Solfege, Ear Training, Rhythm, Dictation, and Music Theory PDF Download

Author: Marta A. Ghezzo
Publisher:
ISBN: 9780817304768
Category :
Languages : en
Pages : 272

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Author: Marta Árkossy Ghezzo
Publisher: University Alabama Press
ISBN:
Category : Music
Languages : en
Pages : 476

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This revised and expanded third edition includes new musical examples and dictations covering the entire continuum of musical development from classical to modern. It also includes definitive audio performances on CD of each of the 51 musical dictations, keyed by track number to the musical notation in the text.

Author: Marta Árkossy Ghezzo
Publisher:
ISBN:
Category : Ear training
Languages : en
Pages : 442

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Author: Marta Árkossy Ghezzo
Publisher: University Alabama Press
ISBN:
Category : Music
Languages : en
Pages : 444

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Author: Janet Goodridge
Publisher: Jessica Kingsley Publishers
ISBN: 9781853025488
Category : Performing Arts
Languages : en
Pages : 306

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Despite the richness of the subject and the importance frequently ascribed to the phenomena of rhythm and timing in the arts, the topic as a whole has been neglected. Janet Goodridge writes from a practical movement background and draws on a wide range of sources to illuminate the subject in relation to theatre, drama, dance, ceremony, and ritual.

Author: Gilson Schachnik
Publisher: Ear Training: Exercises
ISBN: 9780876390818
Category : Music
Languages : en
Pages : 0

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(Berklee Guide). These time-tested exercises will help you to play by ear. This book with online audio recordings introduces the core skills of ear training. Step by step, you will learn to use solfege to help you internalize the music you hear and then easily transpose melodies to different keys. Learn to hear a melody and then write it down. Develop your memory for melodies and rhythms. Transcribe live performances and recordings. Listening is the most important skill in music, and this book will help you to listen better. Gilson Schachnik teaches ear training at Berklee College of Music. He is an active keyboardist, composer, and arranger, and has performed with Claudio Roditti, Mick Goodrick, Bill Pierce, and Antonio Sanchez. The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

Author: Mitzi DeWhitt
Publisher: Xlibris Corporation
ISBN: 1465332073
Category : Music
Languages : en
Pages : 136

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As the third in a musicological trilogy that seeks objective answers to physical and metaphysical questions by way of musical ratios and proportions, this book may start with the acoustical properties of vibrating strings, but it certainly does not stop there. Rather, it goes on to attack some of the thorniest issues facing quantum physics today, including why string theory, as it is presently conceived, doesnt work; what is missing in the physicists understanding of missing information; and how the real cause underlying the perceived inflation of the universe is, in fact, due to the power laws inherent in vibrating strings. The surprising answers are neither wholly mathematical nor totally philosophical, but result from the reconciling perspective of music theory, the real M-theory. Moving beyond the sterile and secular world-view of the physicists, the author introduces into the equation the sacred metaphysical soul principle, now viewed as the holographic membrane whose sole function is to gather and store information and thus serve as the anti-entropic force within the universe. The properties of the soul, being movement and expansion, have long been associated with the figure called the lambdoma, and with the ancient diatonic scale that naturally forms within it, known as The Scale of the Soul of the World and Nature. With uncanny insight, the author shows how there is not one, but three musical scalesdiatonic, chromatic, and enharmonicwhich form of their own accord within the expanding lambdoma. These informing musical scales become the obvious links to the three branes of the quantum physicists, at the same time providing substantive evidence for why a three brain system is absolutely essential for the completion of the soul of manan idea that students of the Gurdjieff Work will find very familiar, and perhaps very intriguing.

Author: Gary Steven Karpinski
Publisher: Oxford University Press, USA
ISBN: 9780195117851
Category : Music
Languages : en
Pages : 274

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This book is about thinking in music. Music listeners who understand what they hear are thinking in music. Music readers who understand and visualize what they read are thinking in music. This book investigates the various ways musicians acquire those skills through an examination of the latest research in music perception and cognition, music theory, along with centuries of insight from music theorists, composers, and performers. Aural skills are the focus; the author also works with common problems in both skills teaching and skills acquisition.

Author: Justin Merritt
Publisher: Routledge
ISBN: 1000768678
Category : Music
Languages : en
Pages : 557

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Book Description
Comprehensive Aural Skills is a complete suite of material for both performance and dictation, covering the wide range of sight singing and ear training skills required for undergraduate courses of study. It provides a series of instructional modules on rhythm, melody, and harmony, and blends musical examples from the common-practice repertory with original examples composed to specifically address particular skills and concepts. Each module includes material for classroom performance, self-directed study, and homework assignments. Features A complete suite of aural skills material: Comprehensive Aural Skills is a combined sight singing and ear training textbook, audio, and companion website package. Fully modular, customizable organization: Instructors can choose freely from the set of exercises in the book and supplemental material on the companion website to appropriately tailor the curriculum based on their students’ needs. Engaging and idiomatic musical examples: Examples are selected and composed specifically for the didactic context of an aural skills classroom. Dictation exercises for practice and assignment: Practice exercises include an answer key so students can work independently and receive immediate feedback, while homework assignments are given without a key. Audio examples for dictation: The website hosts live recordings of acoustic instruments performed by professional musicians for each dictation exercise and homework assignment. Supplemental Materials for Instructors: A wealth of material for class use and assignment can be found on the companion website. Teachers’ Guide: The guide includes answers for every homework assignment, brief commentary on each module’s content, tips for integrating written theory, and strategies on how to effectively teach new concepts and skills. This updated Second Edition includes Revised Rhythm module structure, now introducing foundational concepts more gradually Additional examples from the repertory in the Harmony and Melody modules New and improved recordings on the companion website

Author: John Martin Feierabend
Publisher:
ISBN: 9781579991302
Category : Music
Languages : en
Pages : 416

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