Author: Helen Phelan
Publisher: Oxford University Press
ISBN: 0190672226
Category : Music
Languages : en
Pages : 337
Book Description
This book explores the way in which singing can foster experiences of belonging through ritual performance. Based on more than two decades of ethnographic, pedagogical and musical research, it is set against the backdrop of "the new Ireland" of the late 20th and early 21st centuries. Charting Ireland's growing multiculturalism, changing patterns of migration, the diminished influence of Catholicism, and synergies between indigenous and global forms of cultural expression, it explores rights and rites of belonging in contemporary Ireland. Helen Phelan examines a range of religious, educational, civic and community-based rituals including religious rituals of new migrant communities in "borrowed" rituals spaces; baptismal rituals in the context of the Irish citizenship referendum; rituals that mythologize the core values of an educational institution; a ritual laboratory for students of singing; and community-based festivals and performances. Her investigation peels back the physiological, emotional and cultural layers of singing to illuminate how it functions as a potential agent of belonging. Each chapter engages theoretically with one of five core characteristic of singing (resonance, somatics, performance, temporality, and tacitness) in the context of particular performed rituals. Phelan offers a persuasive proposal for ritually-framed singing as a valuable and potent tool in the creation of inclusive, creative and integrated communities of belonging.
Singing the Rite to Belong
Author: Helen Phelan
Publisher: Oxford University Press
ISBN: 0190672226
Category : Music
Languages : en
Pages : 337
Book Description
This book explores the way in which singing can foster experiences of belonging through ritual performance. Based on more than two decades of ethnographic, pedagogical and musical research, it is set against the backdrop of "the new Ireland" of the late 20th and early 21st centuries. Charting Ireland's growing multiculturalism, changing patterns of migration, the diminished influence of Catholicism, and synergies between indigenous and global forms of cultural expression, it explores rights and rites of belonging in contemporary Ireland. Helen Phelan examines a range of religious, educational, civic and community-based rituals including religious rituals of new migrant communities in "borrowed" rituals spaces; baptismal rituals in the context of the Irish citizenship referendum; rituals that mythologize the core values of an educational institution; a ritual laboratory for students of singing; and community-based festivals and performances. Her investigation peels back the physiological, emotional and cultural layers of singing to illuminate how it functions as a potential agent of belonging. Each chapter engages theoretically with one of five core characteristic of singing (resonance, somatics, performance, temporality, and tacitness) in the context of particular performed rituals. Phelan offers a persuasive proposal for ritually-framed singing as a valuable and potent tool in the creation of inclusive, creative and integrated communities of belonging.
Publisher: Oxford University Press
ISBN: 0190672226
Category : Music
Languages : en
Pages : 337
Book Description
This book explores the way in which singing can foster experiences of belonging through ritual performance. Based on more than two decades of ethnographic, pedagogical and musical research, it is set against the backdrop of "the new Ireland" of the late 20th and early 21st centuries. Charting Ireland's growing multiculturalism, changing patterns of migration, the diminished influence of Catholicism, and synergies between indigenous and global forms of cultural expression, it explores rights and rites of belonging in contemporary Ireland. Helen Phelan examines a range of religious, educational, civic and community-based rituals including religious rituals of new migrant communities in "borrowed" rituals spaces; baptismal rituals in the context of the Irish citizenship referendum; rituals that mythologize the core values of an educational institution; a ritual laboratory for students of singing; and community-based festivals and performances. Her investigation peels back the physiological, emotional and cultural layers of singing to illuminate how it functions as a potential agent of belonging. Each chapter engages theoretically with one of five core characteristic of singing (resonance, somatics, performance, temporality, and tacitness) in the context of particular performed rituals. Phelan offers a persuasive proposal for ritually-framed singing as a valuable and potent tool in the creation of inclusive, creative and integrated communities of belonging.
