Author: Publisher:
ISBN:
Category : Cello music
Languages : en
Pages : 312
Book Description
String Music in Print
Author: String Music in Print
Author: Robert W. ChoPublisher: Philadelphia : Musicdata
ISBN:
Category : Music
Languages : en
Pages : 312
Book Description
"Encompasses all music in editions for one to ten players involving one or any combination of violin, viola, violoncello, double-bass, and viols. Other combinations include strings in company with woodwinds, brass, percussion, keyboards, guitar, mandolin, harp and electronic equipment" -- Pref.
Bartók's Viola Concerto
Author: Donald MauricePublisher: Oxford University Press, USA
ISBN: 0195156900
Category : Biography & Autobiography
Languages : en
Pages : 235
Book Description
Tells the intriguing story of Bela Bartok's viola concerto, a work left unfinished at his death in 1945. Drawing on interviews and documents that reveal previously unavailable information, it discusses the commission, the reconstruction by Tibor Serly, events leading up to the premiere, its reception over the second half of the twentieth century, the revisions, and future possibilities.
Woodwind Music in Print
Author: Harry B. PetersPublisher: Philadelphia : Musicdata
ISBN:
Category : Music
Languages : en
Pages : 776
Book Description
The History of the Viola
Author: Maurice W. RileyPublisher: Dr Maurice W Riley
ISBN: 9780960315048
Category : Music
Languages : en
Pages : 400
Book Description
University of California Union Catalog of Monographs Cataloged by the Nine Campuses from 1963 Through 1967: Authors & titles
Author: University of California (System). Institute of Library ResearchPublisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 880
Book Description
R.E.D. Classical Catalogue
Author: Playing the Viola
Author: David DaltonPublisher: OUP Oxford
ISBN: 0191039217
Category : Music
Languages : en
Pages : 259
Book Description
`In all areas of human endeavour, time and again an individual appears who, due to a multitude of personal attributes, elevates his or her field to a hitherto unknown height. Such an individual was William Primrose. His name and the viola are synonymous.' Janos Starker This unique book is the result of a series of conversations with Primrose in the last years before his death in 1982. David Dalton describes how he came to the great artist armed with every question he could think of pertaining to performing on and teaching the viola. The lively dialogue contains a wealth of illuminating advice for the student on the technicalities of playing the viola. It is, however, far more than a technical guide. The two violists discuss the unique position of their instrument - `an instrument without tradition' is Primrose's bald description. They cover the topic of repertoire with fascinating insights into the performance of the great concertos by Bartók and Walton, with which Primrose was so closely associated. Still more invaluable advice emerges from the discussion of Primrose's own experience, on the art of performance, on demeanour on stage, on competitions, on recordings, and on preparing for a career. The book is a tribute to one of the greatest artists of this century.
Music: A Mathematical Offering
Author: Dave BensonPublisher: Cambridge University Press
ISBN: 0521853877
Category : Mathematics
Languages : en
Pages : 426
Book Description
This book explores the interaction between music and mathematics including harmony, symmetry, digital music and perception of sound.
Genesis Of A Music
Author: Harry PartchPublisher: Da Capo Press
ISBN: 9780306801068
Category : Music
Languages : en
Pages : 544
Book Description
Among the few truly experimental composers in our cultural history, Harry Partch's life (1901–1974) and music embody most completely the quintessential American rootlessness, isolation, pre-civilized cult of experience, and dichotomy of practical invention and transcendental visions. Having lived mostly in the remote deserts of Arizona and New Mexico with no access to formal training, Partch naturally created theatrical ritualistic works incorporating Indian chants, Japanese kabuki and Noh, Polynesian microtones, Balinese gamelan, Greek tragedy, dance, mime, and sardonic commentary on Hollywood and commercial pop music of modern civilization. First published in 1949, Genesis of a Music is the manifesto of Partch's radical compositional practice and instruments (which owe nothing to the 300-year-old European tradition of Western music.) He contrasts Abstract and Corporeal music, proclaiming the latter as the vital, emotionally tactile form derived from the spoken word (like Greek, Chinese, Arabic, and Indian musics) and surveys the history of world music at length from this perspective. Parts II, III, and IV explain Partch's theories of scales, intonation, and instrument construction with copious acoustical and mathematical documentation. Anyone with a musically creative attitude, whether or not familiar with traditional music theory, will find this book revelatory.