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Author: Stephanie Pedersen Publisher: ISBN: 9781706824169 Category : Languages : en Pages : 294
Book Description
Do you remember the sight of overflowing ashtrays everywhere you looked when you were a child? There were billboards, magazines, and television ads promoting the great taste and soothing qualities of various brands of smokes. If you're a former 20th century kid, you probably have fond memories of running to the fridge to fetch your dad another Schlitz or Pabst Blue Ribbon. You would most certainly remember climbing into the family station wagon for a Sunday ride to the relatives. None of us would be the least bit surprised when the steely mammoth didn't start. Your dad would lift up the hood, mess around with the carburetor and a few vacuum lines and hopefully you'd be on your way. Most of us born in the '50s, '60s, and '70s probably experienced all of these things at one time or another.Our children, however, not so much. They've grown up in a world that is (relatively) smoke-free. At the least, they're certainly not bombarded with ads for Chesterfields and Viceroys. While we older folks were raised with the notion that a pack of Lucky Strikes made for a good day, our kids have grown into adulthood with a full understanding of just how dangerous cigarettes are.Familiarity with cigarettes isn't the only difference between us and our kids. Most Baby Boomers and Gen Xers can remember their parents loading up on martinis and whiskey sours at a restaurant, then driving the whole clan back home. To a 21st Century kid, these old stories seem like a vintage Hollywood movie plot.You ate what was served for dinner and didn't complain about it. (There weren't any alternative selections, no matter how picky you were.) "We're not running a diner here!" my father used to bellow. Compare that to the lives of 21st century children, who are waited on hand and foot. Today's moms and dads attend to their offspring's culinary desires as a royal chef would to the king-even if that means running out to the local burger shack to pick something up for little Justin, Aiden or Max.There are also differences in what we did to occupy ourselves versus what our kids spend their time on. You will remember playing with your friends, completely devoid of adult supervision. You went home only when the streetlights came on. Today, local parks are empty. That's because today's parents wouldn't think of letting our children go out by themselves. Play dates have to be arranged by parents beforehand-there is no more walking to a friend's house and rapping on the door or meeting up in a vacant lot. Oh no, sir. The obligatory phone call must be made to see if visitors are being courted. We watched The Honeymooners, I Dream of Jeannie, and The Brady Bunch. Our children grew up watching Power Rangers, Rug Rats, and Sponge Bob Squarepants. We wore Sears Toughskins, turtlenecks and bell bottoms. Our kids wear cargo shorts and yoga pants. We played board games on the living room floor. They play video games on their phones. And the differences between 20th Century and 21st Century kids don't stop there. Smoked Like Chimneys, Drank Like Fish: Raised Under the Influence, takes you on a meandering journey through the funny and terrifying, wacky and just plain weird, childhoods of Baby Boomers and Generation X. Want to look back on these and many other memories and see how they stack up against our children and grandchildren's childhoods? You'll love Smoked Like Chimneys, Drank Like Fish: Raised Under the Influence, by Peter Erickson.
