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Author: Anders Ahlqvist Publisher: John Benjamins Publishing ISBN: 902728069X Category : Language Arts & Disciplines Languages : en Pages : 559
Book Description
This volume presents a selection of the best papers from the Fifth International Conference on Historical Linguistics (ICHL), which was held in Galway, April 6–10 1981. These papers provide an overview of work in the field of historical linguistics, covering a wide variety of topics and languages.
Author: Anders Ahlqvist Publisher: John Benjamins Publishing ISBN: 902728069X Category : Language Arts & Disciplines Languages : en Pages : 559
Book Description
This volume presents a selection of the best papers from the Fifth International Conference on Historical Linguistics (ICHL), which was held in Galway, April 6–10 1981. These papers provide an overview of work in the field of historical linguistics, covering a wide variety of topics and languages.
Author: A. P. Vlasto Publisher: CUP Archive ISBN: 9780521074599 Category : History Languages : en Pages : 456
Book Description
Dr Vlasto reviews the early history of the various Slav peoples (from about AD 500 onwards) and traces their gradual emergence as Christian states within the framework of either West or East European culture. Special attention is paid to the political and cultural rivalry between East and West for the allegiance of certain Slav peoples, and to the degree of cultural exchange within the Slav world, associated in particular with the use of the Slav liturgical language. His examination of all the Slav peoples and extensive use of original source material in many different languages enables Dr Vlasto to give a particularly comprehensive study of the subject.
Author: Peter Jeffery Publisher: Boydell & Brewer Ltd ISBN: 0851158005 Category : History Languages : en Pages : 426
Book Description
Comparative studies of medieval chant traditions in western Europe, Byzantium and the Slavic nations illuminate music, literacy and culture. Gregorian chant was the dominant liturgical music of the medieval period, from the time it was adopted by Charlemagne's court in the eighth century; but for centuries afterwards it competed with other musical traditions, local repertories from the great centres of Rome, Milan, Ravenna, Benevento, Toledo, Constantinople, Jerusalem, and Kievan Rus, and comparative study of these chant traditions can tell us much about music, liturgy, literacy and culture a thousand years ago. This is the first book-length work to look at the issues in a global, comprehensive way, in the manner of the work of Kenneth Levy, the leading exponent of comparative chant studies. It covers the four most fruitful approaches for investigators: the creation and transmission of chant texts, based on the psalms and other sources, and their assemblage into liturgical books; the analysis and comparison of musical modes and scales; the usesof neumatic notation for writing down melodies, and the differences wrought by developmental changes and notational reforms over the centuries; and the use of case studies, in which the many variations in a specific text or melodyare traced over time and geographical distance. The book is therefore of profound importance for historians of medieval music or religion - Western, Byzantine, or Slavonic - and for anyone interested in issues of orality and writing in the transmission of culture. PETER JEFFERY is Professor of Music History, Princeton University. Contributors: JAMES W. McKINNON, MARGOT FASSLER, MICHEL HUGLO, NICOLAS SCHIDLOVSKY, KEITH FALCONER, PETER JEFFERY, DAVID G.HUGHES, SYSSE GUDRUN ENGBERG, CHARLES M. ATKINSON, MILOS VELIMIROVIC, JORGEN RAASTED+, RUTH STEINER, DIMITRIJE STEFANOVIC, ALEJANDRO PLANCHART.
Author: Thomas Olander Publisher: BRILL ISBN: 9004270507 Category : Language Arts & Disciplines Languages : en Pages : 425
Book Description
Proto-Slavic, the reconstructed ancestor of the Slavic languages, presents a rich inflectional system inherited from Proto-Indo-European. In this handbook all the inflectional endings of Proto-Slavic are traced back to Proto-Indo-European through a systematic comparison with the corresponding forms in related languages. Applying a redefinition of Proto-Slavic based on prehistoric loanword relations with neighbouring non-Slavic languages, Thomas Olander provides a new look at the Proto-Slavic inflectional system. The systematic, coherent and exhaustive approach laid out in the handbook paves the way for new solutions to long-standing problems of Slavic historical grammar.
Author: Publisher: John Benjamins Publishing ISBN: 9027209847 Category : Foreign Language Study Languages : en Pages : 553
Book Description
Germanists have long lamented the lack of comprehensive bibliographies of past and present literature, particularly in the areas of Frisian, Old English, Old High German, and, most notably, Old Saxon. The compilers of this bibliography deem it crucial to fill this lacuna before embarking on two further volumes project to complete this series: I. Texts, and II. Maps and Commentaries. NOTE FROM THE PUBLISHER: The publication of the two further volumes (I. Texts; II. Maps and Commentaries) has been canceled.
Author: Thomas Olander Publisher: Walter de Gruyter ISBN: 3110213354 Category : Language Arts & Disciplines Languages : en Pages : 287
Book Description
Why does the accent jump back and forth in Russian words like golová 'head', acc. gólovu, gen. golový, dat. golové etc.? How come we find similar alternations in other Slavic languages and in a Baltic language like Lithuanian? The quest for the origin of the so-called "mobile accent paradigms" of Baltic and Slavic leads the reader through other Indo-European language branches such as Indo-Iranian, Greek and Germanic, all of which are relevant to the reconstruction of the Proto-Indo-European accentuation system. After the examination of the evidence for the reconstruction of the Proto-Indo-European accentuation system, focus is moved to the Baltic and Slavic accentuation systems and their relationship to each other and to Proto-Indo-European. A comprehensive history of research and numerous bibliographical references to earlier pieces of scholarship throughout the book make it a useful tool for anybody who is interested in Balto-Slavic and Indo-European accentology. Written in a simple style and constantly aiming at presenting old and new opinions on the various problems, the volume may serve as an introduction to this complicated field.
Author: Henry M. Hoenigswald Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3111418790 Category : Language Arts & Disciplines Languages : en Pages : 616
Book Description
No detailed description available for "Diachronic, areal, and typological Linguistics".
Author: Richard Taruskin Publisher: Univ of California Press ISBN: 0520342739 Category : Music Languages : en Pages : 798
Book Description
This book undoes 50 years of mythmaking about Stravinsky's life in music. During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music. Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturity—Petrushka, The Rite of Spring, and Les Noces. Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism"—the professional appropriation of motifs and style characteristics from folk art—and how Stravinsky realized this ideal in his music. Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed. Written with Taruskin's characteristic mixture of in-depth research and stylistic verve, this book will be mandatory reading for all those seriously interested in the life and work of Stravinsky.
Author: Anders Ahlqvist
Author: Anders Ahlqvist
Author: A. P. Vlasto
Author: Henrik Birnbaum
Author: Peter Jeffery
Author: Thomas Olander
Author: 
Author: Thomas Olander
Author: Dmitrij Ciževskij
Author: Henry M. Hoenigswald
Author: Richard Taruskin