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Author: Marni Reva Kessler
Publisher: U of Minnesota Press
ISBN: 9781452909011
Category : Impressionism (Art)
Languages : en
Pages : 252

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Author: Thomas Sheehan
Publisher: Routledge
ISBN: 1351516035
Category : Philosophy
Languages : en
Pages : 504

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Many people consider Martin Heidegger the most important German philosopher of the twentieth century. He is indisputably controversial and influential. Athough much has been written about Heidegger, this may be the best single volume covering his life, career, and thought. For all its breadth and complexity, Heidegger's perspective is quite simple: he is concerned with the meaning of Being as disclosure. Heidegger's life was almost as simple. He was a German professor, except for a brief but significant period in which he supported the Nazi regime. While that departure from philosophy continues to haunt his name and work, one must question whether his thought from 1912 to 1976 should be measured by the yardstick of his politics from May, 1933, through February, 1934. Th is anthology addresses his complex but simple thought and his simple but complex life. In a real sense, Sheehan claims, there is no content to Heidegger's topic and legacy, only a method. But method must not be taken to mean a technique or procedure for philosophical thinking. Rather, the topic of Heidegger's thought and his pursuit of that topic, the "what" and the "how," are one and the same thing. Heidegger writes, "Alles ist Weg," "Everything is way," and man's Being is to be on-the-way in essential movement. Heidegger, argues in our essence we humans are the topic and the point is not to be led there so much as to come to know what we already know and to become what we already are. This brilliant collection confirms this truism, and is an excellent introduction to the work of this seminal thinker.

Author: Cristina Boscolo
Publisher: BRILL
ISBN: 9042026812
Category : Literary Criticism
Languages : en
Pages : 367

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A poetic ‘voice’ scans the rhythm of academic research, telling of the encounter with odún; then the voice falls silent. What is then raised is the dust of a forgotten academic debate on the nature of theatre and drama, and the following divergent standpoints of critical discourses bent on empowering their own vision, and defining themselves, rather, as counterdiscourses. This, the first part of the book: a metacritical discourse, on the geopolitics (the inherent power imbalances) of academic writing and its effects on odún, the performances dedicated to the gods, ancestors, and heroes of Yorùbá history. But odún: where is it? and what is it? And the ‘voice’? The many critical discourses have not really answered these questions. In effect, odún is many things. To enable the reader to see these, the study proceeds with an ‘intermezzo’: a frame of reference that sets odún, the festival, in its own historico-cultural ecoenvironment, identifying the strategies that inform the performance and constitute its aesthetic. It is a ‘classical’ yet, for odún, an innovative procedure. This interdisciplinary background equips the reader with the knowledge necessary to watch the performance, to witness its beauty, and to understand the ‘half words’ odún utters. And now the performance can begin. The ‘voice’ emerges one last time, to introduce the second section, which presents two case studies. The reader is led, day by day, through the celebrations –odún edì, Morèmi’s story, and its realization in performance; then confrontation by the masks of the ancestors duing odún egúngún (particularly as held in Ibadan). The meaning of odún becomes clearer and clearer. Odún is poetry, dances, masks, food, prayer. It is play (eré) and belief (ìgbàgbó). It is interaction between the players (both performers and spectators). It is also politics and power. It contains secrets and sacrifices. It is a reality with its own dimension and, above all, as the quintessential site of knowledge, it possesses the power to transform. In short, it is a challenge – a challenge that the present book and its voices take up.

Author: John Sallis
Publisher: Indiana University Press
ISBN: 0253064856
Category : Philosophy
Languages : en
Pages : 318

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Since Hegel, philosophers have declared repeatedly that metaphysics is at an end, a pronouncement that has sparked much contemporary philosophical debate. What exactly does the end, or closure, of metaphysics mean, and what are the implications of this view? John Sallis characterizes the end of metaphysics as a limit, or horizon, both enclosing metaphysical thought and opening the field of thinking beyond it. He elaborates five areas in which the boundaries of thinking are extended: imagination as an opening power, the radicalizing of phenomenology's injunction to attend to the things themselves, Heidegger's shift of thinking toward an opening or clearing, archaic closure through a return to Plato and Heraclitus, and the nonidentity that takes place in the act of delimitation. This last question is developed in relation to Husserl's project of a pure phenomenology, to the debate between hermeneutics and deconstruction, and to the secluding of ground announced in Schelling's thought.

