author: Jack Curtis Dubowsky Publisher: Springer ISBN: 1137454210 Category : Performing Arts Languages : en Pages : 270
Book Description
Intersecting Film, Music, and Queerness uses musicology and queer theory to uncover meaning and message in canonical American cinema. This study considers how queer readings are reinforced or nuanced through analysis of musical score. Taking a broad approach to queerness that questions heteronormative and homonormative patriarchal structures, binary relationships, gender assumptions and anxieties, this book challenges existing interpretations of what is progressive and what is retrogressive in cinema. Examined films include Bride of Frankenstein, Louisiana Story, Rudolph the Red-Nosed Reindeer, Blazing Saddles, Edward Scissorhands, Brokeback Mountain, Boys Don't Cry, Transamerica, Thelma & Louise, Go Fish and The Living End, with special attention given to films that subvert or complicate genre. Music is analyzed with concern for composition, intertextual references, absolute musical structures, song lyrics, recording, arrangement, and performance issues. This multidisciplinary work, featuring groundbreaking research, analysis, and theory, offers new close readings and a model for future scholarship.
Author: Craig Werner Publisher: Crown Archetype ISBN: 0307420876 Category : Biography & Autobiography Languages : en Pages : 305
Book Description
An insightful music writer brilliantly reinterprets the lives of three pop geniuses and the soul revolution they launched. Soul music is one of America's greatest cultural achievements, and Stevie Wonder, Aretha Franklin, and Curtis Mayfield are three of its most inspired practitioners. In midcentury America it was soul music—particularly the dazzling stream of recordings made by these three stars—that helped bring the gospel vision of the black church into the mainstream, energizing the era’s social movements and defining a new American gospel where the sacred and the secular met. What made this gospel all the more amazing was that its most influential articulators were the sons and daughters of sharecroppers, storefront preachers, and single parents in the projects, whose genius gave voice to a new vision of American possibility. Higher Ground seamlessly weaves the specific and intensely personal narratives of Stevie, Aretha, and Curtis’s lives into the historical fabric of their times. The three shared many similarities: They were all children of the great migration and of the black church. But Werner goes further and ties them together with a provocative thesis about American history and culture that compels us to reconsider both the music and the times. And aside from the personalities and the history, he writes beautifully about music itself, the nuts and bolts of its creation and performance, in a way that brings a new awareness and understanding to the most familiar music, forcing you to listen to songs you've heard a thousand times with fresh ears. In Higher Ground, Werner illuminates the lives of three unparalleled American artists, reminding us why their music mattered then and still resonates with us today.
Author: The Editors of LIFE Publisher: Time Home Entertainment ISBN: 1547852089 Category : Performing Arts Languages : en Pages : 182
Book Description
LIFE is where the nation first learned about TheWizard of Oz and its soon-to-be starlet Judy Garland. Seventy-five years after the debut of the classic American movie, this commemorative volume, LIFE The Wizard of Oz: 75 Years Along the Yellow Brick Road, includes rare and never-before-seen photography about the iconic film, intimate portraits of the film's stars, and exclusive commentary from renowned contributors, including TIME movie critic Richard Corliss. This celebratory book not only covers the history of the movie, but also explores the legends, lore and the effect the movie had on the nation's film industry and culture- The Wizard of Oz was one of the first color films created.
Author: Norbert Krapf
Author: Norbert Krapf
Author: 
Author: Helen Abbott
Author: Lewis C. Mainzer
Author: Lloyd Godman
Author: Ferdinand Schuyler Mathews
Author: Jack Curtis Dubowsky
Author: 
Author: Craig Werner
Author: The Editors of LIFE