Singing the Rite to Belong
Author: Helen Phelan
Publisher:
ISBN: 9780190672263
Category : Music
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9780190672263
Category : Music
Languages : en
Pages :
Book Description
Singing the Rite to Belong
Author: Helen Phelan
Publisher: Oxford University Press
ISBN: 0190672242
Category : Religion
Languages : en
Pages : 337
Book Description
This book explores the way in which singing can foster experiences of belonging through ritual performance. Based on more than two decades of ethnographic, pedagogical and musical research, it is set against the backdrop of "the new Ireland" of the late 20th and early 21st centuries. Charting Ireland's growing multiculturalism, changing patterns of migration, the diminished influence of Catholicism, and synergies between indigenous and global forms of cultural expression, it explores rights and rites of belonging in contemporary Ireland. Helen Phelan examines a range of religious, educational, civic and community-based rituals including religious rituals of new migrant communities in "borrowed" rituals spaces; baptismal rituals in the context of the Irish citizenship referendum; rituals that mythologize the core values of an educational institution; a ritual laboratory for students of singing; and community-based festivals and performances. Her investigation peels back the physiological, emotional and cultural layers of singing to illuminate how it functions as a potential agent of belonging. Each chapter engages theoretically with one of five core characteristic of singing (resonance, somatics, performance, temporality, and tacitness) in the context of particular performed rituals. Phelan offers a persuasive proposal for ritually-framed singing as a valuable and potent tool in the creation of inclusive, creative and integrated communities of belonging.
Publisher: Oxford University Press
ISBN: 0190672242
Category : Religion
Languages : en
Pages : 337
Book Description
This book explores the way in which singing can foster experiences of belonging through ritual performance. Based on more than two decades of ethnographic, pedagogical and musical research, it is set against the backdrop of "the new Ireland" of the late 20th and early 21st centuries. Charting Ireland's growing multiculturalism, changing patterns of migration, the diminished influence of Catholicism, and synergies between indigenous and global forms of cultural expression, it explores rights and rites of belonging in contemporary Ireland. Helen Phelan examines a range of religious, educational, civic and community-based rituals including religious rituals of new migrant communities in "borrowed" rituals spaces; baptismal rituals in the context of the Irish citizenship referendum; rituals that mythologize the core values of an educational institution; a ritual laboratory for students of singing; and community-based festivals and performances. Her investigation peels back the physiological, emotional and cultural layers of singing to illuminate how it functions as a potential agent of belonging. Each chapter engages theoretically with one of five core characteristic of singing (resonance, somatics, performance, temporality, and tacitness) in the context of particular performed rituals. Phelan offers a persuasive proposal for ritually-framed singing as a valuable and potent tool in the creation of inclusive, creative and integrated communities of belonging.
Music in Catholic Liturgy
Author: Reverend Gerald Dennis Gill
Publisher: LiturgyTrainingPublications
ISBN: 1618330241
Category : Religion
Languages : en
Pages : 165
Book Description
The approval and publication of the document Sing to the Lord: Music in Divine Worship, developed by the United States Bishops' Committee on Divine Worship, paves the way for further and more comprehensive application of the Church's norms and directives for the sung celebration of the Sacred Liturgy in our country. Music in Catholic Liturgy: A Pastoral and Theological Companion to Sing to the Lord is is an essential, practical, and theological resource for all involved in the preparation of the sung celebration of the Sacred Liturgy, especially parish priests and liturgical music ministers, with an easily accessible way to read, to more completely understand, and make excellent pastoral use of the direction now given to US parishes in Sing to the Lord: Music in Divine Worship.
