Author: Edvard Grieg
Publisher: Alfred Music
ISBN: 9781457485343
Category : Music
Languages : en
Pages : 68
Book Description
A Cello solo with Piano Accompaniment composed by Edvard Grieg.
Cello Sonata in A Minor, Opus 36
Author: Edvard Grieg
Publisher: Alfred Music
ISBN: 9781457485343
Category : Music
Languages : en
Pages : 68
Book Description
A Cello solo with Piano Accompaniment composed by Edvard Grieg.
Publisher: Alfred Music
ISBN: 9781457485343
Category : Music
Languages : en
Pages : 68
Book Description
A Cello solo with Piano Accompaniment composed by Edvard Grieg.
Louise Farrenc, 1804-1875
Le Guide Musical
Sonata in E Minor
Author:
Publisher: Alfred Music Publishing
ISBN: 9780769297583
Category : Music
Languages : en
Pages : 0
Book Description
A solo, for Viola with Piano Accompaniment, composed by Benedetto Marcello.
Publisher: Alfred Music Publishing
ISBN: 9780769297583
Category : Music
Languages : en
Pages : 0
Book Description
A solo, for Viola with Piano Accompaniment, composed by Benedetto Marcello.
Sonate pour piano et violoncelle
Author: Gaspar Cassadó
Publisher:
ISBN:
Category : Sonatas (Cello and piano)
Languages : en
Pages : 58
Book Description
Publisher:
ISBN:
Category : Sonatas (Cello and piano)
Languages : en
Pages : 58
Book Description
Les Six
Author: Robert Shapiro
Publisher: Peter Owen Publishers
ISBN: 072061774X
Category : Music
Languages : en
Pages : 638
Book Description
The absorbing, comprehensive story of an absolutely unique experiment in classical music, involving many key figures of the Dada and Surrealist movements Les Six were a group of talented composers who came together in a unique collaboration that has never been matched in classical music, and here their remarkable story is told for the first time. A musical experiment originally conceived by Erik Satie and then built upon by Jean Cocteau, Les Six were also born out of the shock of the German invasion of France in 1914—an avant-garde riposte to German romanticism and Wagnerism. Les Six were all—and still are—respected in music circles, but under the aegis of Cocteau, they found themselves moving among a whole new milieu: the likes of Picasso, René Clair, Blaise Cendrars, and Maurice Chevalier all appear in the story. But the story of Les Six goes on long after the heyday of Bohemian Paris—the group never officially disbanded and it was only in the last 20 years that the last member died; moreover, their spouses, descendents, and associates are still active, ensuring that the remarkable legacy of this unique group survives.
Publisher: Peter Owen Publishers
ISBN: 072061774X
Category : Music
Languages : en
Pages : 638
Book Description
The absorbing, comprehensive story of an absolutely unique experiment in classical music, involving many key figures of the Dada and Surrealist movements Les Six were a group of talented composers who came together in a unique collaboration that has never been matched in classical music, and here their remarkable story is told for the first time. A musical experiment originally conceived by Erik Satie and then built upon by Jean Cocteau, Les Six were also born out of the shock of the German invasion of France in 1914—an avant-garde riposte to German romanticism and Wagnerism. Les Six were all—and still are—respected in music circles, but under the aegis of Cocteau, they found themselves moving among a whole new milieu: the likes of Picasso, René Clair, Blaise Cendrars, and Maurice Chevalier all appear in the story. But the story of Les Six goes on long after the heyday of Bohemian Paris—the group never officially disbanded and it was only in the last 20 years that the last member died; moreover, their spouses, descendents, and associates are still active, ensuring that the remarkable legacy of this unique group survives.
Catalogue of the Allen A. Brown Collection of Music in the Public Library of the City of Boston
Author: Allen A. Brown Collection (Boston Public Library)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 354
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 354
Book Description
Deuxième Sonate
Author: Gabriel Fauré
Publisher:
ISBN:
Category : Sonatas (Cello and piano)
Languages : en
Pages : 62
Book Description
Publisher:
ISBN:
Category : Sonatas (Cello and piano)
Languages : en
Pages : 62
Book Description
Playing the Cello, 1780-1930
Author: George Kennaway
Publisher: Routledge
ISBN: 1317079817
Category : Music
Languages : en
Pages : 299
Book Description
This innovative study of nineteenth-century cellists and cello playing shows how simple concepts of posture, technique and expression changed over time, while acknowledging that many different practices co-existed. By placing an awareness of this diversity at the centre of an historical narrative, George Kennaway has produced a unique cultural history of performance practices. In addition to drawing upon an unusually wide range of source materials - from instructional methods to poetry, novels and film - Kennaway acknowledges the instability and ambiguity of the data that supports historically informed performance. By examining nineteenth-century assumptions about the very nature of the cello itself, he demonstrates new ways of thinking about historical performance today. Kennaway’s treatment of tone quality and projection, and of posture, bow-strokes and fingering, is informed by his practical insights as a professional cellist and teacher. Vibrato and portamento are examined in the context of an increasing divergence between theory and practice, as seen in printed sources and heard in early cello recordings. Kennaway also explores differing nineteenth-century views of the cello’s gendered identity and the relevance of these cultural tropes to contemporary performance. By accepting the diversity and ambiguity of nineteenth-century sources, and by resisting oversimplified solutions, Kennaway has produced a nuanced performing history that will challenge and engage musicologists and performers alike.
Publisher: Routledge
ISBN: 1317079817
Category : Music
Languages : en
Pages : 299
Book Description
This innovative study of nineteenth-century cellists and cello playing shows how simple concepts of posture, technique and expression changed over time, while acknowledging that many different practices co-existed. By placing an awareness of this diversity at the centre of an historical narrative, George Kennaway has produced a unique cultural history of performance practices. In addition to drawing upon an unusually wide range of source materials - from instructional methods to poetry, novels and film - Kennaway acknowledges the instability and ambiguity of the data that supports historically informed performance. By examining nineteenth-century assumptions about the very nature of the cello itself, he demonstrates new ways of thinking about historical performance today. Kennaway’s treatment of tone quality and projection, and of posture, bow-strokes and fingering, is informed by his practical insights as a professional cellist and teacher. Vibrato and portamento are examined in the context of an increasing divergence between theory and practice, as seen in printed sources and heard in early cello recordings. Kennaway also explores differing nineteenth-century views of the cello’s gendered identity and the relevance of these cultural tropes to contemporary performance. By accepting the diversity and ambiguity of nineteenth-century sources, and by resisting oversimplified solutions, Kennaway has produced a nuanced performing history that will challenge and engage musicologists and performers alike.