Author: Stephanie Pedersen Publisher: ISBN: 9781706824169 Category : Languages : en Pages : 294
Book Description
Do you remember the sight of overflowing ashtrays everywhere you looked when you were a child? There were billboards, magazines, and television ads promoting the great taste and soothing qualities of various brands of smokes. If you're a former 20th century kid, you probably have fond memories of running to the fridge to fetch your dad another Schlitz or Pabst Blue Ribbon. You would most certainly remember climbing into the family station wagon for a Sunday ride to the relatives. None of us would be the least bit surprised when the steely mammoth didn't start. Your dad would lift up the hood, mess around with the carburetor and a few vacuum lines and hopefully you'd be on your way. Most of us born in the '50s, '60s, and '70s probably experienced all of these things at one time or another.Our children, however, not so much. They've grown up in a world that is (relatively) smoke-free. At the least, they're certainly not bombarded with ads for Chesterfields and Viceroys. While we older folks were raised with the notion that a pack of Lucky Strikes made for a good day, our kids have grown into adulthood with a full understanding of just how dangerous cigarettes are.Familiarity with cigarettes isn't the only difference between us and our kids. Most Baby Boomers and Gen Xers can remember their parents loading up on martinis and whiskey sours at a restaurant, then driving the whole clan back home. To a 21st Century kid, these old stories seem like a vintage Hollywood movie plot.You ate what was served for dinner and didn't complain about it. (There weren't any alternative selections, no matter how picky you were.) "We're not running a diner here!" my father used to bellow. Compare that to the lives of 21st century children, who are waited on hand and foot. Today's moms and dads attend to their offspring's culinary desires as a royal chef would to the king-even if that means running out to the local burger shack to pick something up for little Justin, Aiden or Max.There are also differences in what we did to occupy ourselves versus what our kids spend their time on. You will remember playing with your friends, completely devoid of adult supervision. You went home only when the streetlights came on. Today, local parks are empty. That's because today's parents wouldn't think of letting our children go out by themselves. Play dates have to be arranged by parents beforehand-there is no more walking to a friend's house and rapping on the door or meeting up in a vacant lot. Oh no, sir. The obligatory phone call must be made to see if visitors are being courted. We watched The Honeymooners, I Dream of Jeannie, and The Brady Bunch. Our children grew up watching Power Rangers, Rug Rats, and Sponge Bob Squarepants. We wore Sears Toughskins, turtlenecks and bell bottoms. Our kids wear cargo shorts and yoga pants. We played board games on the living room floor. They play video games on their phones. And the differences between 20th Century and 21st Century kids don't stop there. Smoked Like Chimneys, Drank Like Fish: Raised Under the Influence, takes you on a meandering journey through the funny and terrifying, wacky and just plain weird, childhoods of Baby Boomers and Generation X. Want to look back on these and many other memories and see how they stack up against our children and grandchildren's childhoods? You'll love Smoked Like Chimneys, Drank Like Fish: Raised Under the Influence, by Peter Erickson.
Author: Lance Morrow Publisher: Encounter Books ISBN: 1641772298 Category : Biography & Autobiography Languages : en Pages : 131
Book Description
W.H. Auden famously wrote: “Poetry makes nothing happen.” Journalism is a different matter. In a brilliant study that is, in part, a memoir of his 40 years as an essayist and critic at TIME magazine, Lance Morrow returns to the Age of Typewriters and to the 20th century’s extraordinary cast of characters—statesmen and dictators, saints and heroes, liars and monsters, and the reporters, editors, and publishers who interpreted their deeds. He shows how journalism has touched the history of the last 100 years, has shaped it, distorted it, and often proved decisive in its outcomes. Lord Beaverbrook called journalism “the black art.” Morrow considers the case of Walter Duranty, the New York Times’ Moscow correspondent who published a Pulitzer Prize-winning series praising Stalin just at the moment when Stalin imposed mass starvation upon the people of Ukraine and the North Caucasus in order to enforce the collectivization of Soviet agriculture. Millions died. John Hersey’s Hiroshima, on the other hand, has been all but sanctified—called the 20th century’s greatest piece of journalism. Was it? Morrow examines the complex moral politics of Hersey’s reporting, which the New Yorker first published in 1946. The Noise of Typewriters is, among other things, an intensely personal study of an age that has all but vanished. Morrow is the son of two journalists who got their start covering Roosevelt and Truman. When Morrow and Carl Bernstein were young, they worked together as dictation typists at the Washington Star (a newspaper now extinct). Bernstein had dedicated Chasing History, his memoir of those days, to Morrow. It was Morrow’s friend and editor Walter Isaacson—biographer of Leonardo Da Vinci, Albert Einstein, and Steve Jobs—who taught Morrow how to use a computer when the machines were first introduced at TIME. Here are striking profiles of Henry Luce, TIME’s founder, and of Dorothy Thompson, Claud Cockburn, Edgar Snow, Joseph and Stewart Alsop, Joan Didion, Norman Mailer, Otto Friedrich, Michael Herr, and other notable figures in a golden age of print journalism that ended with the coming of television, computers, and social media. The Noise of Typewriters is the vivid portrait of an era.
