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Author: Joe Graham Publisher: Bloomsbury Publishing ISBN: 1350166669 Category : Art Languages : en Pages : 217
Book Description
Serial Drawing offers a timely and rigorous exploration of a relatively little-researched art form. Serial drawings – artworks that are presented as singular works but are made up of distributed parts – are studied in fresh, contemporary terms with a novel philosophical approach, emphasizing both the way in which this unique form of visual art exists in the world, and how it is encountered by the beholder. Inspired by the quadruple framework of Graham Harman's object-oriented ontology, Joe Graham explores a variety of serial drawings according to the idea that, in being serially arrayed, such artworks constitute a rather particular form of art object: one which is both unified yet pluralised, visible yet withdrawn. Examining works by artists such as Alexei Jawlensky, Ellsworth Kelly, Hanne Darboven, Jill Baroff and Stefana McClure, Graham interrogates the manner in which serial drawings are able to be appreciated by the viewer who beholds them in object-oriented terms. This task is carried out by paying attention to the manner in which three tensions – space, time and seriality –emerge for consideration within the beholders performative encounter with the work: an encounter which is 'seen serially', and which the medium of drawing specifically directs their attention towards.
Author: Joe Graham Publisher: Bloomsbury Publishing ISBN: 1350166669 Category : Art Languages : en Pages : 217
Book Description
Serial Drawing offers a timely and rigorous exploration of a relatively little-researched art form. Serial drawings – artworks that are presented as singular works but are made up of distributed parts – are studied in fresh, contemporary terms with a novel philosophical approach, emphasizing both the way in which this unique form of visual art exists in the world, and how it is encountered by the beholder. Inspired by the quadruple framework of Graham Harman's object-oriented ontology, Joe Graham explores a variety of serial drawings according to the idea that, in being serially arrayed, such artworks constitute a rather particular form of art object: one which is both unified yet pluralised, visible yet withdrawn. Examining works by artists such as Alexei Jawlensky, Ellsworth Kelly, Hanne Darboven, Jill Baroff and Stefana McClure, Graham interrogates the manner in which serial drawings are able to be appreciated by the viewer who beholds them in object-oriented terms. This task is carried out by paying attention to the manner in which three tensions – space, time and seriality –emerge for consideration within the beholders performative encounter with the work: an encounter which is 'seen serially', and which the medium of drawing specifically directs their attention towards.
Author: Kai Li Publisher: World Scientific ISBN: 9814465836 Category : Technology & Engineering Languages : en Pages : 546
Book Description
Held in Singapore from 9 to 11 October 2009, the 2009 International Conference on Chemical, Biological and Environmental Engineering (CBEE 2009) aims to provide a platform for researchers, engineers, academicians as well as industrial professionals from all over the world to present their research and development activities in chemical, biological and environmental engineering. Conference delegates will also have the opportunity to exchange new ideas and application experiences, establish business or research relations and find global partners for future collaboration.
Author: Francesco Pellizzi Publisher: Harvard University Press ISBN: 0873658663 Category : Art Languages : en Pages : 417
Book Description
RES 65/66 includes Francesco Pellizzi, “Editorial: RES at 35”; Remo Bodei, “A constellation of words”; Mary Weismantel, “Encounters with dragons”; Z. S. Strother, “A terrifying mimesis”; Wyatt MacGaffey, “Franchising minkisi in Loango”; Karen Overbey, “Seeing through stone”; Noam Andrews, “The space of knowledge”; and other papers.
Author: Jack Burnham Publisher: MIT Press ISBN: 0262548801 Category : Art Languages : en Pages : 353
Book Description
Influential writings by the legendary art critic and theorist Jack Burnham—a pioneer in new media systems aesthetics and an early advocate of conceptualism. Jack Burnham is one of the few critics and theorists alive today who can claim to have radically altered the way we think about works of art. Burnham's use of the term “system” (borrowed from theoretical biology) in his 1968 essay “System Aesthetics” announced the relational character of conceptual art and newer research-based projects. Trained as an art historian, Burnham was also a sculptor. His first book, Beyond Modern Sculpture (1968), established him as a leading commentator on art and technology. A postformalist pioneer, an influential figure in new media art history, an early champion of conceptual and ecological art, and the curator of the first exhibition of digital art, Burnham is long overdue for reevaluation. This book offers that opportunity by collecting a substantial and varied selection of his hard-to-find texts, some published here for the first time. Although Burnham left the art world abruptly in the 1990s, his visionary theoretical ideas have only become more relevant in recent years. This collection seeks to restore Burnham to his rightful place in art criticism and theory, reestablishing his voice as crucial to critical conversations of the period. It gathers his early writing on sculpture, his essays on systems art and conceptualism, his views of the New York art world, and his later occult work—including an unorthodox interpretation of Marcel Duchamp's work that draws on the Kabbalah.
