Author: Johann Sebastian Bach
Publisher:
ISBN:
Category :
Languages : en
Pages : 8
Book Description
Sonata in E Major for Flute and Continuo (BWV 1035). [carillon Music].
Sonata in E Major for Flute and Continuo, Bwv 1035
Johann Sebastian Bach - Flute Sonata in E Minor - Bwv 1034 - A Score for the Flute
Author: Johann Sebastian Bach
Publisher: Masterson Press
ISBN: 1447440293
Category : Music
Languages : en
Pages : 16
Book Description
Publisher: Masterson Press
ISBN: 1447440293
Category : Music
Languages : en
Pages : 16
Book Description
Bach
Author: Christoph Wolff
Publisher: Harvard University Press
ISBN: 9780674059269
Category : Biography & Autobiography
Languages : en
Pages : 484
Book Description
More than two centuries after his lifetime, J. S. Bach's work continues to set musical standards. Noted Bach scholar Christoph Wolff offers new perspectives on the composer's life and remarkable career.
Publisher: Harvard University Press
ISBN: 9780674059269
Category : Biography & Autobiography
Languages : en
Pages : 484
Book Description
More than two centuries after his lifetime, J. S. Bach's work continues to set musical standards. Noted Bach scholar Christoph Wolff offers new perspectives on the composer's life and remarkable career.
7 Sonatas and Partita for Flauto Traverso ; Sonatas, Flute, Continuo, BWV 1034, E Minor
Author: Johann Sebastian Bach
Publisher:
ISBN:
Category : Sonatas (Flute)
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Sonatas (Flute)
Languages : en
Pages :
Book Description
The Music of J. S. Bach
Author: David Schulenberg
Publisher: U of Nebraska Press
ISBN: 9780803210516
Category : Music
Languages : en
Pages : 242
Book Description
This volume contains contributions by nine scholars on two broad themes: the analysis of Johann Sebastian Bach?s orchestral works, especially his concertos, and the interpretation and performance of his music in general. The contributors are a diverse group, active in the fields of performance, organology, music theory, and music history. Several work in more than one of these areas, making them particularly well prepared to write on the interdisciplinary themes of the volume. ø Part 1 includes Alfred Mann?s introduction to Bach?s orchestral music as well as essays by Gregory G. Butler and Jeanne Swack on the Brandenburg Concertos. Part 2 offers ground-breaking articles by John Koster and Mary Oleskiewicz on the harpsichords and flutes of Bach?s day as well as essays by David Schulenberg and William Renwick on keyboard performance practice and the study of fugue in Bach?s circle. Paul Walker explores the relationships between rhetoric and fugue, and John Butt reviews some recent trends in Bach performance.
Publisher: U of Nebraska Press
ISBN: 9780803210516
Category : Music
Languages : en
Pages : 242
Book Description
This volume contains contributions by nine scholars on two broad themes: the analysis of Johann Sebastian Bach?s orchestral works, especially his concertos, and the interpretation and performance of his music in general. The contributors are a diverse group, active in the fields of performance, organology, music theory, and music history. Several work in more than one of these areas, making them particularly well prepared to write on the interdisciplinary themes of the volume. ø Part 1 includes Alfred Mann?s introduction to Bach?s orchestral music as well as essays by Gregory G. Butler and Jeanne Swack on the Brandenburg Concertos. Part 2 offers ground-breaking articles by John Koster and Mary Oleskiewicz on the harpsichords and flutes of Bach?s day as well as essays by David Schulenberg and William Renwick on keyboard performance practice and the study of fugue in Bach?s circle. Paul Walker explores the relationships between rhetoric and fugue, and John Butt reviews some recent trends in Bach performance.
Bach Perspectives, Volume 6
Author: Gregory Butler
Publisher: University of Illinois Press
ISBN: 0252030427
Category : Music
Languages : en
Pages : 178
Book Description
As the official publication of the American Bach Society, Bach Perspectives has pioneered new areas of research in the life, times, and music of Bach since its first appearance in 1995. In a series long known for its major essays by leading Bach scholars and performers, Bach Perspectives, Volume 6 is no exception. This volume opens with Joshua Rifkin's seminal study of the early source history of the B-minor orchestral suite. It not only elaborates on Rifkin's discovery that the work in its present form for solo flute goes back to an earlier version in A minor, ostensibly for solo violin, but also takes this discovery as the point of departure for a wide-ranging discussion of the origins and extent of Bach's output in the area of concerted ensemble music. Jeanne Swack presents an enlightening comparison of Georg Phillip Telemann's and Bach's approach to the French overture as concerted movements in their church cantatas, and Steven Zohn views the B-minor orchestral suite from the standpoint of the "concert en ouverture," responding to Rifkin by suggesting that the early version of the B-minor orchestral suite may also have been scored for flute.