Publisher: LiturgyTrainingPublications
ISBN: 1618330241
Category : Religion
Languages : en
Pages : 165
Book Description
The approval and publication of the document Sing to the Lord: Music in Divine Worship, developed by the United States Bishops' Committee on Divine Worship, paves the way for further and more comprehensive application of the Church's norms and directives for the sung celebration of the Sacred Liturgy in our country. Music in Catholic Liturgy: A Pastoral and Theological Companion to Sing to the Lord is is an essential, practical, and theological resource for all involved in the preparation of the sung celebration of the Sacred Liturgy, especially parish priests and liturgical music ministers, with an easily accessible way to read, to more completely understand, and make excellent pastoral use of the direction now given to US parishes in Sing to the Lord: Music in Divine Worship.
The Heart of Our Music
Author: John B. Foley
Publisher: Liturgical Press
ISBN: 0814648517
Category : Music
Languages : en
Pages : 96
Book Description
In The Heart of Our Music, master practitioners of the art of liturgical music come together to offer enriching insights, a stirring vision, and practical new ideas that will change the way you think about liturgy and liturgical ministry. These reflections are written with the needs of parish liturgists and liturgical musicians in mind. This volume includes reflections on the role of composition, the role of music, the kind of language we use, the missionary dimension of our texts and music, whether esthetic beauty is the only quality needed, and how we think about and name God in the songs we sing. Contributors and their articles include: "A Sacrifice of Praise: Musical Composition as Kenosis" by Alan J. Hommerding; "'The Word Is Near You, in Your Mouth and in Your Heart' Music as Servant of the Word" by Bob Hurd; "The Songs We Sing: The Two Languages of Worship" by Tony Barr; "Moving to Metamelos: A New Heart, a New Church, a New Song" by Rory Cooney; "Beauty and Suitability in Music in the Liturgy" by Paul Inwood; and "From 'God Beyond All Names' to 'O Agape' Images of God in Liturgical Music" by Jan Michael Joncas.
Publisher: Liturgical Press
ISBN: 0814648517
Category : Music
Languages : en
Pages : 96
Book Description
In The Heart of Our Music, master practitioners of the art of liturgical music come together to offer enriching insights, a stirring vision, and practical new ideas that will change the way you think about liturgy and liturgical ministry. These reflections are written with the needs of parish liturgists and liturgical musicians in mind. This volume includes reflections on the role of composition, the role of music, the kind of language we use, the missionary dimension of our texts and music, whether esthetic beauty is the only quality needed, and how we think about and name God in the songs we sing. Contributors and their articles include: "A Sacrifice of Praise: Musical Composition as Kenosis" by Alan J. Hommerding; "'The Word Is Near You, in Your Mouth and in Your Heart' Music as Servant of the Word" by Bob Hurd; "The Songs We Sing: The Two Languages of Worship" by Tony Barr; "Moving to Metamelos: A New Heart, a New Church, a New Song" by Rory Cooney; "Beauty and Suitability in Music in the Liturgy" by Paul Inwood; and "From 'God Beyond All Names' to 'O Agape' Images of God in Liturgical Music" by Jan Michael Joncas.
The Heart of Our Music: Underpinning Our Thinking
Author: John Foley
Publisher: Liturgical Press
ISBN: 0814648762
Category : Religion
Languages : en
Pages : 96
Book Description
In The Heart of Our Music, master practitioners of the art of liturgical music come together to offer enriching insights, a stirring vision, and practical new ideas that will change the way you think about liturgy and liturgical ministry. These reflections are written with the needs of parish liturgists and liturgical musicians in mind. This volume includes reflections on the role of composition, the role of music, the kind of language we use, the missionary dimension of our texts and music, whether esthetic beauty is the only quality needed, and how we think about and name God in the songs we sing. Contributors and their articles include: “A Sacrifice of Praise: Musical Composition as Kenosis” by Alan J. Hommerding; “’The Word Is Near You, in Your Mouth and in Your Heart’: Music as Servant of the Word” by Bob Hurd; “The Songs We Sing: The Two Languages of Worship” by Tony Barr; “Moving to Metamelos: A New Heart, a New Church, a New Song” by Rory Cooney; “Beauty and Suitability in Music in the Liturgy” by Paul Inwood; and “From ‘God Beyond All Names’ to ‘O Agape’: Images of God in Liturgical Music” by Jan Michael Joncas.
