Author: Johannes BrahmsPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Sonata for Violin & Piano in F Minor, Op. 120
Author: Johannes BrahmsSonata, no. 1 in F minor, op. 120
Author: Johannes BrahmsPublisher:
ISBN:
Category : Sonatas (Clarinet and piano)
Languages : en
Pages : 48
Book Description
Sonata for Violin & Piano in E Flat, Op. 120
Author: Johannes BrahmsSonata no. 1 in F minor, opus 120 for viola and piano
Author: Johannes BrahmsPublisher:
ISBN:
Category : Sonatas (Viola and piano)
Languages : en
Pages : 40
Book Description
Sonata no. 1 in F minor, opus 120, for clarinet (or viola) and piano
Author: Johannes BrahmsPublisher:
ISBN:
Category : Sonatas (Viola and piano)
Languages : en
Pages : 44
Book Description
Sonata No. 1 in F Minor, Opus 120 for Viola and Piano
Author: Johannes BrahmsAnalysis of 18th- and 19th-Century Musical Works in the Classical Tradition
Author: David BeachPublisher: Routledge
ISBN: 1136329765
Category : Music
Languages : en
Pages : 385
Book Description
Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition is a textbook for upper-level undergraduate and graduate courses in music analysis. It outlines a process of analyzing works in the Classical tradition by uncovering the construction of a piece of music—the formal, harmonic, rhythmic, and voice-leading organizations—as well as its unique features. It develops an in-depth approach that is applied to works by composers including Haydn, Mozart, Beethoven, Schubert, Schumann, and Brahms. The book begins with foundational chapters in music theory, starting with basic diatonic harmony and progressing rapidly to more advanced topics, such as phrase design, phrase expansion, and chromatic harmony. The second part contains analyses of complete musical works and movements. The text features over 150 musical examples, including numerous complete annotated scores. Suggested assignments at the end of each chapter guide students in their own musical analysis.
Lateness and Brahms
Author: Margaret NotleyPublisher: Oxford University Press
ISBN: 0195305477
Category : Music
Languages : en
Pages : 254
Book Description
Takes up the problem of how Brahms fits into the culture of turn-of-the-century Vienna. This book examines the stylistic and a historical category of 'lateness' as it relates to the nineteenth century Viennese composer. It also looks at Brahms' place in narratives of lateness in both music and social history.
Cadence
Author: William E. CaplinPublisher: Oxford University Press
ISBN: 0190056460
Category : Music
Languages : en
Pages : 649
Book Description
Cadence is a comprehensive examination of how formal units in European art music of the tonal era achieve closure. The book brings together the author's decades-long investigations into cadence, a compositional device that is readily experienced both by musicians and non-musicians, but one that has proven intractable to clear and precise theoretical formulation. Rooted in Caplin's broader theory of formal functions, the book first develops concepts of cadence for music of the high classical style and then extends these ideas to gauge cadential practice in earlier and later style periods. Throughout the study, various manifestations of cadence are defined in terms of their morphology (their harmonic and melodic profiles) as well as their function (the specific formal contexts in which they are deployed). Cadence introduces a host of theoretical concepts illustrated by copious musical examples, all of which contain extensive analytical annotations of harmony, melody and form. Though the book is addressed primarily to music theorists, the many issues of compositional practice raised in this study will resonate with the interests of composers, historians, and performers alike.
Cadence
Author: Distinguished James McGill Professor Emeritus of Music Theory William E CaplinPublisher: Oxford University Press
ISBN: 0197782167
Category : Music
Languages : en
Pages : 649
Book Description
Cadence explores the many ways in which the component parts of a classical composition achieve a sense of ending. The book examines cadential practice in a wide variety of musical styles in the eighteenth and nineteenth centuries, including works by well-known composers such as Bach, Mozart, Beethoven, Schubert, Chopin, and Brahms.