Author: Arthur Mayger HindPublisher:
ISBN:
Category :
Languages : en
Pages : 56
Book Description
Some Early Italian Engravings Before the Time of Marcantonio
Author: Arthur Mayger HindSome Early Italian Engravings Before the Time of Marcantonio
Author: Arthur Mayger HindPublisher: Legare Street Press
ISBN: 9781017920741
Category :
Languages : en
Pages : 0
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Prints and Their Makers
Author: Fitz Roy CarringtonPublisher:
ISBN:
Category : Engravers
Languages : en
Pages : 504
Book Description
A collection of articles by a number of authors.
Some Early Italian Engravings Before the Time of Marcantonio - Scholar's Choice Edition
Author: Arthur Mayger HindPublisher:
ISBN: 9781296338695
Category :
Languages : en
Pages : 44
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Print-collector's Quarterly
Author: A. H. StubbsPublisher:
ISBN:
Category : Engraving
Languages : en
Pages : 264
Book Description
The Renaissance Print, 1470-1550
Author: David LandauPublisher: Yale University Press
ISBN: 0300068832
Category : Art
Languages : en
Pages : 453
Book Description
Through an examination of material and institutional circumstances, through the study of work shop practices and of technical and aesthetic experimentation, this book seeks to give an account of the ways in which Renaissance prints were realized, distributed, acquired, and handled by their public.
An Inquiry Into the Origin and Early History of Engraving
Author: William Young OttleyPublisher:
ISBN:
Category : Engravers
Languages : en
Pages : 574
Book Description
An Inquiry Into the Origin and Early History of Engraving, Upon Copper and in Wood,
Author: William Young OttleyPublisher:
ISBN:
Category : Engravers
Languages : en
Pages : 430
Book Description
Fifteenth and Sixteenth Century Prints from the Rosenwald Collection, National Gallery of Art, Washington, D.C.
Author: Mary Washington CollegePublisher:
ISBN:
Category : Engraving, Renaissance
Languages : en
Pages : 84
Book Description
Raphael, Dürer, and Marcantonio Raimondi
Author: Lisa PonPublisher:
ISBN: 9780300096804
Category : Art
Languages : en
Pages : 216
Book Description
In early sixteenth-century Italy, works of art came to be understood as unique objects made by individuals of genius, giving rise to a new sense of the artist as the author of his images. At the same time, the practice of engraving, a medium that produced multiple printed images via collaborative processes, rapidly developed. In this book, Lisa Pon examines how images passed between artists and considers how printing techniques affected the authorship of images. Pon focuses on the encounters between the engraver Marcantonio Raimondi and three key artists: Albrecht Dürer, Raphael, and Giorgio Vasari. She reevaluates their work in light of the tensions between possessive authorship and practical collaboration in the visual arts.