Sister Odilia, Also Known as Maria Hutter. April 20, 1953. -- Committed to the Committee of the Whole House and Ordered to be Printed PDF Download

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Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: United States. Congress. House
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 2492

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Author: United States. Congress
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 1480

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The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)

Author: United States. Congress. Senate. Committee on the Judiciary
Publisher:
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Category : Bankruptcy
Languages : en
Pages : 16

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Considers (74) S. 3058.

Author: United States. Congress. House. Committee on Agriculture
Publisher:
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Category : Agriculture
Languages : en
Pages : 906

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Author: United States. Congress. House. Committee on Armed Services
Publisher:
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Category : Governmental investigations
Languages : en
Pages : 30

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Author: Leo Steinberg
Publisher: Garland Publishing
ISBN:
Category : Architecture
Languages : en
Pages : 516

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Author: Shyon Baumann
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242

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Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.

Author: United States. Congress. House. Committee on the Public Lands
Publisher:
ISBN:
Category : Railroad land grants
Languages : en
Pages : 208

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Author: Stephen Graham Hitchins
Publisher: Brepols Publishers
ISBN: 9782503554556
Category : Painting, Dutch
Languages : en
Pages : 0

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This book challenges many of the assumptions about Jheronimus Bosch and Pieter Bruegel the Elder. The academic contest to unravel these two has never abated. What exactly is the meaning of their work is one of art history's blood sports. The answer lies in the cultural relationship between the artwork and its audience. Both artists demonstrate social, economic and political resonances in paintings that are numbingly familiar yet still poorly understood. There is social, religious, and political motivation in their art, an art that is frequently described in art historical isolation. For Bosch the image was a morality play about the paucity of good in a world teeming with evil monsters. For Bruegel it was frequently a reference to political events. Far from producing puzzle pictures they were assembling knowledge as part of a visual culture that was central to the life of society. It relates to the knowledge of the world at a particular time and two artists' experiences of it. It stretches from the sexuality and spirituality of Bosch to secular satisfaction in Bruegel at a time of social upheaval and a great turning point of world history - the beginning of the modern world and the end of the Middle Ages.