Sonata in g op. 2 no. 5 for oboe or violin and basso continuo PDF Download

Author: Johann Christian Schickhard
Publisher:
ISBN:
Category : Sonatas (Oboe and continuo)
Languages : en
Pages : 28

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Author: Johann Christian Schickhard
Publisher:
ISBN:
Category :
Languages : en
Pages : 12

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Author: Tommaso Albinoni
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: James Hepokoski
Publisher: Oxford University Press
ISBN: 0199890234
Category : Music
Languages : en
Pages : 692

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Book Description
Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.

Author: Donald Burrows
Publisher: OUP USA
ISBN: 0199737363
Category : Biography & Autobiography
Languages : en
Pages : 652

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Handel was a defining figure of the late Baroque era, perhaps best known for bringing the oratorio form to an English-speaking audience. This insightful study brings to life the glory of his artistry, his elusive personality and the flavour of his time.

Author: Michael Talbot
Publisher: Ricordi
ISBN: 9780634018978
Category : Music
Languages : en
Pages : 0

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Book Description
With this exciting new series, Ricordi aims at maximum fidelity to the composer's intentions as ascertained from various sources in the light of contemporary notational and performance practice.

Author: Michael Talbot
Publisher: Oxford Monographs on Music
ISBN: 9780198166955
Category : Language Arts & Disciplines
Languages : en
Pages : 272

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The knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types offinale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres -- suite, sonata,string quartet, symphony, and concerto -- is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at thefinales of all Shostakovich's string quartets, in which examples of most of the types may be found.

Author: Nancy Toff
Publisher: Oxford University Press, USA
ISBN: 0195373081
Category : Music
Languages : en
Pages : 559

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Book Description
The instrument -- Performance -- The music -- Repertoire catalog -- Fingering chart for the Boehm flute -- Flute manufacturers -- Repair shops -- Sources for instruments and accessories -- Sources for music and books -- Journals, societies, and service organizations -- Flute clubs and societies.

Author: Stephan D. Lindeman
Publisher: Pendragon Press
ISBN: 9781576470008
Category : Juvenile Nonfiction
Languages : en
Pages : 368

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Book Description
Lindeman, a musicologist, traces and defines the historical development of the concerto form as it passed from Mozart to succeeding generations. He then assesses Beethoven's contributions, and examines the classical model of the form in the early 19th century by overviewing several early romantic composers' works. Subsequent chapters analyze and assess the responses of five precursers of Schumann, whose work offers a synthesis of radical experiments and traditional tenets. He concludes by suggesting that concertos of Lizst offer a road into further developments of the genre in the second half of the century. Illustrated with bandw portraits of composers and excerpts from musical scores. Annotation copyrighted by Book News, Inc., Portland, OR

Author: Ken Johansen
Publisher: Taylor & Francis
ISBN: 1000967352
Category : Music
Languages : en
Pages : 229

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Book Description
Harmony at the Piano adapts the traditional study of keyboard harmony to the practical needs of modern piano students, using innovative exercises to help students practice their repertoire more deliberately, consciously, and creatively. The author introduces the essential elements of harmony through extensive examples from real piano music. Rooted in the understanding that the language of tonal harmony is best assimilated at the keyboard, this textbook: Gives students effective practice methods for learning repertoire, including techniques for memorizing music in a deliberate, analytical way. Connects harmony to musical expression, enabling students to make interpretive decisions based on their understanding of harmony. Contains extensive practice drills in each chapter, including chord progressions, figured bass, melody harmonization, reduction techniques, transposition, repertoire study, and more. Designed to support a full college or conservatory course in keyboard harmony, this book clearly connects the study of harmony to practical musicianship and keyboard skills, providing an essential resource for all instructors and students of advanced piano music. Extensive online resources complement this textbook, including suggested realizations of the figured bass exercises, the original scores of the melody harmonization and fill-in-the-blank exercises, as well as additional exercises and examples.