Author: BeethovenPublisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Sonata in A Major Op. 69 No.3 (1808).
Author: BeethovenSonata in A major, op. 69
Author: Ludwig van BeethovenCello Sonata No. 3 in a Major Op. 69
Author: Ludwig van BeethovenLudwig Van Beethoven - Cello Sonata No.3 - Op.69 - A Score for Cello and Piano
Author: Ludwig Van BeethovenPublisher:
ISBN: 144744065X
Category : Music
Languages : en
Pages : 34
Book Description
Beethoven Sonata for Piano and Cello, Op. 69 in A Major
Author: John A. Musick (Jr)Publisher:
ISBN:
Category : Music
Languages : en
Pages : 30
Book Description
Complete Cello Sonatas: Op. 5 Nos. 1-2; Op. 69; Op. 102 Nos. 1-2
Author: Publisher: Edition Peters
ISBN:
Category : Music
Languages : en
Pages : 999
Book Description
Beethoven's complete sonatas for Cello and Piano. Contains Piano Score and separate Cello Part. Sonata No. 1 Op. 5, No. 1 F Major Sonata No. 2 Op. 5, No. 2 G Minor Sonata No. 3 Op. 69 A Major Sonata No. 4 Op. 102, No. 1 C Major Sonata No. 5 Op. 102, No. 2 D Major
Sonata in A major, op. 69
Author: Ludwig van BeethovenThe Cambridge Companion to the Cello
Author: Robin StowellPublisher: Cambridge University Press
ISBN: 9780521629287
Category : Music
Languages : en
Pages : 290
Book Description
This is a compact, composite and authoritative survey of the history and development of the cello and its repertory since the origins of the instrument. The volume comprises thirteen essays, written by a team of nine distinguished scholars and performers, and is intended to develop the cello's historical perspective in breadth and from every relevant angle, offering as comprehensive a coverage as possible. It focuses in particular on four principal areas: the instrument's structure, development and fundamental acoustical principles; the careers of the most distinguished cellists since the baroque era; the cello repertory (including chapters devoted to the concerto, the sonata, other solo repertory, and ensemble music); and its technique, teaching methods and relevant aspects of historical and performance practice. It is the most comprehensive book ever to be published about the instrument and provides essential information for performers, students and teachers.
The Critical Reception of Beethoven's Compositions by His German Contemporaries, Volume 2
Author: Wayne M. SennerPublisher: U of Nebraska Press
ISBN: 9780803212510
Category : Music
Languages : en
Pages : 316
Book Description
The volumes in The Critical Reception of Beethoven's Compositions by His German Contemporaries bring to light contemporary perceptions of Beethoven's music, including matters such as audience, setting, facilities, orchestra, instruments, and performers as well as the relationship of Beethoven's music to theoretical and critical ideas of the eighteenth and nineteenth centuries. These documents, most of which appear in English for the first time, have been compiled from German-language periodicals published between 1783 and 1830. They present a wide spectrum of insights into the perceptions that Beethoven's contemporaries had of his monumental music. This is the second in a projected four-volume series. It begins with Opus 55, the Eroica, and ends with Opus 72, Fidelio.
The Sonata
Author: Thomas Schmidt-BestePublisher: Cambridge University Press
ISBN: 1107310547
Category : Music
Languages : en
Pages : 279
Book Description
What is a sonata? Literally translated, it simply means 'instrumental piece'. It is the epitome of instrumental music, and is certainly the oldest and most enduring form of 'pure' and independent instrumental composition, beginning around 1600 and lasting to the present day. Schmidt-Beste analyses key aspects of the genre including form, scoring and its social context - who composed, played and listened to sonatas? In giving a comprehensive overview of all forms of music which were called 'sonatas' at some point in musical history, this book is more about change than about consistency - an ensemble sonata by Gabrieli appears to share little with a Beethoven sonata, or a trio sonata by Corelli with one of Boulez's piano sonatas, apart from the generic designation. However, common features do emerge, and the look across the centuries - never before addressed in a single-volume survey - opens up new and significant perspectives.