Soldiers' Stories PDF Download

Author: Yvonne Tasker
Publisher: Duke University Press
ISBN: 0822348470
Category : History
Languages : en
Pages : 330

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Book Description
A comprehensive analysis of the changing representations of military women in American and British movies and TV programs from the Second World War to the present.

Author: Noah Tsika
Publisher: Univ of California Press
ISBN: 0520969928
Category : Performing Arts
Languages : en
Pages : 301

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Book Description
Forced to contend with unprecedented levels of psychological trauma during World War II, the United States military began sponsoring a series of nontheatrical films designed to educate and even rehabilitate soldiers and civilians alike. Traumatic Imprints traces the development of psychiatric and psychotherapeutic approaches to wartime trauma by the United States military, along with links to formal and narrative developments in military and civilian filmmaking. Offering close readings of a series of films alongside analysis of period scholarship in psychiatry and bolstered by research in trauma theory and documentary studies, Noah Tsika argues that trauma was foundational in postwar American culture. Examining wartime and postwar debates about the use of cinema as a vehicle for studying, publicizing, and even what has been termed “working through” war trauma, this book is an original contribution to scholarship on the military-industrial complex.

Author: Douglas A. Cunningham
Publisher: John Wiley & Sons
ISBN: 1118337611
Category : Performing Arts
Languages : en
Pages : 569

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Book Description
A Companion to the War Film contains 27 original essays that examine all aspects of the genre, from the traditional war film, to the new global nature of conflicts, and the diverse formats that war stories assume in today’s digital culture. Includes new works from experienced and emerging scholars that expand the scope of the genre by applying fresh theoretical approaches and archival resources to the study of the war film Moves beyond the limited confines of “the combat film” to cover home-front films, international and foreign language films, and a range of conflicts and time periods Addresses complex questions of gender, race, forced internment, international terrorism, and war protest in films such as Full Metal Jacket, Good Kill, Grace is Gone, Gran Torino, The Messenger, Snow Falling on Cedars, So Proudly We Hail, Tae Guk Gi: The Brotherhood of War, Tender Comrade, and Zero Dark Thirty Provides a nuanced vision of war film that brings the genre firmly into the 21st Century and points the way for exciting future scholarship

Author: Mary Douglas Vavrus
Publisher: Rutgers University Press
ISBN: 0813576814
Category : History
Languages : en
Pages : 248

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Book Description
By examining news and documentary media produced since September 11, 2001, Vavrus demonstrates that news narratives that include women use feminism selectively in gender equality narratives. She ultimately asserts that such reporting advances post-feminism, which, in tandem with banal militarism, subtly pushes military solutions for an array of problems women and girls face.

Author: Carolyn Cocca
Publisher: Routledge
ISBN: 1000169790
Category : Art
Languages : en
Pages : 122

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Book Description
This book explores representations of Wonder Woman and Captain Marvel in comics and film, as well as political struggles over these works, to illuminate contemporary cultural concerns about gender, sexuality, race, migration, imperialism, and war. It focuses on the only two female superheroes who have long histories grounded in feminist activism and military service, and who have starred in blockbuster origin films at a time when resurgent progressive activism has been met by an emboldened backlash against movements for equality. Interdisciplinary and intersectional, the book employs insights from political science and political economy, feminist theories, critical race theory, postcolonial theory, and queer theory to explore how these characters’ feminism and militarism render them particularly appealing and profitable in contentious times. This is a concise, accessible text suitable for students and scholars in comics studies, media studies, film studies, and women’s and gender studies.

Author: Andrew J. Huebner
Publisher: Oxford University Press
ISBN: 019085393X
Category : History
Languages : en
Pages : 352

