Some T'ang and Pre-T'ang Texts on Chinese Painting PDF Download

Author:
Publisher: BRILL
ISBN: 9004490981
Category : History
Languages : en
Pages : 335

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Author: William Reynolds Beal Acker
Publisher: Brill Archive
ISBN:
Category : China painters
Languages : en
Pages : 500

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Author: Chang Yen-Yuan
Publisher: BRILL
ISBN: 9789004039384
Category : Art
Languages : en
Pages : 344

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Contents: V. II, part 1. Translation and annotations -- V. II, part 2, Chinese text.

Author: Paul W. Kroll
Publisher: BRILL
ISBN: 9004380191
Category : History
Languages : en
Pages : 546

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Book Description
The Tang dynasty, lasting from 618 to 907, was the high point of medieval Chinese history, featuring unprecedented achievements in governmental organization, economic and territorial expansion, literature, the arts, and religion. Many Tang practices continued, with various developments, to influence Chinese society for the next thousand years. For these and other reasons the Tang has been a key focus of Western sinologists. This volume presents English-language reprints of fifty-seven critical studies of the Tang, in the three general categories of political history, literature and cultural history, and religion. The articles and book chapters included here are important scholarly benchmarks that will serve as the starting-point for anyone interested in the study of medieval China.

Author: Susan Bush
Publisher: Hong Kong University Press
ISBN: 9888139738
Category : Art
Languages : en
Pages : 415

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For students of Chinese art and culture this anthology has proven invaluable since its initial publication in 1985. It collects important Chinese writings about painting, from the earliest examples through the fourteenth century, allowing readers to see how the art of this rich era was seen and understood in the artists’ own times. Some of the texts in this treasury fall into the broad category of aesthetic theory; some describe specific techniques; some discuss the work of individual artists. The texts are presented in accurate and readable translations, and prefaced with artistic and historical background information to the formative periods of Chinese theory and criticism. A glossary of terms and an appendix containing brief biographies of 270 artists and critics add to the usefulness of this volume.

Author: Shane McCausland
Publisher: Hong Kong University Press
ISBN: 988802857X
Category : Biography & Autobiography
Languages : en
Pages : 459

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Zhao Mengfu has enormous significance for Chinese art history. This work presents a new, synthetic portrait of the artist's development from the 1280s to his death in 1322, and evaluates his pivotal role in the social-political context in Yuan China as well as the development of the artist's self-consciousness. Shane McCausland's study features detailed interpretations of pictorial forms in light of historical changes, and close readings of critical colophons, many of whic are appended to artworks but neglected as visual sources. These readings are meant to stimulate visual analysis of the oeuvre as well as debate about the use of Tang (618-907) and other period modes as models for the 'Yuan renaissance.' The book challenges stereotypes portraying Zhao Mengfu as a traitor or careerist. The historical background of dynastic change and Mongol rule is treated in a revisionist manner that aims to contextualize the traditional Chinese hostility towards Zhao Mengfu as a Yuan scholar-official. The concern here is for his development, in the context of Mongol rule, as a Chinese scholar-artist. This book will be a must for scholars, curators, and other specialists in Chinese painting and calligraphy, especially those focusing on Yuan dynasty and literati painting. Shane McCauslandis a lecturer in the history of Chinese art in the Department of Art and Archaeology at SOAS, University of London.

Author: James C. Y. Watt
Publisher: Metropolitan Museum of Art
ISBN: 1588391264
Category : Art, Chinese
Languages : en
Pages : 422

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In the great tradition of publications on Chinese art from the Metropolitan Museum, China: Dawn of a Golden Age will become an essential text for years to come. This book is the catalogue for a major exhibition at The Metropolitan Museum of Art (October 5, 2004 to January 23, 2005).

Author: Rolf A. Stein
Publisher: BRILL
ISBN: 9004190155
Category : Religion
Languages : en
Pages : 414

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Book Description
Tibetica antiqua represents the seminal work on Tibetan religious history by one of the foremost Tibetologists of the twentieth century. Herein, Stein discusses the cultural and religious interactions among Tibet, India, and China which resulted in what we now consider "Tibetan Buddhism" from the point of view of our earliest sources, the Dunhuang manuscripts. Stein first discusses the basic tool of religious language, and the extent to which translations from Chinese, often apocryphal, scriptures competed with translations from Sanskrit. Stein also analyzes evidence for the introduction of Buddhism to Tibet, as well as what a pre-Buddhist religion may have looked like, as distinct from modern Bon. Here, these groundbreaking articles are for the first time in the English language. They have been substantially updated, and supplemented with additional material from Stein's lectures at the Collège de France.

Author: Robert N. Linrothe
Publisher: Serindia Publications, Inc.
ISBN: 0906026512
Category : Buddhism
Languages : en
Pages : 380

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The historical development of Esoteric Buddhism in India is still known only in outline. A few verifiably early texts do give some insight into the origin of the ideas which would later develop and spread to East and Southeast Asia, and to Tibet. However, there is another kind of evidence which can be harnessed to the project of reconstructing the history of Esoteric Buddhist doctrines and practice. This evidence consists of art objects, mainly sculpture, which survive in significant numbers from the 6th to the 13th century.

Author: Katharine P Burnett
Publisher: The Chinese University of Hong Kong Press
ISBN: 9629964562
Category : Art
Languages : en
Pages : 444

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This book investigates the issue of conceptual originality in art criticism of the seventeenth century, a period in which China dynamically reinvented itself. In art criticism, the term which was called upon to indicate conceptual originality more than any other was "qi", literally, "different"; but secondarily, "odd," like a number and by extension, "the novel," and "extraordinary." This work finds that originality, expressed through visual difference, was a paradigmatic concern of both artists and critics. Burnett speculates on why many have dismissed originality as a possible "traditional Chinese" value, and the ramifications this has had on art historical understanding. She further demonstrates that a study of individual key terms can reveal social and cultural values and provides a linear history of the increase in critical use of "qi" as "originality" from the fifth through the seventeenth centuries, exploring what originality looks like in artworks by members of the gentry elite and commoner classes, and explains how the value lost its luster at the end of the seventeenth century.