Showdown, Confronting Modern America in the Western Film PDF Download

Author: John H. Lenihan
Publisher: University of Illinois Press
ISBN: 9780252012549
Category : Performing Arts
Languages : en
Pages : 228

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Book Description
Showdown is a study of America's oldest, most representative film genre, the Western movie from the perspective of social allegory. It assesses scores of major and minor films to show how Westerns function as vehicles for contemporary social and political critiques of American life.

Author: Richard Aquila
Publisher: University of Illinois Press
ISBN: 9780252065279
Category : Popular culture
Languages : en
Pages : 330

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Book Description
Following Richard Aquila's introduction, which examines the birth and growth of the pop culture West in the context of American history, noted expects explore developments in popular western fiction, major forms of live western entertainment, trends in western movies and television shows, images of the West in popular music, and visual images of the West in popular art and advertising.

Author: Ivo Ritzer
Publisher: Schüren Verlag
ISBN: 3741000418
Category : Social Science
Languages : en
Pages : 372

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Book Description
Der Band widmet sich den vielfältigen Globalisierungsprozessen in filmischen Genrekonfigurationen. Dieser bislang erst in Ansätzen erforschte Themenkomplex wird anhand paradigmatischer Beispiele sowohl theoretisch perspektiviert als auch filmhistorisch kontextualisiert. Neben Analysen US-amerikanischer und europäischer Produktionen liegt der Fokus vor allem auch auf Filmen aus Afrika, Asien und Lateinamerika, wobei Kategorien wie nationale Kinematografien oder abgrenzbare Genremuster in den Fallbeispielen nur noch bedingt greifen. Den transnationalen Dimensionen der Filme entsprechend, versammelt der Band auch Beiträge von internationalen Vertretern der Film- und Medienwissenschaft, darunter Tim Bergfelder, Oksana Bulgakowa, Dimitris Eleftheriotis, Barry Keith Grant, Lúcia Nagib, Ella Shohat oder Robert Stam. The volume deals with the diverse processes of globalisation in cinematic configurations of genre. Focussing on significant examples, this up to now only rudimentarily researched area is both historically analysed as well as theoretically explored. Apart from U.S. and European productions, the volume mainly addresses films from Africa, Asia and Latin America, which render conceptions of national cinema or clearly definable genre patterns especially problematic. In accordance with the transnational dimension of the films, the volume assembles contributions of internationally renowned scholars such as Tim Bergfelder, Oksana Bulgakowa, Dimitris Eleftheriotis, Barry Keith Grant, Lúcia Nagib, Ella Shohat, or Robert Stam.

Author: Thomas Cripps
Publisher: Johns Hopkins University Press
ISBN: 9780801853159
Category : History
Languages : en
Pages : 304

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Book Description
A lively narrative history of Hollywood's classical age. Over the last twenty-five years, the field of cinema studies has offered a dramatic reassessment of the history of film in general and of Hollywood in particular. Writers have drawn on the methodologies of a number of disciplines—literary criticism, sociology, psychology, women's studies, and minority and gay studies—to deepen our understanding of motion pictures, the film industry, and movie theater audiences. In Hollywood's High Noon, noted film historian Thomas Cripps offers a lively narrative history of Hollywood's classical age that brings the insights of recent scholarship to students and general readers. From its origin during the First World War to the beginning of its decline in the 1950s, Cripps writes, Hollywood operated as did other American industries: movies were created by a rational production system, regulated by both government and privately organized interests, and subject to the whims of a fickle marketplace. Yet these films did offer consumers something unique: in darkened movie palaces across the country,audiences projected themselves—their hopes and ideas—onto silver screens, profoundly mediating their reception of Hollywood's flickering images. Beginning with turn-of-the-century moving-picture pioneer Thomas Edison, Cripps traces the invention of Hollywood and the development of the studio system. He explores the movie-going experience, the struggle for social control over the movies through censorship, the impact of sound on the style and content of films, alternatives to Hollywood's oligopoly including "race" films and documentaries, the paradoxical predictability and subversive creativity of genre pictures, and Hollywood's self-proclaimed "shining moment" during the Second World War. Cripps concludes with a discussion of the collapse of the studio system after the war, due in equal parts to suburbanization, the emergence of television, and government anti-trust action.

Author: Brian Neve
Publisher: Routledge
ISBN: 1134973314
Category : Social Science
Languages : en
Pages : 265

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Book Description
In A Social Cinema: Film-making and Politics in America, Brian Neve presents a study of the social and political nature of American film by concentrating on a generation of writers from the thirties who directed films in Hollywood in the 1940's. He discusses how they negotiated their roles in relation to the studio system, itself undergoing change, and to what extent their experience in the political and theatre movements of thirties New York was to be reflected in their later films. Focusing in particular on Orson Welles, Elia Kazan, Jules Dassin, Abraham Polonsky, Nicholas Ray, Robert Rossen and Joseph Losey, Neve relates the work of these writers and directors to the broader industrial, bureaucratic, social and political developments of the period 1935-1970. With special emphasis on the post-war decade, bringing together archive and secondary sources, Neve explores a lost tradition of social fimmaking in America.

