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Author: Vicki L. Brennan Publisher: Indiana University Press ISBN: 0253032083 Category : Music Languages : en Pages : 236
Book Description
Singing the same song is a central part of the worship practice for members for the Cherubim and Seraphim Christian Church in Lagos, Nigeria. Vicki L. Brennan reveals that by singing together, church members create one spiritual mind and become unified around a shared set of values. She follows parishioners as they attend choir rehearsals, use musical media—hymn books and cassette tapes—and perform the music and rituals that connect them through religious experience. Brennan asserts that church members believe that singing together makes them part of a larger imagined social collective, one that allows them to achieve health, joy, happiness, wealth, and success in an ethical way. Brennan discovers how this particular Yoruba church articulates and embodies the moral attitudes necessary to be a good Christian in Nigeria today.
Author: Vicki L. Brennan Publisher: Indiana University Press ISBN: 0253032083 Category : Music Languages : en Pages : 236
Book Description
Singing the same song is a central part of the worship practice for members for the Cherubim and Seraphim Christian Church in Lagos, Nigeria. Vicki L. Brennan reveals that by singing together, church members create one spiritual mind and become unified around a shared set of values. She follows parishioners as they attend choir rehearsals, use musical media—hymn books and cassette tapes—and perform the music and rituals that connect them through religious experience. Brennan asserts that church members believe that singing together makes them part of a larger imagined social collective, one that allows them to achieve health, joy, happiness, wealth, and success in an ethical way. Brennan discovers how this particular Yoruba church articulates and embodies the moral attitudes necessary to be a good Christian in Nigeria today.
Author: Vicki L. Brennan Publisher: Indiana University Press ISBN: 025303602X Category : Music Languages : en Pages : 367
Book Description
Singing the same song is a central part of the worship practice for members for the Cherubim and Seraphim Christian Church in Lagos, Nigeria. Vicki L. Brennan reveals that by singing together, church members create one spiritual mind and become unified around a shared set of values. She follows parishioners as they attend choir rehearsals, use musical media—hymn books and cassette tapes—and perform the music and rituals that connect them through religious experience. Brennan asserts that church members believe that singing together makes them part of a larger imagined social collective, one that allows them to achieve health, joy, happiness, wealth, and success in an ethical way. Brennan discovers how this particular Yoruba church articulates and embodies the moral attitudes necessary to be a good Christian in Nigeria today.
Author: Amanda Villepastour Publisher: Univ. Press of Mississippi ISBN: 1496803523 Category : Music Languages : en Pages : 339
Book Description
As one of the salient forces in the ritual life of those who worship the pre-Christian and Muslim deities called orishas, the Yorùbá god of drumming, known as Àyàn in Africa and Añá in Cuba, is variously described as the orisha of drumming, the spirit of the wood, or the more obscure Yorùbá praise name AsòròIgi (Wood That Talks). With the growing global importance of orisha religion and music, the consequence of this deity's power for devotees continually reveals itself in new constellations of meaning as a sacred drum of Nigeria and Cuba finds new diasporas. Despite the growing volume of literature about the orishas, surprisingly little has been published about the ubiquitous Yorùbá music spirit. Yet wherever one hears drumming for the orishas, Àyàn or Añá is nearby. This groundbreaking collection addresses the gap in the research with contributions from a cross-section of prestigious musicians, scholars, and priests from Nigeria, the Americas, and Europe who have dedicated themselves to studying Yorùbá sacred drums and the god sealed within. As well as offering multidisciplinary scholarly insights from transatlantic researchers, the volume includes compelling first-hand accounts from drummer-priests who were themselves history-makers in Nigerian and Cuban diasporas in the United States, Venezuela, and Brazil. This collaboration between diverse scholars and practitioners constitutes an innovative approach, where differing registers of knowledge converge to portray the many faces and voices of a single god.
Author: John David Yeadon Peel Publisher: Indiana University Press ISBN: 9780253215888 Category : History Languages : en Pages : 440
Book Description
"Peel is by training an anthropologist, but one possessed of an acute historical sensibility. Indeed, this magnificent book achieves a degree of analytical verve rare in either discipline." —History Today "[T]his is scholarship of the highest quality. . . . Peel lifts the Yoruba past to a dimension of comparative seriousness that no one else has managed. . . . The book teems with ideas . . . about big and compelling matters of very wide interest." —T. C. McCaskie In this magisterial book, J. D. Y. Peel contends that it is through their encounter with Christian missions in the mid-19th century that the Yoruba came to know themselves as a distinctive people. Peel's detailed study of the encounter is based on the rich archives of the Anglican Church Missionary Society, which contain the journals written by the African agents of mission, who, as the first generation of literate Yoruba, played a key role in shaping modern Yoruba consciousness. This distinguished book pays special attention to the experiences of ordinary men and women and shows how the process of Christian conversion transformed Christianity into something more deeply Yoruba.
