The Masterworks of Edvard Munch PDF Download

Author: Museum of Modern Art (New York, N.Y.)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 72

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Author: Sue Prideaux
Publisher: Yale University Press
ISBN: 9780300124019
Category : Biography & Autobiography
Languages : en
Pages : 526

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The biography of the artist who created the most haunting icon of the twentieth century

Author: Gerd Presler
Publisher: XinXii
ISBN: 3969318122
Category : Art
Languages : en
Pages : 223

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Sketchbooks are an outstanding feature in more than a few exhibitions: they have a downright prominent place in showcases, above them monitors where all sheets can be seen on touch screens – a visual pleasure and an exciting event. Unfortunately, however, many people continue to be rather baffled by sketchbooks. What goes on there? Most are convinced that the purpose of a sketchbook is to prepare for a work – typically a painting. Its pages contain impressions of a preliminary nature, sketched in a few strokes, which are completed at another time and another place. But things have changed, and this is a development we have to examine at long last in greater depth: sketchbooks can accomplish more; they plough a field other than that of “pre-liminarity”! To date there is no publication that explores their true significance within the creative process. Is it not called for to take a close look at the weight artists attach to the “silent companion in their jacket pocket”? This is the purpose of this book.

Author: Ruta Sepetys
Publisher: Penguin
ISBN: 110147615X
Category : Young Adult Fiction
Languages : en
Pages : 354

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The inspiration for the major motion picture Ashes in the Snow! "Few books are beautifully written, fewer still are important; this novel is both." --The Washington Post From New York Times and international bestseller and Carnegie Medal winner Ruta Sepetys, author of Salt to the Sea, comes a story of loss and of fear -- and ultimately, of survival. A New York Times notable book An international bestseller A Carnegie Medal nominee A William C. Morris Award finalist A Golden Kite Award winner Fifteen-year-old Lina is a Lithuanian girl living an ordinary life -- until Soviet officers invade her home and tear her family apart. Separated from her father and forced onto a crowded train, Lina, her mother, and her young brother make their way to a Siberian work camp, where they are forced to fight for their lives. Lina finds solace in her art, documenting these events by drawing. Risking everything, she imbeds clues in her drawings of their location and secretly passes them along, hoping her drawings will make their way to her father's prison camp. But will strength, love, and hope be enough for Lina and her family to survive? A moving and haunting novel perfect for readers of The Book Thief. Praise for Between Shades of Gray: "Superlative. A hefty emotional punch." --The New York Times Book Review "Heart-wrenching . . . an eye-opening reimagination of a very real tragedy written with grace and heart." --The Los Angeles Times "At once a suspenseful, drama-packed survival story, a romance, and an intricately researched work of historial fiction." --The Wall Street Journal * "Beautifully written and deeply felt . . . An important book that deserves the widest possible readership." --Booklist, starred review “A superlative first novel. A hefty emotional punch.”--The New York Times Book Review “A brilliant story of love and survival.”--Laurie Halse Anderson, bestselling author of Speak and Wintergirls * “Beautifully written and deeply felt…an important book that deserves the widest possible readership.”--Booklist, Starred Review

Author: R.A. Spratt
Publisher: Penguin Group Australia
ISBN: 1760148318
Category : Juvenile Fiction
Languages : en
Pages : 202

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Friday is not running away. Yes, she did get on a train to Norway without telling anyone where she was going – but she had to help Binky. He may or may not have been attacked by a polar bear. Now he’s facing court martial for dereliction of duty. Obviously, Friday had to drop everything and travel 3000 kilometres to solve the case. The fact that it’s easier to handle her feelings for Ian Wainscott if there’s a continent between them is just a coincidence. When Friday arrives in Oslo, there are so many mysteries to solve. Is someone trying to keep Binky and Princess Ingrid apart? How can a painting leave a museum when all the doors are sealed? And will Melanie persuade Friday to go to the royal ball without wearing a brown cardigan? If Friday survives her trip to the remote Global Seed Vault, we may find out.