Author: Jennifer L. McMahon
Publisher: University Press of Kentucky
ISBN: 081317385X
Category : Philosophy
Languages : en
Pages : 378

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Book Description
The western is arguably the most iconic and influential genre in American cinema. The solitude of the lone rider, the loyalty of his horse, and the unspoken code of the West render the genre popular yet lead it to offer a view of America's history that is sometimes inaccurate. For many, the western embodies America and its values. In recent years, scholars had declared the western genre dead, but a steady resurgence of western themes in literature, film, and television has reestablished the genre as one of the most important. In The Philosophy of the Western, editors Jennifer L. McMahon and B. Steve Csaki examine philosophical themes in the western genre. Investigating subjects of nature, ethics, identity, gender, environmentalism, and animal rights, the essays draw from a wide range of westerns including the recent popular and critical successes Unforgiven (1992), All the Pretty Horses (2000), 3:10 to Yuma (2007), and No Country for Old Men (2007), as well as literature and television serials such as Deadwood. The Philosophy of the Western reveals the influence of the western on the American psyche, filling a void in the current scholarship of the genre.

Author: Aaron Barlow
Publisher: Bloomsbury Publishing USA
ISBN: 144082830X
Category : Political Science
Languages : en
Pages : 260

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Book Description
American individualism: It is the reason for American success, but it also tears the nation apart. Why do Americans have so much trouble seeing eye to eye today? Is this new? Was there ever an American consensus? The Cult of Individualism: A History of an Enduring American Myth explores the rarely discussed cultural differences leading to today's seemingly intractable political divides. After an examination of the various meanings of individualism in America, author Aaron Barlow describes the progression and evolution of the concept from the 18th century on, illuminating the wide division in Caucasian American culture that developed between the culture based on the ideals of the English Enlightenment and that of the Scots-Irish "Borderers." The "Borderer" legacy, generally explored only by students of Appalachian culture, remains as pervasive and significant in contemporary American culture and politics as it is, unfortunately, overlooked. It is from the "Borderers" that the Tea Party sprang, along with many of the attitudes of the contemporary American right, making it imperative that this culture be thoroughly explored.

Author: Jim Kitses
Publisher: Bloomsbury Publishing
ISBN: 1838716270
Category : Performing Arts
Languages : en
Pages : 591

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Book Description
When first published in 1969, Horizons West was immediately recognised as the definitive critical account of the Western film and some of its key directors. This greatly expanded new edition is, like the original, written in a graceful, penetrating and absorbingly readable style. It provides definitive critical analysis of the six greatest film-makers of the Western genre: John Ford, Anthony Mann, Budd Boetticher, Sam Peckinpah, Sergio Leone and Clint Eastwood. And it offers illuminating accounts of such classic Westerns as The Searchers, Pat Garrett and Billy the Kid, Once Upon a Time in the West, Shane and many more. Among the completely new material in this edition is Kitses's magisterial account of the work of the greatest of Western directors, John Ford. Kitses also assesses how the Western has been challenged by revisionist historical accounts of the West and the Western, and by movement such as feminism, postmodernism, multiculturalism and psychoanalysis. The product of a lifetime's labour and love, Horizons West is a landmark of scholarship and interpretation devoted to, what is for many, Hollywood's signature genre. It provides a compelling account of the powerful mythology of America's past as forged by Western films and the men who made them.

Author: John E. O'Connor
Publisher: University Press of Kentucky
ISBN: 9780813123547
Category : Political Science
Languages : en
Pages : 404

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Book Description
Hollywood’s West examines popular perceptions of the frontier as a defining feature of American identity and history. Seventeen essays by prominent film scholars illuminate the allure of life on the edge of civilization and analyze how this region has been represented on big and small screens. Differing characterizations of the frontier in modern popular culture reveal numerous truths about American consciousness and provide insights into many classic Western films and television programs, from RKO’s 1931 classic Cimarron to Turner Network Television’s recent made-for-TV movies. Covering topics such as the portrayal of race, women, myth, and nostalgia, Hollywood’s West makes a significant contribution to the understanding of how Westerns have shaped our nation’s opinions and beliefs—often using the frontier as metaphor for contemporary issues.

Author: Elisa Leonelli
Publisher: Xlibris Corporation
ISBN: 1462818145
Category : Performing Arts
Languages : en
Pages : 198

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Book Description
ROBERT REDFORD has played many Westerners on the big screen: a romantic outlaw in Butch Cassidy and the Sundance Kid (1969) with Paul Newman, a sheriff in Tell Them Willie Boy is Here (1968), a mountain man in Jeremiah Johnson (1972), a rodeo cowboy in The Electric Horseman (1979) with Jane Fonda, a Montana rancher in The Horse Whisperer (1998), which he also directed. He is the founder of Sundance, an admirer of Native American art and culture and a committed environmentalist. He embodies the best values of the American West.