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Book Description
Americans today harbor no strong or consistent collective memory of the First World War. Ask why the country fought or what they accomplished, and "democracy" is the most likely if vague response. The circulation of confusing or lofty rationales for intervention began as soon as President Woodrow Wilson secured a war declaration in April 1917. Yet amid those shifting justifications, Love and Death in the Great War argues, was a more durable and resonant one: Americans would fight for home and family. Officials in the military and government, grasping this crucial reality, invested the war with personal meaning, as did popular culture. "Make your mother proud of you/And the Old Red White and Blue" went George Cohan's famous tune "Over There." Federal officials and their allies in public culture, in short, told the war story as a love story. Intervention came at a moment when arbiters of traditional home and family were regarded as under pressure from all sides: industrial work, women's employment, immigration, urban vice, woman suffrage, and the imagined threat of black sexual aggression. Alleged German crimes in France and Belgium seemed to further imperil women and children. War promised to restore convention, stabilize gender roles, and sharpen male character. Love and Death in the Great War tracks such ideas of redemptive war across public and private spaces, policy and implementation, home and front, popular culture and personal correspondence. In beautifully rendered prose, Andrew J. Huebner merges untold stories of ordinary men and women with a history of wartime culture. Studying the radiating impact of war alongside the management of public opinion, he recovers the conflict's emotional dimensions--its everyday rhythms, heartbreaking losses, soaring possibilities, and broken promises.

Author: Steven J. Ross
Publisher: John Wiley & Sons
ISBN: 0470673648
Category : History
Languages : en
Pages : 422

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Book Description
The second edition of Movies and American Society is a comprehensive collection of essays and primary documents that explore the ways in which movies have changed—and been changed by—American society from 1905 to the present. Each chapter includes an introduction, discussion questions, an essay examining the issues of the period, primary documents, and a list of further reading and screenings Includes a new chapter on “American Film in the Age of Terror” and new essays for Chapter 9 (“Race, Violence, and Film”) and Chapter 13 (“Hollywood Goes Global”), as well as updated Reading and Screenings sections Discusses all the major periods in American film history from the first nickelodeons to the wars in Iraq and Afghanistan and the globalization of Hollywood Demonstrates the unique influence of movies on all aspects of American culture, from ideology, politics, and gender to class, war, and race relations Engaging and accessible for students, with jargon-free essays and primary documents that show social practices and controversies as well as the fun and cultural influence of movies and movie-going

Author: Stacy Fowler
Publisher: McFarland
ISBN: 1476637970
Category : Performing Arts
Languages : en
Pages : 229

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Book Description
 From silents of the early American motion picture era through 21st century films, this book offers a decade-by-decade examination of portrayals of women in the military. The full range of genres is explored, along with films created by today's military women about their experiences. Laws regarding women in the service are analyzed, along with discussion of the challenges they have faced in the push for full participation and of the changing societal attitudes through the years.

Author: Robin Truth Goodman
Publisher: Taylor & Francis
ISBN: 1317199308
Category : Social Science
Languages : en
Pages : 203

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Book Description
Gender for the Warfare State is the first scholarly investigation into the written works of U.S. women combat veterans in twenty-first century wars. Most recent studies quantify military participation, showing how many women participate in armed services and what their experiences are in a traditionally “male institution.” Many of these treatments regard women as victims solely of enemy fire, even as they are also often victims of their own military apparatus and of their own involvement in global aggression. By applying literary analysis to a sociological question, Gender for the Warfare State views women’s experiences through story and literary traditions that carry meaning into present practices. Goodman shows that women in combat are not just entering and being victimized in “male institutions,” but are also actively changing the story of gender and thus the structure of power that is constructed through gender. Moreover, this book unveils a new narrative of care that affects economic relations more broadly and the contemporary politics of the liberal social contract. Women’s participation in combat is not just a U.S. event but global and therefore has a deeper historical range than current sociological accounts imply. The book compares the political contexts of women’s entry into war now with their prior, twentieth-century contributions to wars in other cultural settings and then uses this comparison to show a variety of meanings at play in the gender of war.

Author: Liz Clarke
Publisher: Rutgers University Press
ISBN: 1978810172
Category : Performing Arts
Languages : en
Pages : 185

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Book Description
During the 1910s, films about war often featured a female protagonist. The films portrayed women as spies, cross-dressing soldiers, and athletic defenders of their homes—roles typically reserved for men and that contradicted gendered-expectations of home-front women waiting for their husbands, sons, and brothers to return from battle. The representation of American martial spirit—particularly in the form of heroines—has a rich history in film in the years just prior to the American entry into World War I. The American Girl Goes to War demonstrates the predominance of heroic female characters in in early narrative films about war from 1908 to 1919. American Girls were filled with the military spirit of their forefathers and became one of the major ways that American women’s changing political involvement, independence, and active natures were contained by and subsumed into pre-existing American ideologies.