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Author: Gertrude Wishnick Dubrovsky Publisher: ISBN: Category : Biography & Autobiography Languages : en Pages : 262
Book Description
"Six cousins from Leipzig, aged 7 months to 14 years, were among the 2,000 children who arrived in Cambridge, and were under the supervision of both the Movement and of the Cambridge Refugee Children's Committee. The story of these children brings to life the issues faced by all those who travelled on the Kindertransports and the way in which the Committee tried to cope with their responsibilities.".
Author: Gertrude Wishnick Dubrovsky Publisher: ISBN: Category : Biography & Autobiography Languages : en Pages : 262
Book Description
"Six cousins from Leipzig, aged 7 months to 14 years, were among the 2,000 children who arrived in Cambridge, and were under the supervision of both the Movement and of the Cambridge Refugee Children's Committee. The story of these children brings to life the issues faced by all those who travelled on the Kindertransports and the way in which the Committee tried to cope with their responsibilities.".
Author: Itamar Moses Publisher: Samuel French, Inc. ISBN: 9780573651441 Category : Drama Languages : en Pages : 112
Book Description
Leipzig, Germany, 1722, where Johann Kuhnau, revered organist of the Thomaskirche, suddenly dies, leaving his post vacant. The town council invites musicians from across to audition for the coveted position, among them young Johann Sebastian Bach. In an age where musicians depend on patronage from the nobility or the church to pursue their craft, the post at a prominent church in a cultured city is a near guarantee of fame and fortune - which is why some of the candidates are willing to resort to any lengths to secure it. --
Author: Alex Ross Publisher: Farrar, Straus and Giroux ISBN: 1429944544 Category : Music Languages : en Pages : 784
Book Description
Alex Ross, renowned New Yorker music critic and author of the international bestseller and Pulitzer Prize finalist The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence. For better or worse, Wagner is the most widely influential figure in the history of music. Around 1900, the phenomenon known as Wagnerism saturated European and American culture. Such colossal creations as The Ring of the Nibelung, Tristan und Isolde, and Parsifal were models of formal daring, mythmaking, erotic freedom, and mystical speculation. A mighty procession of artists, including Virginia Woolf, Thomas Mann, Paul Cézanne, Isadora Duncan, and Luis Buñuel, felt his impact. Anarchists, occultists, feminists, and gay-rights pioneers saw him as a kindred spirit. Then Adolf Hitler incorporated Wagner into the soundtrack of Nazi Germany, and the composer came to be defined by his ferocious antisemitism. For many, his name is now almost synonymous with artistic evil. In Wagnerism, Alex Ross restores the magnificent confusion of what it means to be a Wagnerian. A pandemonium of geniuses, madmen, charlatans, and prophets do battle over Wagner’s many-sided legacy. As readers of his brilliant articles for The New Yorker have come to expect, Ross ranges thrillingly across artistic disciplines, from the architecture of Louis Sullivan to the novels of Philip K. Dick, from the Zionist writings of Theodor Herzl to the civil-rights essays of W.E.B. Du Bois, from O Pioneers! to Apocalypse Now. In many ways, Wagnerism tells a tragic tale. An artist who might have rivaled Shakespeare in universal reach is undone by an ideology of hate. Still, his shadow lingers over twenty-first century culture, his mythic motifs coursing through superhero films and fantasy fiction. Neither apologia nor condemnation, Wagnerism is a work of passionate discovery, urging us toward a more honest idea of how art acts in the world.
Author: Rachel Kushner Publisher: Karma, New York ISBN: 9781949172478 Category : Fiction Languages : en Pages : 80
Book Description
An acidic portrait of the grifters and pretenders of the art world, from the celebrated author of The Mars Room In Rachel Kushner's latest work of fiction, The Mayor of Leipzig, an unnamed artist recounts her travels from New York City to Cologne--where she contemplates German guilt and art-world grifters, and Leipzig--where she encounters live "adult entertainment" in a business hotel. The narrator gossips about everyone, including the author. "Taking a time out from what happened to me in Cologne and in Leipzig," Kushner writes, "I want to let you in on a secret: I personally know the author of this story you're reading. Because she fancies herself an art world type, a hanger-on. Who would do that voluntarily? I mean, it's not like someone held a gun to my head and said, Be an artist. I chose it, but I still can't imagine having anything to do with the art world if you don't have to. Also, people who don't make stuff, who instead try to catalogue, periodize, and understand art, they never understand the first thing. Art is about taste, a sense of humor, and most writers lack both." Rachel Kushner (born 1968) is the author of The Flamethrowers (2013) and The Mars Room (2018). Her debut novel, Telex from Cuba, was a finalist for the 2008 National Book Award and a New York Times bestseller and Notable Book. A collection of her early work, The Strange Case of Rachel K, was published by New Directions in 2015. Her fiction has appeared in the New Yorker, Harper's and the Paris Review.
Author: Gertrude Wishnick Dubrovsky
Author: Gertrude Wishnick Dubrovsky
Author: 
Author: Itamar Moses
Author: Alex Ross
Author: Dulau & Co., ltd., Booksellers, London
Author: George Grove
Author: Harold Reeves (Firm)
Author: Rachel Kushner
Author: 
Author: J. A. Fuller Maitland