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Author: Duncan Wu Publisher: Springer ISBN: 134925231X Category : Literary Criticism Languages : en Pages : 201
Book Description
`A most illuminating study.' - John Bayley Six Contemporary Dramatists explores, in a straightforward manner, the central concerns of six of the most important contemporary dramatists. It demonstrates how the work of Alan Bennett, Dennis Potter, Simon Gray, Howard Brenton, David Hare and Alan Ayckbourn is essentially moral, and relates their aspirations to the British romantic tradition of the last century. At the same time, Duncan Wu explores how each writer has responded to the changes that took place in personal and public ethics during the 1980s as a result of Thatcherism. He also includes an interview with Alan Ayckbourn, published here for the first time, in which the volume's themes are focused and summarised. For the paperback edition, a substantial preface discussing Tom Stoppard's Arcadia, David Hare's Skylight and David Edgar's Pentecost has been added. This is an essential and readable guide to televised and theatrical drama for students and theatregoers alike.
Author: Duncan Wu Publisher: Springer ISBN: 134925231X Category : Literary Criticism Languages : en Pages : 201
Book Description
`A most illuminating study.' - John Bayley Six Contemporary Dramatists explores, in a straightforward manner, the central concerns of six of the most important contemporary dramatists. It demonstrates how the work of Alan Bennett, Dennis Potter, Simon Gray, Howard Brenton, David Hare and Alan Ayckbourn is essentially moral, and relates their aspirations to the British romantic tradition of the last century. At the same time, Duncan Wu explores how each writer has responded to the changes that took place in personal and public ethics during the 1980s as a result of Thatcherism. He also includes an interview with Alan Ayckbourn, published here for the first time, in which the volume's themes are focused and summarised. For the paperback edition, a substantial preface discussing Tom Stoppard's Arcadia, David Hare's Skylight and David Edgar's Pentecost has been added. This is an essential and readable guide to televised and theatrical drama for students and theatregoers alike.
Author: Thomas Riggs Publisher: Saint James Press ISBN: 9781558623712 Category : American drama Languages : en Pages : 0
Book Description
Annotation Contemporary Dramatists presents, in rich detail, 450 of the most famous living playwrights in the English language. Entries in this fully revised and updated 6th edition include biographies, bibliographies and critical essays on the most-studied dramatists, with 90 completely new entrants.
Author: James Vinson Publisher: London : St. James Press ; New York : St. Martin's Press ISBN: Category : Biography & Autobiography Languages : en Pages : 1114
Author: Andrew K. Kennedy Publisher: Cambridge University Press ISBN: 9780521204927 Category : Drama Languages : en Pages : 294
Book Description
In this penetrating study Andrew Kennedy sets out to analyse the modern movement in drama through the theatrical language of six key figures writing in English - Shaw, Eliot, Beckett, Pinter, Osborne and Arden. Dr Kennedy argues that a study of theatrical language should be an exercise in 'practical criticism' and not merely narrowly linguistic. The whole range of theatrical expressiveness must be examined in detail from play text and performance alike and the conclusions correlated with the author's known intentions if a full evaluative judgement is to be attempted. Dr Kennedy shows how the modern movement in drama reveals a growing difficulty in creating any type of fully expressive dramatic language. He has written a work with an unusual breadth of reference, which should prove of value to all students of modern drama, modern English and European literature and to the theatre-going public.
Author: Anton Chekhov Publisher: Dell ISBN: 0440379849 Category : Drama Languages : en Pages : 514
Book Description
Here are six plays that stand as landmarks of the modern drama: Chekhov’s THREE SISTERS repeats, in terms of a handful of people, the spasms of a dying society. Isben’s THE MASTER BUILDER is the tragedy of the modern romantic, caught between desire and reality. Shaw’s MRS. WARREN’S PROFESSION shocked England and America; this play was the first honest attempt in our era to deal with prostitution. O’Casey’s RED ROSES FOR ME is about a Protestant worker of Dublin who is a symbol of the ravaging conflicts in Ireland—and in man. Williams’s THE GLASS MENAGERIE is a tender, despairing portrait of two women, one lost in the past, the other in herself. Miller’s ALL MY SONS is a biting though compassionate, indictment of success through moral betrayal. We call these plays “modern.” But the they are high art, and are written with devotion to truth, and those two qualities have already made them timeless.