Publisher: Liturgical Press
ISBN: 0814648762
Category : Religion
Languages : en
Pages : 96
Book Description
In The Heart of Our Music, master practitioners of the art of liturgical music come together to offer enriching insights, a stirring vision, and practical new ideas that will change the way you think about liturgy and liturgical ministry. These reflections are written with the needs of parish liturgists and liturgical musicians in mind. This volume includes reflections on the role of composition, the role of music, the kind of language we use, the missionary dimension of our texts and music, whether esthetic beauty is the only quality needed, and how we think about and name God in the songs we sing. Contributors and their articles include: “A Sacrifice of Praise: Musical Composition as Kenosis” by Alan J. Hommerding; “’The Word Is Near You, in Your Mouth and in Your Heart’: Music as Servant of the Word” by Bob Hurd; “The Songs We Sing: The Two Languages of Worship” by Tony Barr; “Moving to Metamelos: A New Heart, a New Church, a New Song” by Rory Cooney; “Beauty and Suitability in Music in the Liturgy” by Paul Inwood; and “From ‘God Beyond All Names’ to ‘O Agape’: Images of God in Liturgical Music” by Jan Michael Joncas.
Singing Across Divides
Author: Anna Marie Stirr
Publisher: Oxford University Press
ISBN: 019063197X
Category : Music
Languages : en
Pages : 313
Book Description
An ethnographic study of music, performance, migration, and circulation, Singing Across Divides examines how forms of love and intimacy are linked to changing conceptions of political solidarity and forms of belonging, through the lens of Nepali dohori song. The book describes dohori improvised, dialogic singing, in which a witty repartee of exchanges is based on poetic couplets with a fixed rhyme scheme, often backed by instrumental music and accompanying dance, performed between men and women, with a primary focus on romantic love. The book tells the story of dohori's relationship with changing ideas of Nepal as a nation-state, and how different nationalist concepts of unity have incorporated marginality, in the intersectional arenas of caste, indigeneity, class, gender, and regional identity. Dohori gets at the heart of tensions around ethnic, caste, and gender difference, as it promotes potentially destabilizing musical and poetic interactions, love, sex, and marriage across these social divides. In the aftermath of Nepal's ten-year civil war, changing political realities, increased migration, and circulation of people, media and practices are redefining concepts of appropriate intimate relationships and their associated systems of exchange. Through multi-sited ethnography of performances, media production, circulation, reception, and the daily lives of performers and fans in Nepal and the UK, Singing Across Divides examines how people use dohori to challenge (and uphold) social categories, while also creating affective solidarities.
Publisher: Oxford University Press
ISBN: 019063197X
Category : Music
Languages : en
Pages : 313
Book Description
An ethnographic study of music, performance, migration, and circulation, Singing Across Divides examines how forms of love and intimacy are linked to changing conceptions of political solidarity and forms of belonging, through the lens of Nepali dohori song. The book describes dohori improvised, dialogic singing, in which a witty repartee of exchanges is based on poetic couplets with a fixed rhyme scheme, often backed by instrumental music and accompanying dance, performed between men and women, with a primary focus on romantic love. The book tells the story of dohori's relationship with changing ideas of Nepal as a nation-state, and how different nationalist concepts of unity have incorporated marginality, in the intersectional arenas of caste, indigeneity, class, gender, and regional identity. Dohori gets at the heart of tensions around ethnic, caste, and gender difference, as it promotes potentially destabilizing musical and poetic interactions, love, sex, and marriage across these social divides. In the aftermath of Nepal's ten-year civil war, changing political realities, increased migration, and circulation of people, media and practices are redefining concepts of appropriate intimate relationships and their associated systems of exchange. Through multi-sited ethnography of performances, media production, circulation, reception, and the daily lives of performers and fans in Nepal and the UK, Singing Across Divides examines how people use dohori to challenge (and uphold) social categories, while also creating affective solidarities.
