Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 190
Book Description
Shakspeariana from 1564-1864
Author: Franz ThimmShakspeariana, from 1564 to 1864 (from 1864 to 1871). An account of the Shakspearian Literature of England, Germany and France during three centuries, with bibliographical introductions
Author: Franz J. L. THIMMShaspeariana from 1564 to 1864. An Account on the Shakspearian Literature of England, Germany and France, During 3 Centuries
Author: Franz ThimmBibliotheca Shakspeareaner von 1564-1871. Eine Shakspeare Bibliographie aller Länder der Welt mit bibliographischen Einleitungen in englischer Sprache. 2. Ausg
Author: Franz ThimmTopical Shakespeariana
Author: Catalogue of the Library of the Late Simeon Henry Remsen, Esq., of New York
Author: Simeon Henry RemsenPublisher:
ISBN:
Category : Art
Languages : en
Pages : 238
Book Description
Catalogue of the Works of William Shakespeare, Original and Traslated, Together with the Shakespeariana Embraced in the Barton Collection of the Boston Public Library
Author: Boston Public Library. Barton CollectionPublisher:
ISBN:
Category :
Languages : en
Pages : 248
Book Description
Catalogue of the Works of William Shakespeare, Original and Translated
Author: Boston Public Library. Barton CollectionPublisher:
ISBN:
Category :
Languages : en
Pages : 256
Book Description
A History of Modern English Romanticism
Author: Harko Gerrit de MaarPublisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 254
Book Description
Shakespeare as German Author
Author: Publisher: BRILL
ISBN: 9004361596
Category : Drama
Languages : en
Pages : 259
Book Description
Shakespeare as German Author, edited by John McCarthy, revisits in particular the formative phase of German Shakespeare reception 1760-1830. Following a detailed introduction to the historical and theoretical parameters of an era in search of its own literary voice, six case studies examine Shakespeare’s catalytic role in reshaping German aesthetics and stage production. They illuminate what German speakers found so appealing (or off-putting) about Shakespeare’s spirit, consider how translating it nurtured new linguistic and aesthetic sensibilities, and reflect on its relationship to German Geist through translation and cultural transfer theory. In the process, they shed new light, e.g., on the rise of Hamlet to canonical status, the role of women translators, and why Titus Andronicus proved so influential in twentieth-century theater performance. Contributors are: Lisa Beesley, Astrid Dröse, Johanna Hörnig, Till Kinzel, John A. McCarthy, Curtis L. Maughan, Monika Nenon, Christine Nilsson.