Author: Elwira KrengielPublisher:
ISBN:
Category :
Languages : en
Pages : 74
Book Description
Sonata Op. 13 in A Major for Violin and Piano by Gabriel Fauré
Author: Elwira KrengielSonata in A Major, Opus 13
Author: Gabriel FauréPublisher: Alfred Music
ISBN: 9781457474422
Category : Music
Languages : en
Pages : 60
Book Description
A Violin solo with Piano Accompaniment composed by Gabriel Fauré.
Gabriel Fauré의 sonata for violin and piano in A major, op. 13에 관한 연구 분석
Author: Sonata No. 1, in A Major, Op. 13 for Violin & Piano
Author: Gabriel FauréSonata in a Major, Op. 13
Author: Publisher: Alfred Music Publishing
ISBN: 9780769280899
Category : Music
Languages : en
Pages : 0
Book Description
A Violin solo with Piano Accompaniment composed by Gabriel Fauré.
Sonata for Violin and Piano: in A Major, Op. 13; in E Minor, Op. 108
Author: Gabriel FauréSonata for Violin and Piano, Op. 13
Author: Gabriel FauréViolin Sonata No.1 by Gabriel Faur for Piano and Violin (1876) Op.13
Author: Gabriel FaurPublisher: Sigaud Press
ISBN: 1446517012
Category : Music
Languages : en
Pages : 58
Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Gabriel Fauré: The Songs and their Poets
Author: Graham JohnsonPublisher: Routledge
ISBN: 1351566113
Category : Music
Languages : en
Pages : 489
Book Description
The career of Gabriel Faur‘s a composer of songs for voice and piano traverses six decades (1862-1921); almost the whole history of French m die is contained within these parameters. In the 1860s Faur the lifelong prot of Camille Saint-Sa was a suavely precocious student; he was part of Pauline Viardot's circle in the 1870s and he nearly married her daughter. Pointed in the direction of symbolist poetry by Robert de Montesquiou in 1886, Faur as the favoured composer from the early 1890s of Winnarretta Singer, later Princesse de Polignac, and his songs were revered by Marcel Proust. In 1905 he became director of the Paris Conservatoire, and he composed his most profound music in old age. His existence, steadily productive and outwardly imperturbable, was undermined by self-doubt, an unhappy marriage and a tragic loss of hearing. In this detailed study Graham Johnson places the vocal music within twin contexts: Faur own life story, and the parallel lives of his many poets. We encounter such giants as Charles Baudelaire and Paul Verlaine, the patrician Leconte de Lisle, the forgotten Armand Silvestre and the Belgian symbolist Charles Van Lerberghe. The chronological range of the narrative encompasses Faur first poet, Victor Hugo, who railed against Napoleon III in the 1850s, and the last, Jean de La Ville de Mirmont, killed in action in the First World War. In this comprehensive and richly illustrated study each of Faur 109 songs receives a separate commentary. Additional chapters for the student singer and serious music lover discuss interpretation and performance in both aesthetical and practical terms. Richard Stokes provides parallel English translations of the original French texts. In the twenty-first century musical modernity is evaluated differently from the way it was assessed thirty years ago. Faur‘s no longer merely a 'Master of Charms' circumscribed by the belleque. His status as a great composer of timeless
Gabriel Faure
Author: Edward R. PhillipsPublisher: Taylor & Francis
ISBN: 1135838976
Category : Music
Languages : en
Pages : 408
Book Description
First published in 2011, this research study includes a biography section as well as the works of Gabriel Urbain Fauré born on 12 May 1845. Much of Fauré’s music, especially the late pieces, remain little played and little known—as a result, his reputation as a salon composer of pleasant music continues even among educated musicians. The author suggests that it is more likely that the difficulty of much of Fauré’s music for the listener and the demands it places upon him or her are the principal reasons for its omission from concert programs and for a misunderstanding of Fauré’s place in the history of French music