PDF/Textbook Silver Threads Among The Gold Sound Recording Full Download

Silver Threads Among the Gold [sound Recording]

Author: Burr, Henry
Publisher: Montreal: Montgomery Ward, 1939: Victor Talking Machine Company of Canada
ISBN:
Category : Songs, English
Languages : en
Pages : 3

Book Description

Silver Threads Among the Gold

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 160

Book Description

Encyclopedia of Recorded Sound

Author: Frank Hoffmann
Publisher: Routledge
ISBN: 1135949492
Category : Music
Languages : en
Pages : 2611

Book Description
First Published in 2005. The Encyclopedia of Recorded Sound, 2nd edition, is an A to Z reference work covering the entire history of recorded sound from Edison discs to CDs and MP3. Entries range from technical terms (Acoustics; Back Tracking; Quadraphonic) to recording genres (blues, opera, spoken word) to histories of industry leaders and record labels to famed recording artists (focusing on their impact on recorded sound). Entries range in length from 25-word definitions of terms to 5000 word essays. Drawing on a panel of experts, the general editor has pulled together a wealth of information. The volume concludes with a complete reference bibliography and a deep index.

Segregating Sound

Author: Karl Hagstrom Miller
Publisher: Duke University Press
ISBN: 0822392704
Category : Music
Languages : en
Pages : 386

Book Description
In Segregating Sound, Karl Hagstrom Miller argues that the categories that we have inherited to think and talk about southern music bear little relation to the ways that southerners long played and heard music. Focusing on the late nineteenth century and the early twentieth, Miller chronicles how southern music—a fluid complex of sounds and styles in practice—was reduced to a series of distinct genres linked to particular racial and ethnic identities. The blues were African American. Rural white southerners played country music. By the 1920s, these depictions were touted in folk song collections and the catalogs of “race” and “hillbilly” records produced by the phonograph industry. Such links among race, region, and music were new. Black and white artists alike had played not only blues, ballads, ragtime, and string band music, but also nationally popular sentimental ballads, minstrel songs, Tin Pan Alley tunes, and Broadway hits. In a cultural history filled with musicians, listeners, scholars, and business people, Miller describes how folklore studies and the music industry helped to create a “musical color line,” a cultural parallel to the physical color line that came to define the Jim Crow South. Segregated sound emerged slowly through the interactions of southern and northern musicians, record companies that sought to penetrate new markets across the South and the globe, and academic folklorists who attempted to tap southern music for evidence about the history of human civilization. Contending that people’s musical worlds were defined less by who they were than by the music that they heard, Miller challenges assumptions about the relation of race, music, and the market.

Cataloging Sound Recordings

Author: Deanne Holzberlein
Publisher: Psychology Press
ISBN: 9780866567909
Category : Art
Languages : en
Pages : 322

Book Description
At lasta manual that takes the chore out of cataloging sound recordings! The author clarifies the AACR2 rules (Anglo-American Cataloging Rules, 2nd edition) and literally steps through the thought process used in cataloging a sound recording, beginning with what to use as the source for the title, through the physical description and series information. All the examples of catalog cards presented, ranging from the full gamut of 20th century music to spoken records and compact discs, show the full level of descriptive cataloging. The appendixes make this a practical worker's manual; they include order and content of cataloging notes, order of parts in a uniform title, a glossary of musical terms and acronyms, a list of basic reference books and thematic indexes, a complete set of catalog cards, and the Library of Congress rule interpretations for sound recordings. The detailed indexes enhance this important book's utility.

The Speed of Sound

Author: Scott Eyman
Publisher: Simon and Schuster
ISBN: 143910428X
Category : Performing Arts
Languages : en
Pages : 695

Book Description
From acclaimed author Scott Eyman comes the fascinating story of how the transition from silent films to ‘talkies’ transformed Hollywood. It was the end of an era. It was a turbulent, colorful, and altogether remarkable period, four short years in which America’s most popular industry reinvented itself. Here is the epic story of the transition from silent films to talkies, that moment when movies were totally transformed and the American public cemented its love affair with Hollywood. As Scott Eyman demonstrates in his fascinating account of this exciting era, it was a time when fortunes, careers, and lives were made and lost, when the American film industry came fully into its own. In this mixture of cultural and social history that is both scholarly and vastly entertaining, Eyman dispels the myths and gives us the missing chapter in the history of Hollywood, the ribbon of dreams by which America conquered the world.

Recorded Music in American Life

Author: William Howland Kenney
Publisher: Oxford University Press
ISBN: 0198026048
Category : Music
Languages : en
Pages : 279

Book Description
Have records, compact discs, and other sound reproduction equipment merely provided American listeners with pleasant diversions, or have more important historical and cultural influences flowed through them? Do recording machines simply capture what's already out there, or is the music somehow transformed in the dual process of documentation and dissemination? How would our lives be different without these machines? Such are the questions that arise when we stop taking for granted the phenomenon of recorded music and the phonograph itself. Now comes an in-depth cultural history of the phonograph in the United States from 1890 to 1945. William Howland Kenney offers a full account of what he calls "the 78 r.p.m. era"--from the formative early decades in which the giants of the record industry reigned supreme in the absence of radio, to the postwar proliferation of independent labels, disk jockeys, and changes in popular taste and opinion. By examining the interplay between recorded music and the key social, political, and economic forces in America during the phonograph's rise and fall as the dominant medium of popular recorded sound, he addresses such vital issues as the place of multiculturalism in the phonograph's history, the roles of women as record-player listeners and performers, the belated commercial legitimacy of rhythm-and-blues recordings, the "hit record" phenomenon in the wake of the Great Depression, the origins of the rock-and-roll revolution, and the shifting place of popular recorded music in America's personal and cultural memories. Throughout the book, Kenney argues that the phonograph and the recording industry served neither to impose a preference for high culture nor a degraded popular taste, but rather expressed a diverse set of sensibilities in which various sorts of people found a new kind of pleasure. To this end, Recorded Music in American Life effectively illustrates how recorded music provided the focus for active recorded sound cultures, in which listeners shared what they heard, and expressed crucial dimensions of their private lives, by way of their involvement with records and record-players. Students and scholars of American music, culture, commerce, and history--as well as fans and collectors interested in this phase of our rich artistic past--will find a great deal of thorough research and fresh scholarship to enjoy in these pages.