Author: Edvard Munch
Publisher: Fagbokforlaget
ISBN: 9788290128710
Category : Expressionism (Art)
Languages : en
Pages : 0

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Book Description
Edvard Munch's (1863-1944) letters, notes, journals, and a number of other documents have always been a key wellspring for the appreciation of his exceptional art. Munch's literary journals and notes on art have qualities that make them artistic expressions in their own right. Oslo's Munch Museum recently launched a digital archive of the artist's collected writings at www.eMunch.no. To accompany the launch and the museum's exhibition, the comprehensive book eMunch.no - Text and Image has been published. The book contains thought-provoking essays by fifteen scholars.

Author: Shelley Wood Cordulack
Publisher: Fairleigh Dickinson Univ Press
ISBN: 0838638910
Category : Art
Languages : en
Pages : 140

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This book explores how and why the influential Norwegian artist Edvard Munch exploted late nineteenth-century physiology as a means to express the Symbolist soul. Munch's series of paintings through the 1890s, known collectively as the 'Frieze of Life', looked to the physiologically functioning (and malfunctioning) living organism for both its visual and organized metaphors.

Author: Elisabeth Ingles
Publisher: Parkstone International
ISBN: 1781605688
Category : Art
Languages : en
Pages : 164

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Book Description
Edvard Munch, born in 1863, was Norway's most popular artist. His brooding and anguished paintings, based on personal grief and obsessions, were instrumental in the development of Expressionism. During his childhood, the death of his parents, his brother and sister, and the mental illness of another sister, were of great influence on his convulsed and tortuous art. In his works, Munch turned again and again to the memory of illness, death and grief. During his career, Munch changed his idiom many times. At first, influenced by Impressionism and Post-impressionism, he turned to a highly personal style and content, increasingly concerned with images of illness and death. In the 1892s, his style developed a ‘Synthetist' idiom as seen in The Scream (1893) which is regarded as an icon and the portrayal of modern humanity's spiritual and existential anguish. He painted different versions of it. During the 1890s Munch favoured a shallow pictorial space, and used it in his frequently frontal pictures. His work often included the symbolic portrayal of such themes as misery, sickness, and death. and the poses of his figures in many of his portraits were chosen in order to capture their state of mind and psychological condition. It also lends a monumental, static quality to the paintings. In 1892, the Union of Berlin Artists invited Munch to exhibit at its November exhibition. His paintings invoked bitter controversy at the show, and after one week the exhibition closed. In the 1930s and 1940s, the Nazis labeled his work “degenerate art”, and removed his works from German museums. This deeply hurt the anti-fascist Munch, who had come to feel Germany was his second homeland. In 1908 Munch's anxiety became acute and he was hospitalized. He returned to Norway in 1909 and died in Oslo in 1944.

Author: James Elkins
Publisher: Routledge
ISBN: 113595013X
Category : Art
Languages : en
Pages : 218

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This deeply personal account of emotion and vulnerability draws upon anecdotes related to individual works of art to present a chronicle of how people have shown emotion before works of art in the past.

Author: Gerd Woll
Publisher: Philip Wilson Publishers, Limited
ISBN:
Category : Art
Languages : en
Pages : 504

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Book Description
This book is a long-awaited contribution to the literature on Edvard Munch and his activities as a printmaker. It is a valuable reference work for print experts and Munch enthusiasts alike. Munch's graphic works have fascinated people all over the world for more than a hundred years. He himself arranged a number of exhibitions of his prints, and was represented in many print rooms and important private collections in Europe before World War II. When he died in 1944, Munch bequeathed his vast collection of some 18,000 prints to the City of Oslo. In 1963, the Munch-museet opened its doors to the public, and since the bequest has shown Munch's prints in numerous exhibitions. The author's extensive research and the enormous attention to detail in the individual entries should make this the standard reference work for many years to come.