Author: Carla Taban Publisher: Leuven University Press ISBN: 9058679578 Category : Art Languages : en Pages : 353
Book Description
Exploring the epistemological potential of meta- and inter-images Since the 1990s, when the question of the visual became central in various arts and humanities disciplines, images that refer to themselves as such or to other images have enjoyed an increasing interest. Meta- and Inter-Images in Contemporary Visual Art and Culture partakes in, enriches and updates these debates. It investigates what meta- and inter-images can make known about the visual, in its own terms, by its own means. Written by scholars in aesthetics, art history, and cultural, film, literary, media, and visual studies, the essays gathered here tackle meta- and inter-images in an array of creative artefacts, practices, and media. They unfold the epistemological potential of every meta- and inter-image discussed to raise questions such as: What are images? How do they work? By whom, to what purpose, to what effect and in what context/s are they used? How are they created and understood? And how do they challenge our (pre)conceptions of images and the ways we study them? Contributors Maaheen Ahmed (Université catholique de Louvain), Vangelis Athanassopoulos (Université Paris I Panthéon-Sorbonne), Sotirios Bahtsetzis (Hellenic Open University), Concepción Cortés Zulueta (Universidad Autónoma de Madrid), Mafalda Dâmaso (Goldsmiths, University of London), Elisabeth-Christine Gamer (University of Bern), Amanda Gluibizzi (Ohio State University), Stella Hockenhull (University of Wolverhampton), Anaël Lejeune (Université catholique de Louvain), Fabrice Leroy (University of Louisiana at Lafayette), Johanna Malt (King’s College London), Olga Moskatova (IKKM, Bauhaus-Universität Weimar), Magdalena Nowak (The Graduate School for Social Research at the Polish Academy of Sciences), Jorgelina Orfila (Texas Tech University), Fran Pheasant-Kelly (University of Wolverhampton), Raphaël Pirenne (School of Graphic Research, E.R.G. Brussels), Abigail Susik (Willamette University)
Author: Hans-Jörg Pochmann Publisher: Birkhäuser ISBN: 3035625263 Category : Design Languages : en Pages : 208
Book Description
This text might be rendered on a screen. It could appear on paper as well. I have written it using a computer. As you are reading this text, some thing is functioning as an interface. Although I do not know exactly what this thing is, I know for certain that there is some thing here, slipping your mind as you read this text. This knowledge and this slipping away is the subject of this book. This research project questioned the sustaining support of digital objects: It aimed to challenge the habitualisation towards digital devices, the forgetting of the physical interface that leads to the supposition of digital immateriality. By handling computers as absurd things that escape language, the author sought to position himself among these strange and aloof digital entities and their effects.
Author: Gerald Adler Publisher: Routledge ISBN: 1135749752 Category : Architecture Languages : en Pages : 319
Book Description
Scale is a word which underlies much of architectural and urban design practice, its history and theory, and its technology. Its connotations have traditionally been linked with the humanities, in the sense of relating to human societies and to human form. ‘To build in scale’ is an aspiration that is usually taken for granted by most of those involved in architectural production, as well as by members of the public; yet in a world where value systems of all kinds are being questioned, the term has come under renewed scrutiny. The older, more particular, meanings in the humanities, pertaining to classical Western culture, are where the sense of scale often resides in cultural production. Scale may be traced back, ultimately, to the discovery of musical harmonies, and in the arithmetic proportional relationship of the building to its parts. One might question the continued relevance of this understanding of scale in the global world of today. What, in other words, is culturally specific about scale? And what does scale mean in a world where an intuitive, visual understanding is often undermined or superseded by other senses, or by hyper-reality? Structured thematically in three parts, this book addresses various issues of scale. The book includes an introduction which sets the scene in terms of current architectural discourse and also contains a visual essay in each section. It is of interest to undergraduate and postgraduate students, academics and practitioners in architecture and architectural theory as well as to students in a range of other disciplines including art history and theory, geography, anthropology and landscape architecture.
Author: Mel Bochner Publisher: National Geographic Books ISBN: 0262026317 Category : Art Languages : en Pages : 0
Book Description
Reviews, art criticism, theoretical texts, interviews, catalog statements, notecards, magazine interventions, and other writings on art and art in the form of writing by a leading conceptual artist; many pages reproduced in facsimile. Artist Mel Bochner became a writer, he says, almost by accident. In 1965, as a young artist in New York, he was out of a job; Arts Magazine paid him $2.50 for every review he turned in, whether they published it or not; a month of review-writing paid his rent—$28.00 a month. His reviews and articles provoked a range of unexpected reactions. “At that time, artists who wrote were looked at suspiciously, as if writing somehow tainted their visual practice,” he writes. A painter friend attacked him publicly for “joining the enemy.” Bochner soon began testing the boundary between writing-as-criticism and writing-as-visual-art. Solar System & Rest Rooms collects both Bochner's writings on art and his writings as art, offering more than fifty pieces—reviews, art criticism, theoretical texts, interviews, catalog statements, notecards, and his groundbreaking “magazine interventions”—many reproduced in facsimile. Bochner is a leading figure in conceptualism; his 1966 installation at the School of Visual Arts Gallery Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art is considered to be the earliest exhibition of conceptual art. Solar System & Rest Rooms chronologically documents the work and ideas of this important artist over a span of forty years, as well as providing a unique perspective on the conceptual and post-minimal art scene in New York. This book offers a rare insight into what it means to be an artist whose visual practice is inseparable from the sustained practice of writing. Mel Bochner has lived and worked in New York City since 1964. His work has been exhibited internationally and is included in major museum collections throughout the world.
Author: Joe Graham
Author: Joe Graham
Author: Kai Li
Author: Francesco Pellizzi
Author: Jack Burnham
Author: Carla Taban
Author: Hans-Jörg Pochmann
Author: Gerald Adler
Author: 
Author: Mel Bochner
Author: United States. Environmental Data and Information Service