Author: Harry Hamlin Publisher: Simon and Schuster ISBN: 1439170010 Category : Biography & Autobiography Languages : en Pages : 393
Book Description
IN 2008, as he attempted to enter Canada to film a television series, Harry Hamlin—the former star of L.A. Law and once People magazine’s Sexiest Man Alive—was detained at the border for unresolved narcotics convictions. And so begins Full Frontal Nudity, a laugh-out-loud-funny memoir in which Harry digs deep into his past to recount the wacky experiences of his childhood, the twisted path that led to his alleged criminal behavior, and the series of fortuitous mishaps that drove him to become an actor. Harry was reared in suburban California in the late 1950s by a gin-gulping, pill-popping housewife mother and a rocket scientist father with a secret life. On its surface, his childhood was not unlike his peers’, except that he was kicked out of the fourth grade for writing a book report on Mein Kampf and, when he was eleven, his parents gave him a subscription to Playboy for Christmas. Curious by nature, chock-full of boyish charm and good looks, Harry experimented with mystical religion and set off for Woodstock, only to narrowly avoid lighting the whole of Yellowstone National Park on fire. At eighteen, he was ready to matriculate at Berkeley and become the architect he always wanted to be. But fate—this time in the form of a large Hells Angel, a few purple microdots, and an evening in the tree houses of La Honda—got in the way. Sharp and bawdy, Full Frontal Nudity spans the years from Harry’s childhood through his time at Berkeley (which he was asked to leave after he was accused of running a brothel), to Yale, then on an extended vacation in the Yucatán, and finally to the American Conservatory Theater, where Harry played his first lead role—as the buck-naked star of Equus. Full Frontal Nudity is an uproarious memoir that captures an era and describes the unlikely origins of a star.
Author: Ellen Jameson Publisher: Kings Road Publishing ISBN: 1782199640 Category : Biography & Autobiography Languages : en Pages : 259
Book Description
Ellen Jameson is the widow of legendary journalist and television broadcaster, Derek Jameson. But she is much more besides. Garnering acclaim as a Fleet Street journalist, a BBC broadcaster, author, actress and theatre producer, Ellen bestrode the British media business with her husband for years.Mixing with celebrity strata from princes to Prime Ministers, Ellen has graced prime-time television and various national publications, as well as co-hosting a hugely successful national radio show with Derek. From delivering herself to the Beatles in a giant parcel as a teenager to her star-studded wedding to Derek in Arundel Cathedral, there are happy memories galore. But life has not always been so kind to Ellen.Growing up with the burden of a dysfunctional family of heavy drinkers, it wouldn't be long before Ellen succumbed to demons of her own. A hell of drugs, sex and suicidal compulsion threatened to engulf her, but in a testament to the human endurance she fought through to recovery and the beckon of a brighter life.In Making God Laugh, Ellen tells her story with great verve and charm, laying bare the shocking and the scandalous in her glittering career. But the beating heart of this deeply moving book is how Derek Jameson loved his flagging bride back from desperate alcoholism and into life. This is the inspirational story of Ellen Jameson, her love for a husband and her steadfast belief that we are all here on earth just making God laugh.
Author: Anna Fields Publisher: Penguin ISBN: 1101186836 Category : Biography & Autobiography Languages : en Pages : 205
Book Description
A fond, funny Southern-fried memoir about growing up a proper young lady...or not. How does a North Carolina native go from being a tomboy with catfish guts on her overalls to becoming the next Scarlett O'Hara? Turns out, it's not so easy. Too smart, too tall, too fat, too different...Anna Fields was a dud at debbing. From tea parties to teased hair to where to hide mini bottles of liquor inside poufy crinoline ballgowns, Anna reveals all-in a hilarious, behindthe-scenes glimpse into Deb Culture, where for a Southern belle, "the proof is in the pouf." Unless, of course, she rebels...
