Author: Giuseppe TartiniPublisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Sonate a violino e basso ... di Giuseppe Tartini
Author: Giuseppe TartiniA Performing Edition of Violin Sonatas by Giuseppe Tartini
Author: Giuseppe TartiniLe opere di Giuseppe Tartini: Sonate, op. 1, per violino e basso continuo, pt. 1, no. 1-6
Author: Giuseppe TartiniPublisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 116
Book Description
Le opere di Giuseppe Tartini: Sonate, op. 1, per violino e basso continuo, pt. 2, no. 7-12
Author: Giuseppe TartiniPublisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 98
Book Description
For the Love of Music
Author: Darwin Floyd ScottPublisher: Theodore Front Music
ISBN: 9788888326016
Category : Music
Languages : en
Pages : 324
Book Description
Sonata per violino e basso continuo F XIII, 56, RV 22
Author: Antonio VivaldiPublisher:
ISBN:
Category : Sonatas (Violin and continuo)
Languages : en
Pages : 56
Book Description
Le opere di Giuseppe Tartini: Tre sonate autografe per violino e basso continuo (G7-C5-B3)
Author: Giuseppe TartiniPublisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 114
Book Description
Le opere di Giuseppe Tartini
Author: Giuseppe TartiniPublisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 76
Book Description
Ornamentation in Baroque and Post-Baroque Music, with Special Emphasis on J.S. Bach
Author: Frederick NeumannPublisher: Princeton University Press
ISBN: 0691213348
Category : Music
Languages : en
Pages : 644
Book Description
Ornaments play an enormous role in the music of the seventeenth and eighteenth centuries, and ambiguities in their notation (as well as their frequent omission in the score) have left doubt as to how composers intended them to be interpreted. Frederick Neumann, himself a violinist and conductor, questions the validity of the rigid principles applied to their performance. In this controversial work, available for the first time in paperback, he argues that strict constraints are inconsistent with the freedom enjoyed by musicians of the period. The author takes an entirely new look at ornamentation, and particularly that of J. S. Bach. He draws on extensive research in England, France, Germany, Italy, and the United States to show that prevailing interpretations are based on inadequate evidence. These restrictive interpretations have been far-reaching in their effect on style. By questioning them, this work continues to stimulate a reorientation in our understandiing of Baroque and post-Baroque music.
Author: Giuseppe Tartini