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Music for a Mixed Taste

Music for a Mixed Taste PDF Author: Steven David Zohn
Publisher: Oxford University Press
ISBN: 0190247851
Category : Music
Languages : en
Pages : 721

Book Description
This first full-length study of Telemann's concertos, sonatas, and suites focuses on his imaginative mixing of styles and genres. Special attention is also devoted to the extra musical meanings and humor of his programmatic overture-suites, his unprecedented self-publishing enterprise, and the social resonances of his Polish-style works.

Music for a Mixed Taste

Music for a Mixed Taste PDF Author: Steven David Zohn
Publisher: Oxford University Press
ISBN: 0190247851
Category : Music
Languages : en
Pages : 721

Book Description
This first full-length study of Telemann's concertos, sonatas, and suites focuses on his imaginative mixing of styles and genres. Special attention is also devoted to the extra musical meanings and humor of his programmatic overture-suites, his unprecedented self-publishing enterprise, and the social resonances of his Polish-style works.

Ornamentation in Baroque and Post-Baroque Music, with Special Emphasis on J.S. Bach

Ornamentation in Baroque and Post-Baroque Music, with Special Emphasis on J.S. Bach PDF Author: Frederick Neumann
Publisher: Princeton University Press
ISBN: 0691213348
Category : Music
Languages : en
Pages : 644

Book Description
Ornaments play an enormous role in the music of the seventeenth and eighteenth centuries, and ambiguities in their notation (as well as their frequent omission in the score) have left doubt as to how composers intended them to be interpreted. Frederick Neumann, himself a violinist and conductor, questions the validity of the rigid principles applied to their performance. In this controversial work, available for the first time in paperback, he argues that strict constraints are inconsistent with the freedom enjoyed by musicians of the period. The author takes an entirely new look at ornamentation, and particularly that of J. S. Bach. He draws on extensive research in England, France, Germany, Italy, and the United States to show that prevailing interpretations are based on inadequate evidence. These restrictive interpretations have been far-reaching in their effect on style. By questioning them, this work continues to stimulate a reorientation in our understandiing of Baroque and post-Baroque music.

Violin and Keyboard: From the seventeenth century to Mozart

Violin and Keyboard: From the seventeenth century to Mozart PDF Author: Abram Loft
Publisher: Hal Leonard Corporation
ISBN: 9780931340369
Category : Music
Languages : en
Pages : 386

Book Description
This wonderful book is written for musicians seeking to build or extend a sonata repertoire. Analyses are given of both well-known and many lesser-known pieces of music, with recommendations on performance as well as descriptions of difficulties. Many are suitable for student or amateur musicians. This is mainly a book for violinists, though; many of the keyboard parts of these pieces are little more than continuo accompaniment. The second volume, detailing the music of Beethoven onward, contains descriptions of music that puts the keyboardist on more equal footing with the violinist.

The Solo Sonatas of Georg Philipp Telemann

The Solo Sonatas of Georg Philipp Telemann PDF Author: Jeanne Roberta Swack
Publisher:
ISBN:
Category :
Languages : en
Pages : 354

Book Description


The Musical Mainstream

The Musical Mainstream PDF Author:
Publisher:
ISBN:
Category : Blind, Periodicals for the
Languages : en
Pages : 80

Book Description


The Cambridge Companion to the Violin

The Cambridge Companion to the Violin PDF Author: Robin Stowell
Publisher: Cambridge University Press
ISBN: 113982497X
Category : Music
Languages : en
Pages : 310

Book Description
The Cambridge Companion to the Violin offers students, performers, and scholars a fascinating and composite survey of the history and repertory of the instrument from its origins to the present day. The volume comprises fifteen essays, written by a team of specialists, and is intended to develop the violin's historical perspective in breadth and from every relevant angle. The principal subjects discussed include the instrument's structure and development; its fundamental acoustical properties; principal exponents; technique and teaching principles; solo and ensemble repertory; pedagogical literature; traditions in folk music and jazz; and aspects of historical performing practice. The text is supported by numerous illustrations and diagrams as well as music examples, a useful appendix, glossary of technical terms, and an extensive bibliography.

The Early Flute

The Early Flute PDF Author: Rachel Brown
Publisher: Cambridge University Press
ISBN: 9780521890809
Category : Music
Languages : en
Pages : 204

Book Description
This practical guide for flautists provides a survey of the instrument - its development, its technique, its repertoire and its literature - between 1700 and 1900. Each issue is set in a musical context and technical and stylistic matters such as fingering, tone production, articulation, ornamentation, vibrato, expression and delivery are examined in depth, applying evidence from historical sources to the standard flute repertoire. A series of case studies offers detailed interpretations of music by Hotteterre, Handel, Bach, Gluck, Mozart and Boehm. As an internationally recognised soloist, orchestral player and teacher of modern and historical flutes, Rachel Brown brings a wealth of experience to amateurs and professionals alike, encouraging stylistic awareness through an understanding of the way in which composers and flautists approached instruments of the past. Copious music examples, illustrations, fingering charts and bibliographies make this a standard reference book for both 'period' and modern flautists.

So You Want to Sing Chamber Music

So You Want to Sing Chamber Music PDF Author: Susan Hochmiller
Publisher: Rowman & Littlefield
ISBN: 1538105179
Category : Music
Languages : en
Pages : 245

Book Description
Vocal chamber music encompasses a wide range of music composed for anything from a solo to twelve voices and instruments. Performing chamber music offers the singer a unique opportunity to increase collaboration with instrumentalists and improve technique, musicianship, artistry, and communication. So You Want to Sing Chamber Music offers a comprehensive guide to learning, rehearsing, and performing in this genre. The book explores such critical skills as choosing repertoire that is appropriate for one’s voice type, communicating with wind players and string players, preparing for a successful rehearsal, performance style, staging considerations, and recital programming. Also included are suggestions on using vocal chamber music as a pedagogical tool in the voice studio, alongside recommendations for listening and further reading. Additional chapters by Scott McCoy and Wendy LeBorgne address universal questions of voice science, pedagogy, and vocal health. The So You Want to Sing seriesis produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing Chamber Music features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources

Library of Congress Name Headings with References

Library of Congress Name Headings with References PDF Author: Library of Congress
Publisher:
ISBN:
Category : Corporate headings (Cataloging)
Languages : en
Pages : 1132

Book Description


The Ornamentation of Baroque Music

The Ornamentation of Baroque Music PDF Author: Manfredo Zimmermann
Publisher: BoD – Books on Demand
ISBN: 3739231971
Category : Music
Languages : en
Pages : 94

Book Description
Everything you want to know about embellishing Music of the Baroque Era is taught systematically and well-founded here: from the different "essential ornaments" such as trill, mordent, appoggiatura, slide, etc. up to the free melodic ornaments, cadenzas and improvised grounds. In addition, you will find valuable information, tips, constructive exercises, historical examples and much more. Exclusively you get a live recorded harpsichord-basso continuo accompaniment for all exercises, which supports you harmonically and rhythmically. For pupils, students, amateurs and professional musicians