Author: Canadian Art Club
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 17
Book Description
Sixth Annual Exhibition at the Gallery of the Art Museum of Toronto ...
Author: Canadian Art Club
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 17
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 17
Book Description
Sixth Annual Exhibition at the Gallery of the Art Museum of Toronto, Public Reference Library Building, College and St. George Sts., from Friday, May the Ninth to Saturday, May the Thirty-first
Canadian Art Club Sixth Annual Exhibition at the Gallery of the Art Museum of Toronto, Public Reference Library, Building, College and St. George Sts., from Friday, May the Ninth, to Saturday, May the Thirty- First
Author: Canadian Art Club (Toronto, Ont.)
Publisher:
ISBN: 9780659914262
Category :
Languages : en
Pages : 18
Book Description
Publisher:
ISBN: 9780659914262
Category :
Languages : en
Pages : 18
Book Description
Annual Report
Author: Carnegie Institute
Publisher:
ISBN:
Category : Art museums
Languages : en
Pages : 232
Book Description
Includes report of the director of fine arts, of the director of the Museum, and of the director of the Technical schools.
Publisher:
ISBN:
Category : Art museums
Languages : en
Pages : 232
Book Description
Includes report of the director of fine arts, of the director of the Museum, and of the director of the Technical schools.
Society of Six
Author: Nancy Boas
Publisher: Univ of California Press
ISBN: 0520919777
Category : Art
Languages : en
Pages : 234
Book Description
Six plein-air painters in Oakland, California, joined together in 1917 to form an association that lasted nearly fifteen years. The Society of Six—Selden Connor Gile, Maurice Logan, William H. Clapp, August F. Gay, Bernard von Eichman, and Louis Siegriest—created a color-centered modernist idiom that shocked establishment tastes but remains the most advanced painting of its era in Northern California. Nancy Boas's well-informed and sumptuously illustrated chronicle recognizes the importance of these six painters in the history of American Post-Impressionism. The Six found themselves in the position of an avant garde not because they set out to reject conventionality, but because they aspired to create their own indigenous modernism. While the artists were considered outsiders in their time, their work is now recognized as part of the vital and enduring lineage of American art. Depression hardship ended the Six's ascendancy, but their painterliness, use of color, and deep alliance with the land and the light became a beacon for postwar Northern California modern painters such as Richard Diebenkorn and Wayne Thiebaud. Combining biography and critical analysis, Nancy Boas offers a fitting tribute to the lives and exhilarating painting of the Society of Six.
Publisher: Univ of California Press
ISBN: 0520919777
Category : Art
Languages : en
Pages : 234
Book Description
Six plein-air painters in Oakland, California, joined together in 1917 to form an association that lasted nearly fifteen years. The Society of Six—Selden Connor Gile, Maurice Logan, William H. Clapp, August F. Gay, Bernard von Eichman, and Louis Siegriest—created a color-centered modernist idiom that shocked establishment tastes but remains the most advanced painting of its era in Northern California. Nancy Boas's well-informed and sumptuously illustrated chronicle recognizes the importance of these six painters in the history of American Post-Impressionism. The Six found themselves in the position of an avant garde not because they set out to reject conventionality, but because they aspired to create their own indigenous modernism. While the artists were considered outsiders in their time, their work is now recognized as part of the vital and enduring lineage of American art. Depression hardship ended the Six's ascendancy, but their painterliness, use of color, and deep alliance with the land and the light became a beacon for postwar Northern California modern painters such as Richard Diebenkorn and Wayne Thiebaud. Combining biography and critical analysis, Nancy Boas offers a fitting tribute to the lives and exhilarating painting of the Society of Six.
Art and Progress
American Magazine of Art
F.H. Varley
Author: Katerina Atanassova
Publisher: Dundurn
ISBN: 1459720423
Category : Art
Languages : en
Pages : 299
Book Description
Frederick Horsman Varley was unique among the members of the Group of Seven. One of the greatest Canadian portraitists of the twentieth century, he is an intriguing example of an artist who, despite his fame as a portrait painter, remains better known for his landscapes. This is due mainly to his position as one of the founding members of the Group of Seven and their deliberate attempt to raise awareness of our national identity by depicting the Canadian landscape. Even though many public collections across the country, including the National Gallery of Canada, the Art Gallery of Ontario, and the Vancouver Art Gallery, display some of Varley's best-known portraits, these works do not easily fit into the conventional mould of the Group of Seven. Nearly four decades after his death, Varley's portraits are still not fully acknowledged. The release of this beautifully illustrated bilingual volume coincides with the opening of an unprecedented exhibition of his portraiture.
Publisher: Dundurn
ISBN: 1459720423
Category : Art
Languages : en
Pages : 299
Book Description
Frederick Horsman Varley was unique among the members of the Group of Seven. One of the greatest Canadian portraitists of the twentieth century, he is an intriguing example of an artist who, despite his fame as a portrait painter, remains better known for his landscapes. This is due mainly to his position as one of the founding members of the Group of Seven and their deliberate attempt to raise awareness of our national identity by depicting the Canadian landscape. Even though many public collections across the country, including the National Gallery of Canada, the Art Gallery of Ontario, and the Vancouver Art Gallery, display some of Varley's best-known portraits, these works do not easily fit into the conventional mould of the Group of Seven. Nearly four decades after his death, Varley's portraits are still not fully acknowledged. The release of this beautifully illustrated bilingual volume coincides with the opening of an unprecedented exhibition of his portraiture.