Author: David J. Lythberg Publisher: Xlibris Corporation ISBN: 1469106671 Category : Fiction Languages : en Pages : 748
Book Description
Race. God. Two forces that have oppressed David's life from the beginning. As he grows, they follow him, bearing down upon his neck like a yoke. But someone else follows him as well. There is an appointed time for them to meet. Race. God. Growing up biracial is hard for David, being the son of an overbearing black mother and a passive white father. They've pulled him from an all-black world into an all-white one. But someone is there also. There is an appointed time for them to meet. Race. God. David eventually learns to throw the shackles of both away, to lash out against anything racial, or religious. He changes. Grows angrier. hates more. Still, that someone is there, watching. Waiting. Emily. But Emily couldn't wait any longer. Her love for David couldn't be contained until that "appointed" time. She takes matters into her own hands, and makes her presence known. In an attempt to win his love, she dons his clothes and engages in his interests. But sadly, her plan backfires, and everything turns disasterous---and she is left, damaged and alone. Race. God. Emily. Years pass. Time shifts. When they do meet, it is a meeting like no other. The rapture they feel for one another surpasses the drudgedness of their station. For David, life couldn't be imagined without her; and at such a time as this, she is taken away from him. Is it a scrifice, or some unfortunate circumstance? She leaves someone in her stead, to continue with him where she left off. Someone who cares just as much as she had. Someone who loved him from the beginning, just as she had. God. It is only then that David realizes who Emily really was, and how much he'd failed to understand.
Author: Gene Shelton Publisher: Pecos Press ISBN: 1536506397 Category : Fiction Languages : en Pages : 287
Book Description
Framed for cattle rustling and horse theft by the corrupt banker who foreclosed on their employer's ranch, Buck and Dobie find themselves out of work, out of cash, and out of luck. So, they decided to try and live up to their reputation as wanted men—an idea easier said than done. Buck Hawkins and Dobie Garrett are a pair of cowboys in the Texas Panhandle. They’re unlikely outlaws—until their ranch is stolen and the two cowhands framed for rustling and horse theft by a crooked banker. Now with a price on their heads and hunted by the law, the two cowboys decide that if they have to ride the outlaw trail, they might as well be the best holdup artists in Texas. Problem is, they aren't all that good at the trade. Just when they thought it couldn't get worse ... During a botched stage holdup, they meet Marylou Kowalski, who demands at the point of a derringer that Buck and Dobie kidnap her; she's bored with her life and looking for excitement on the outlaw trail. Marylou convinces the two fugitives that the three of them can score the ultimate in revenge—holding up the crooked banker who posted reward flyers on the two cowboys.
Author: Charles Murray Publisher: Forum Books ISBN: 030745343X Category : Social Science Languages : en Pages : 434
Book Description
NEW YORK TIMES BESTSELLER • A fascinating explanation for why white America has become fractured and divided in education and class, from the acclaimed author of Human Diversity. “I’ll be shocked if there’s another book that so compellingly describes the most important trends in American society.”—David Brooks, New York Times In Coming Apart, Charles Murray explores the formation of American classes that are different in kind from anything we have ever known, focusing on whites as a way of driving home the fact that the trends he describes do not break along lines of race or ethnicity. Drawing on five decades of statistics and research, Coming Apart demonstrates that a new upper class and a new lower class have diverged so far in core behaviors and values that they barely recognize their underlying American kinship—divergence that has nothing to do with income inequality and that has grown during good economic times and bad. The top and bottom of white America increasingly live in different cultures, Murray argues, with the powerful upper class living in enclaves surrounded by their own kind, ignorant about life in mainstream America, and the lower class suffering from erosions of family and community life that strike at the heart of the pursuit of happiness. That divergence puts the success of the American project at risk. The evidence in Coming Apart is about white America. Its message is about all of America.