Sicilian Medley - Clarinet Quintet/Choir score & parts PDF Download

Author: Francesco Leone
Publisher: Glissato Edizioni Musicali
ISBN: 8835856833
Category : Music
Languages : en
Pages : 43

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Book Description
"Sicilian Medley" (popular songs: "Vitti 'na crozza" , "Ciuri Ciuri", "E vui durmiti ancora!", "Luna mezz'o mare") arranged for Clarinet Quintet/Choir by Francesco Leone (intermediate level). Score and Parts (6) : Eb piccolo, Bb Clarinet 1, Bb Clarinet 2, Eb Alto and Bb bass clarinet, optional part included for Bb Clarinet (instead Alto).

Author: Francesco Leone
Publisher: Glissato Edizioni Musicali
ISBN: 8835845130
Category : Music
Languages : en
Pages : 28

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Book Description
"When The Saints Go Marching In" arrangement for Clarinet Quintet/Choir with written solos (intermediate level) by Francesco Leone . Score and Parts: Eb piccolo Clarinet , Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto (instead Clarinet 3), Bass Clarinet. Audio demo: https://www.glissato.it/eg1086-when-the-saints-go-marching-in-5-clarinetti.html

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 386

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Author: Kenneth Gloag
Publisher: Cambridge University Press
ISBN: 1107021979
Category : Biography & Autobiography
Languages : en
Pages : 335

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Book Description
This Companion provides a wide ranging and accessible study of one of the most individual composers of the twentieth century. A team of international scholars shed new light on Tippett's major works and draw attention to those that have not yet received the attention they deserve.

Author: Matt Lawson
Publisher: Rowman & Littlefield
ISBN: 1538103680
Category : Performing Arts
Languages : en
Pages : 337

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Book Description
The background music on a film can make or break the audience experience. Imagine the shower scene in Psycho without the shrieking violins or Jaws without the ominous notes thatportend the shark’s attack! Musical accompaniment helps create atmosphere for the viewer, from subtle undertones to compositions that heighten the drama. In 100 Greatest Film Scores, authors Matt Lawson and Laurence E. MacDonald consider the finest music produced for cinema since the development of motion picture sound. Each entry includes background details about the film, biographical information about the composer, a concise analysis of the score, and a summary of the score’s impact both within the film and on cinematic history. Among the many films cited here are iconic scores for The Adventures of Robin Hood, A Beautiful Mind,The Big Country, Chariots of Fire, Citizen Kane, Edward Scissorhands, Fargo, Gonewith the Wind, The Great Escape, Jurassic Park, King Kong, Lawrence of Arabia, The Lion in Winter, North by Northwest, On the Waterfront, Out of Africa, The Pink Panther, Raiders of the Lost Ark, Vertigo, and Up. Arranged alphabetically and featuring a photo of each movies, the entries in this volume give the reader insight into how music functions across a wide spectrum of film genres. Representing some of the greatest composers in the history of cinema including Elmer Bernstein, Bernard Herrmann, Alfred Newman, John Williams, and Hans Zimmer, 100 Greatest Film Scores will be of interest to fans of movie music everywhere.

Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 882

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Author: Sam Brylawski
Publisher:
ISBN: 9781932326505
Category :
Languages : en
Pages : 220

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Book Description

Author: Maurice Hinson
Publisher: Indiana University Press
ISBN: 9780253339539
Category : Concerto (Piano)
Languages : en
Pages : 390

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Book Description
Suitable for all admirers of the piano, this work brings together more than 3,000 works for piano and orchestra. It comes with a supplement containing over 200 new entries.

Author: W.J Baltzell
Publisher: BoD – Books on Demand
ISBN: 3752405325
Category : Fiction
Languages : en
Pages : 458

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Book Description
Reproduction of the original: A Complete History of Music by W.J Baltzell

Author: Denis Martin
Publisher: African Minds
ISBN: 1920489827
Category : Music
Languages : en
Pages : 471

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Book Description
For several centuries Cape Town has accommodated a great variety of musical genres which have usually been associated with specific population groups living in and around the city. Musical styles and genres produced in Cape Town have therefore been assigned an "identity" which is first and foremost social. This volume tries to question the relationship established between musical styles and genres, and social - in this case pseudo-racial - identities. In Sounding the Cape, Denis-Constant Martin recomposes and examines through the theoretical prism of creolisation the history of music in Cape Town, deploying analytical tools borrowed from the most recent studies of identity configurations. He demonstrates that musical creation in the Mother City, and in South Africa, has always been nurtured by contacts, exchanges and innovations whatever the efforts made by racist powers to separate and divide people according to their origin. Musicians interviewed at the dawn of the 21st century confirm that mixture and blending characterise all Cape Town's musics. They also emphasise the importance of a rhythmic pattern particular to Cape Town, the ghoema beat, whose origins are obviously mixed. The study of music demonstrates that the history of Cape Town, and of South Africa as a whole, undeniably fostered creole societies. Yet, twenty years after the collapse of apartheid, these societies are still divided along lines that combine economic factors and "racial" categorisations. Martin concludes that, were music given a greater importance in educational and cultural policies, it could contribute to fighting these divisions and promote the notion of a nation that, in spite of the violence of racism and apartheid, has managed to invent a unique common culture.