Author: Toyin Falola Publisher: Indiana University Press ISBN: 0253021561 Category : Social Science Languages : en Pages : 388
Book Description
“The encyclopedia gives a complex, yet detailed, presentation of the Yorùbá, a dominant ethnic group in West Africa . . . an invaluable resource.” —Yoruba Studies Review The Yoruba people today number more than thirty million strong, with significant numbers in the United States, Nigeria, Europe, and Brazil. This landmark reference work emphasizes Yoruba history, geography and demography, language and linguistics, literature, philosophy, religion, and art. The 285 entries include biographies of prominent Yoruba figures, artists, and authors; the histories of political institutions; and the impact of technology and media, urban living, and contemporary culture on Yoruba people worldwide. Written by Yoruba experts on all continents, this encyclopedia provides comprehensive background to the global Yoruba and their distinctive and vibrant history and culture. “Readers unfamiliar with the Yoruba will find the introduction a concise and valuable overview of their language and its dialects, recent history, mythology and religion, and diaspora movements . . . Highly recommended.” —Choice
Author: Erin Johnson-Williams Publisher: Taylor & Francis ISBN: 1003838480 Category : Religion Languages : en Pages : 275
Book Description
Hymns and Constructions of Race: Mobility, Agency, De/Coloniality examines how the hymn, historically and today, has reinforced, negotiated, and resisted constructions of race. It brings together diverse perspectives from musicology, ethnomusicology, theology, anthropology, performance studies, history, and postcolonial scholarship to show how the hymn has perpetuated, generated, and challenged racial identities. The global range of contributors cover a variety of historical and geographical contexts, with case studies from China and Brazil to Suriname and South Africa. They explore the hymn as a product of imperialism and settler colonialism and as a vehicle for sonic oppression and/or resistance, within and beyond congregational settings. The volume contends that the lived tradition of hymn-singing, with its connections to centuries of global Christian mission, is a particularly apt lens for examining both local and global negotiations of race, power, and identity. It will be relevant for scholars interested in religion, music, race, and postcolonialism.
Author: Abiodun Salawu Publisher: Springer Nature ISBN: 3030978842 Category : Music Languages : en Pages : 411
Book Description
This volume explores the nature, philosophies and genres of indigenous African popular music, focusing on how indigenous African popular music artistes are seen as prophets and philosophers, and how indigenous African popular music depicts the world. Indigenous African popular music has long been under-appreciated in communication scholarship. However, understanding the nature and philosophies of indigenous African popular music reveals an untapped diversity which only be unraveled by knowledge of the myriad cultural backgrounds from which its genres originate. Indigenous African popular musicians have become repositories of indigenous cultural traditions and cosmologies.With a particular focus on scholarship from Nigeria, Zimbabwe and South Africa, this volume explores the work of these pioneering artists and their protégés who are resiliently sustaining, recreating and popularising indigenous popular music in their respective African communities, and at the same time propagating the communal views about African philosophies and the temporal and spiritual worlds in which they exist.
Author: Bode Omojola Publisher: Boydell & Brewer ISBN: 1580464939 Category : History Languages : en Pages : 298
Book Description
Drawing on extensive field research conducted over the course of two decades, Bode Omojola examines traditional and contemporary Yorùbá genres of music. From the primeval age of Ayànàgalú (the Yorùbá pioneer-drummer-turned-deity-of-drumming) to the modern era, Yorùbá musical traditions have been shaped by individual performers: drummers, dancers, singers, and chanters, wself-mediated visions of their social and cultural environment. Yorùbá Music in the Twentieth Century explores the role of the performer and the performing group in creating these traditions, contributing to the ongoing reorientation of scholarship on African music toward individual creativity within a larger social network. Drawing on extensive field research conducted over the course of two decades, Bode Omojola examines traditional Yorùbá genres such as bàtá and dùndún drumming as well as more contemporary genres such as Yorùbá popular music. The book also addresses a spectrum of social issues, ranging from gender inequality to the impactianity and Islam on Yorùbá musical practice. Throughout, Omojola emphasizes the interrelatedness of the different components of the Yorùbá musical landscape, as well as the role of specific individuals and groups of musicians, whohave continued to draw from indigenous Yorùbá musical resources to create new musical forms in the process of engaging the social dynamics of a rapidly changing environment. Awarded honorable mention in the 2014 Kwabena Nketia Book Competition of the African Music Section of the Society for Ethnomusicology. Bode Omojola is a Five College Associate Professor of Music at Mt. Holyoke College.