Author: Michael Horton
Publisher: Zondervan
ISBN: 0310864410
Category : Religion
Languages : en
Pages : 200

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In a world of hype, we may buy into the idea that through Jesus, we’ll be healthier and wealthier as well as wiser. So what happens when we become ill, or depressed, or bankrupt? Did we do something wrong? Has God abandoned us? As a child, Michael Horton would run up the down escalator, trying to beat it to the top. As Christians, he notes, we sometimes seek God the same way, believing we can climb to him under our own steam. But we can’t, which is why we are blessed that Jesus descends to us, especially during times of trial. In Too Good to Be True, Horton exposes the pop culture that sells Jesus like a product for health and happiness and reminds us that our lives often lead us on difficult routes we must follow by faith. This book offers a series of powerful readings that demonstrate how, through every type of earthly difficulty, our Father keeps his promises from Scripture and works all things together for our good.

Author: Sue Donaldson
Publisher: OUP Oxford
ISBN: 0191620556
Category : Political Science
Languages : en
Pages : 491

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Zoopolis offers a new agenda for the theory and practice of animal rights. Most animal rights theory focuses on the intrinsic capacities or interests of animals, and the moral status and moral rights that these intrinsic characteristics give rise to. Zoopolis shifts the debate from the realm of moral theory and applied ethics to the realm of political theory, focusing on the relational obligations that arise from the varied ways that animals relate to human societies and institutions. Building on recent developments in the political theory of group-differentiated citizenship, Zoopolis introduces us to the genuine "political animal". It argues that different types of animals stand in different relationships to human political communities. Domesticated animals should be seen as full members of human-animal mixed communities, participating in the cooperative project of shared citizenship. Wilderness animals, by contrast, form their own sovereign communities entitled to protection against colonization, invasion, domination and other threats to self-determination. `Liminal' animals who are wild but live in the midst of human settlement (such as crows or raccoons) should be seen as "denizens", resident of our societies, but not fully included in rights and responsibilities of citizenship. To all of these animals we owe respect for their basic inviolable rights. But we inevitably and appropriately have very different relations with them, with different types of obligations. Humans and animals are inextricably bound in a complex web of relationships, and Zoopolis offers an original and profoundly affirmative vision of how to ground this complex web of relations on principles of justice and compassion.

Author: William Wainwright
Publisher: Oxford University Press
ISBN: 0198031580
Category : Philosophy
Languages : en
Pages : 562

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The Oxford Handbook of Philosophy of Religion contains newly commissioned chapters by 21 prominent experts who cover the field in a comprehensive but accessible manner. Each chapter is expository, critical, and representative of a distinctive viewpoint.

Author: Kirill Kopeikin
Publisher: Wipf and Stock Publishers
ISBN: 1666776998
Category : Religion
Languages : en
Pages : 263

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This volume represents a collective effort to advance research on the perennial problem of matter and consciousness, body and mind. It contains contributions from the fields of philosophy, psychology, physiology, cosmology, and physics. However, its distinctive emphasis is on the key role of theology. The modern natural sciences historically arose as an attempt to read the second book of God—that is, the book of Nature. The contributors to this volume maintain that this orientation of early modern science was correct and that our contemporary understanding of matter and its link with the psychic world can only be plausibly advanced through an appeal to theology. Attempts to resolve the problem of consciousness without theological insights yield problematic reductions of mind to matter or vice versa. The authors maintain that a Christian theological understanding of creation and of humanity provides a framework for a more fruitful way forward in our interdisciplinary attempts to engage the issue.

Author: Zhiyi Yang
Publisher: BRILL
ISBN: 9004298533
Category : Poetry
Languages : en
Pages : 248

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In Dialectics of Spontaneity, Zhiyi Yang examines the aesthetic and ethical theories of Su Shi, the primary poet, artist, and statesman of Northern Song.

Author: William Slocombe
Publisher: Routledge
ISBN: 1135489289
Category : Literary Criticism
Languages : en
Pages : 225

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This book examines the relationship between nihilism and postmodernism in relation to the sublime, and is divided into three parts: history, theory, and praxis. Arguing against the simplistic division in literary criticism between nihilism and the sublime, the book demonstrates that both are clearly implicated with the Enlightenment. Postmodernism, as a product of the Enlightenment, is therefore implicitly related to both nihilism and the sublime, despite the fact that it is often characterised as either nihilistic or sublime. Whereas prior forms of nihilism are 'modernist' because they seek to codify reality, postmodernism creates a new formulation of nihilism - 'postmodern nihilism' - that is itself sublime. This is explored in relation to a broad survey of postmodern literature in two chapters, the first on aesthetics and the second on ethics. It offers a coherent thesis for reappraising the relationship between nihilism and the sublime, and grounds this argument with frequent references to postmodern literature, making it a book suitable for both researchers and those more generally interested in postmodern literature.