The Ministry of Music
Author: Kathleen A. Harmon
Publisher: Liturgical Press
ISBN: 9780814628782
Category : Music
Languages : en
Pages : 108
Book Description
The Ministry of Music explores liturgical music from the perspective of liturgy as a ritual enactment of the paschal mystery. How do the acclamations, the hymns and songs, the responsorial psalm, and the litanies enable the assembly to participate in this enactment? What musical and pastoral choices best enable music to fulfill this role? And how does the music form us in a paschal mystery spirituality that shapes daily Christian living and makes the relationship between liturgy and life tangible. Book jacket.
Publisher: Liturgical Press
ISBN: 9780814628782
Category : Music
Languages : en
Pages : 108
Book Description
The Ministry of Music explores liturgical music from the perspective of liturgy as a ritual enactment of the paschal mystery. How do the acclamations, the hymns and songs, the responsorial psalm, and the litanies enable the assembly to participate in this enactment? What musical and pastoral choices best enable music to fulfill this role? And how does the music form us in a paschal mystery spirituality that shapes daily Christian living and makes the relationship between liturgy and life tangible. Book jacket.
The Kiwai Papuans of British New Guinea
Author: Gunnar Landtman
Publisher:
ISBN:
Category : Kiwai (Papua New Guinea people)
Languages : en
Pages : 610
Book Description
Publisher:
ISBN:
Category : Kiwai (Papua New Guinea people)
Languages : en
Pages : 610
Book Description
Making Congregational Music Local in Christian Communities Worldwide
Author: Monique M. Ingalls
Publisher: Routledge
ISBN: 1351391682
Category : Music
Languages : en
Pages : 267
Book Description
What does it mean for music to be considered local in contemporary Christian communities, and who shapes this meaning? Through what musical processes have religious beliefs and practices once ‘foreign’ become ‘indigenous’? How does using indigenous musical practices aid in the growth of local Christian religious practices and beliefs? How are musical constructions of the local intertwined with regional, national or transnational religious influences and cosmopolitanisms? Making Congregational Music Local in Christian Communities Worldwide explores the ways that congregational music-making is integral to how communities around the world understand what it means to be ‘local’ and ‘Christian’. Showing how locality is produced, negotiated, and performed through music-making, this book draws on case studies from every continent that integrate insights from anthropology, ethnomusicology, cultural geography, mission studies, and practical theology. Four sections explore a central aspect of the production of locality through congregational music-making, addressing the role of historical trends, cultural and political power, diverging values, and translocal influences in defining what it means to be ‘local’ and ‘Christian’. This book contends that examining musical processes of localization can lead scholars to new understandings of the meaning and power of Christian belief and practice.
Publisher: Routledge
ISBN: 1351391682
Category : Music
Languages : en
Pages : 267
Book Description
What does it mean for music to be considered local in contemporary Christian communities, and who shapes this meaning? Through what musical processes have religious beliefs and practices once ‘foreign’ become ‘indigenous’? How does using indigenous musical practices aid in the growth of local Christian religious practices and beliefs? How are musical constructions of the local intertwined with regional, national or transnational religious influences and cosmopolitanisms? Making Congregational Music Local in Christian Communities Worldwide explores the ways that congregational music-making is integral to how communities around the world understand what it means to be ‘local’ and ‘Christian’. Showing how locality is produced, negotiated, and performed through music-making, this book draws on case studies from every continent that integrate insights from anthropology, ethnomusicology, cultural geography, mission studies, and practical theology. Four sections explore a central aspect of the production of locality through congregational music-making, addressing the role of historical trends, cultural and political power, diverging values, and translocal influences in defining what it means to be ‘local’ and ‘Christian’. This book contends that examining musical processes of localization can lead scholars to new understandings of the meaning and power of Christian belief and practice.