Author: Thomas Herbert Dickinson Publisher: Forgotten Books ISBN: 9781334482472 Category : Drama Languages : en Pages : 744
Book Description
Excerpt from Chief Contemporary Dramatists, Second Series: Eighteen Plays From the Recent Drama of England, Ireland, America, France, Germany, Austria, Italy, Spain, Russia, and Scandinavia This volume contains eighteen complete plays from the drama of England, Ireland, the United States, France, Germany, Austria, Italy, Spain, Russia, and the Scandinavian countries. Together with the first volume of Chief Contemporary Dramatists, issued in 1915, there are now made available in convenient form thirty-eight plays of the first order of excellence from the theater of Europe and America. In the choice of plays the term contemporary has been interpreted strictly. Of the eighteen plays in this book, ene third were produced in the decade between 1910 and 1920; all save three are prod ucts of the twentieth century. Of these works six have not before been published in English and are here made available for the first time in America. Comparing the plays in this volume with those which constituted the first series of Chief Contemporary Dramatists, some interesting tendencies in the theater of the western world are disclosed. While the thesis or problem play, derived from France and enforced by Ibsen, was predominant in the eighteen-nineties and the earlier years of the new cen tury, the form disappears as the century approaches its second decade. The present volume contains no single distinct exemplar of this type of play. The result Of the freeing of the play from the necessity of being socially serviceable has been greatly to enrich the theater With new interests both in structure and content, and to call into the craft of play making men from arts outside the theater. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Bert Cardullo Publisher: Peter Lang ISBN: 9783631613795 Category : American drama Languages : en Pages : 244
Book Description
"This is a collection of ten long essays arranged around the primordial subject of realism and non-realism, or anti-realism, in the drama, as this subject manifests itself in modern Europe and contemporary America from Ibsen to Shaw to the symbolists, expressionists, surrealists, dadaists, futurists, and absurdists. This book treats not only the issue of realism versus anti-realism in theater from a practical as well as a theoretical point of view. It also treats at least two subjects related to this issue: the superfical or bourgeois realism that has long crippled the theater versus the critical and sometimes poetic realism that liberates it; and the avant-garde, the rearguard, and the middle-to-advanced artistic ground in between claimed by Bertolt Brecht and Harold Pinter. Special attention is paid, moreover, to the first thoroughgoing American avant-garde dramatist, Gertrude Stein. In sum, this book treats the subject of realism and non-realism from the point of view of the theater's ability to create not only the illusion of reality onstage, but also the reality of illusion"--Publisher's description, back cover.
Author: Jackson R. Bryer Publisher: ISBN: Category : Biography & Autobiography Languages : en Pages : 352
Book Description
On the evening of January 29, 1948, a new musical, 'Look, Ma, I'm Dancin'!', opened at New York's New Adelphi Theatre, marking the Broadway debut of a young playwriting team, Jerome Lawrence and Robert E. Lee, who were responsible for the show's book. Forty-six years later, Lawrence and Lee are reworking their most recent play, Whisper In The Mind, for a potential New York production, but the intervening decades have seen major changes in the landscape of the American theatre. Many of these changes are discussed and debated in this collection of interviews and are exemplified in the careers of the dramatists included.
Author: Duncan Wu
Author: Duncan Wu
Author: Thomas Riggs
Author: James Vinson
Author: Andrew K. Kennedy
Author: Anton Chekhov
Author: Thomas Herbert Dickinson
Author: C. W. E. Bigsby
Author: Bert Cardullo
Author: Jackson R. Bryer
Author: CONTEMPORARY DRAMATISTS.