Publisher: University of Illinois Press
ISBN: 0252030427
Category : Music
Languages : en
Pages : 178
Book Description
As the official publication of the American Bach Society, Bach Perspectives has pioneered new areas of research in the life, times, and music of Bach since its first appearance in 1995. In a series long known for its major essays by leading Bach scholars and performers, Bach Perspectives, Volume 6 is no exception. This volume opens with Joshua Rifkin's seminal study of the early source history of the B-minor orchestral suite. It not only elaborates on Rifkin's discovery that the work in its present form for solo flute goes back to an earlier version in A minor, ostensibly for solo violin, but also takes this discovery as the point of departure for a wide-ranging discussion of the origins and extent of Bach's output in the area of concerted ensemble music. Jeanne Swack presents an enlightening comparison of Georg Phillip Telemann's and Bach's approach to the French overture as concerted movements in their church cantatas, and Steven Zohn views the B-minor orchestral suite from the standpoint of the "concert en ouverture," responding to Rifkin by suggesting that the early version of the B-minor orchestral suite may also have been scored for flute.
7 Sonatas and Partita for Flauto Traverso
Author: Johann Sebastian Bach
Publisher:
ISBN:
Category : Sonatas (Flute and continuo)
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Sonatas (Flute and continuo)
Languages : en
Pages :
Book Description
Sei Solo: Symbolum?
Author: Benjamin Jeffery Shute
Publisher: Wipf and Stock Publishers
ISBN: 1498239412
Category : Religion
Languages : en
Pages : 297
Book Description
One of the jewels in the crown of Johann Sebastian Bach's sacred music is its use of astonishingly subtle and complex allegorical and representational devices. But when similar devices appear in the context of one of Bach's untexted, secular, instrumental collections such as the Six Solos (sonatas and partitas) for violin, the question arises whether he might be intending to embed discernible theological significances there as well, thus infusing the secular with the sacred. Such designs would be reasonably plausible within Bach's musical, cultural, and religious context. Shute carefully investigates the extent to which musical features of the Six Solos that seem to invite theological parallels might indeed have been intended to do so. Although the precise extent of Bach's intentions cannot be ascertained with certainty, the degree of correlation among strong potential signifiers would seem to suggest that they, and many other features of the Six Solos, are best explained as the product of extensive theological-allegorical designs on Bach's part, like those evident in his texted vocal music.
Publisher: Wipf and Stock Publishers
ISBN: 1498239412
Category : Religion
Languages : en
Pages : 297
Book Description
One of the jewels in the crown of Johann Sebastian Bach's sacred music is its use of astonishingly subtle and complex allegorical and representational devices. But when similar devices appear in the context of one of Bach's untexted, secular, instrumental collections such as the Six Solos (sonatas and partitas) for violin, the question arises whether he might be intending to embed discernible theological significances there as well, thus infusing the secular with the sacred. Such designs would be reasonably plausible within Bach's musical, cultural, and religious context. Shute carefully investigates the extent to which musical features of the Six Solos that seem to invite theological parallels might indeed have been intended to do so. Although the precise extent of Bach's intentions cannot be ascertained with certainty, the degree of correlation among strong potential signifiers would seem to suggest that they, and many other features of the Six Solos, are best explained as the product of extensive theological-allegorical designs on Bach's part, like those evident in his texted vocal music.
The Creative Development of Johann Sebastian Bach, Volume II: 1717-1750
Author: Richard D. P. Jones
Publisher:
ISBN: 0199696284
Category : Biography & Autobiography
Languages : en
Pages : 450
Book Description
This last in a two-volume study examines Bach's musical compositional development in his later years, including his time at Cðthen and Leipzig.
Publisher:
ISBN: 0199696284
Category : Biography & Autobiography
Languages : en
Pages : 450
Book Description
This last in a two-volume study examines Bach's musical compositional development in his later years, including his time at Cðthen and Leipzig.