Author: Ron Macaulay Publisher: GRIN Verlag ISBN: 3389051732 Category : Religion Languages : en Pages : 273
Book Description
Doctoral Thesis / Dissertation from the year 2024 in the subject Didactics - Theology, Religion Pedagogy, grade: 3.95 (A), University of Ghana, Legon (Selinus University of Sciences and Literature), course: Theology and Ethics, language: English, abstract: Africans have the capability to express their primal knowledge to enrich their Christian faith. Their primal spiritual knowledge is expressed through oral means such as singing accompanied by drumming and dancing. The expression of their primal spirituality helps them to present their spirit, soul and body wholly to God. This primal condition of being spiritual is the personal quality prior to any other religious beliefs, such as Christianity. Therefore, African Christianity is how to live the Christian faith and worship God within the African way of life, and not necessarily syncretising different systems of religious beliefs, but the expression of the soundness of Africanness. Hence, the thesis has been grounded in The Concept of Africanness in African Christianity, which is how Christianity would communicate with African cultural heritage. A distinct way of expressing Africanness can be noticed when Agbadza and Bᴐbᴐbᴐ music and the lyrics that are akin to Scripture are engaged in some African churches to worship God. This primal expression is functionally identical in the Apostles Revelation Society, and some branches of the Global Evangelical Church (hereinafter called the ARS and GEC, respectively). Nevertheless, while Agbadza is culturally considered as war music among the Anlo-EƲe, Bᴐbᴐbᴐ music among the EƲedome is also seen as immoral and frown upon. Notwithstanding these mixed feelings towards Agbadza and Bᴐbᴐbᴐ cultural music, majority of Christians get exceedingly excited about the engagements between these cultural music and Christian faith in their churches. The main objectives of the study are to find out why they get excited when these cultural music are being engaged in the churches, and the war and immoral nature of these music. In addition, the theological and ethical thoughts on some selected lyrics are considered. Finally, what would the ARS and GEC do differently to lay bare the impact these cultural music should have on their communities, which guarantee their future and sustainability in the churches. In order to achieve the objectives of the study, theological, ethical, and phenomenological methods are blended as qualitative technique has been adopted in data collection and analysis. The reason why the worshippers get excited about these cultural music had been explored, and the theological and ethical thoughts on the practice were examined.
Author: Jacob Kẹhinde Olupona Publisher: Univ of Wisconsin Press ISBN: 9780299224646 Category : History Languages : en Pages : 628
Book Description
As the twenty-first century begins, tens of millions of people participate in devotions to the spirits called Òrìsà. This book explores the emergence of Òrìsà devotion as a world religion, one of the most remarkable and compelling developments in the history of the human religious quest. Originating among the Yorùbá people of West Africa, the varied traditions that comprise Òrìsà devotion are today found in Africa, the Americas, Asia, Europe, and Australia. The African spirit proved remarkably resilient in the face of the transatlantic slave trade, inspiring the perseverance of African religion wherever its adherents settled in the New World. Among the most significant manifestations of this spirit, Yorùbá religious culture persisted, adapted, and even flourished in the Americas, especially in Brazil and Cuba, where it thrives as Candomblé and Lukumi/Santería, respectively. After the end of slavery in the Americas, the free migrations of Latin American and African practitioners has further spread the religion to places like New York City and Miami. Thousands of African Americans have turned to the religion of their ancestors, as have many other spiritual seekers who are not themselves of African descent. Ifá divination in Nigeria, Candomblé funerary chants in Brazil, the role of music in Yorùbá revivalism in the United States, gender and representational authority in Yorùbá religious culture--these are among the many subjects discussed here by experts from around the world. Approaching Òrìsà devotion from diverse vantage points, their collective effort makes this one of the most authoritative texts on Yorùbá religion and a groundbreaking book that heralds this rich, complex, and variegated tradition as one of the world's great religions.
Author: Vicki L. Brennan
Author: Vicki L. Brennan
Author: Vicki L. Brennan
Author: Amanda Villepastour
Author: John David Yeadon Peel
Author: Toyin Falola
Author: Erin Johnson-Williams
Author: Abiodun Salawu
Author: Bode Omojola
Author: Ron Macaulay
Author: Jacob Kẹhinde Olupona