Shaking Hands With England (Classic Reprint) PDF Download

Author: Charles Hanson Towne
Publisher:
ISBN: 9781331018568
Category :
Languages : en
Pages : 128

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Book Description
Excerpt from Shaking Hands With England About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: T. De Witt Talmage
Publisher: Forgotten Books
ISBN: 9780484911795
Category :
Languages : en
Pages : 152

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Excerpt from Great Britain Through American Spectacles Shaking hands every day with thousands of people in halls and churches, and at railway stations, till my right hand is disabled and fit only for a sling, because of the stout grips, accompanied by emphatic God bless I am swamped for the work of harsh criticism. I tell you at the start, I like England, her landscapes, her cities, her government, her common people, and her aristocracy. I here part forever with all the cynical and saturnine. I do not want to live on the same street with them in heaven. They will always be singing out of tune, and searching for fractures in the amethyst, and finding fault with the country. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Lewis Carroll
Publisher: Good Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 9537

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The Greatest British Classics Ever Written encapsulates an unrivaled collection traversing the comprehensive spectrum of British literature. This anthology presents a curated selection of works that showcase not only the evolution of literary styles but also the thematic depth which has characterized centuries of English writing. From the cerebral comedies of Oscar Wilde to the haunting gothic tales of Ann Ward Radcliffe, and the pioneering science fiction of H.G. Wells, this collection emphasizes the diversity and significant contributions of British literature to the global canon. Standout pieces capture the essence of human condition, societal shifts, and the unending quest for identity and belonging within varied historical and socio-political contexts. The authors and editors, hailing from different epochs, bring together an impressive array of backgrounds, literary movements, and philosophical ideologies. This melting pot includes the romantic disillusionment of the Brontë sisters, the sharp social critique of Charles Dickens, the existential musings of T.S. Eliot, and the pioneering narratives of Mary Shelley. Their collective works represent a cross-section of the historical nuances, cultural shifts, and the rich literary heritage of the British Isles, revealing a shared lineage of exploration, innovation, and a profound inquiry into the human spirit and societal constructs. For aficionados and newcomers to British literature alike, this anthology offers a unique opportunity to immerse oneself in the rich tapestry of British literary genius. The Greatest British Classics Ever Written is more than just a collection; it's a journey through time, offering a panoramic view of the ideas and aesthetics that have shaped not only British literature but also the global literary landscape. Readers are encouraged to delve into this meticulously curated anthology to experience the breadth of insights, the evolution of literary forms, and the dialogue fostered between the era-defining works of these seminal authors. It's an essential volume for those seeking to understand the legacy and continued relevance of British literary contributions to world culture.

Author: Lucian Lucian
Publisher: Forgotten Books
ISBN:
Category :
Languages : en
Pages : 494

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Excerpt from The Works of Lucian, Vol. 1 But furely, my friend, general fatire, and true humour (and thefe you are kind enough to grant me), fiand as fair a chance of general approbation as any other fpecies of au thorial merit can entitle us to. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Margaret Wilson Oliphant
Publisher: Forgotten Books
ISBN: 9780483999480
Category :
Languages : en
Pages : 350

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Excerpt from The Greatest Heiress in England, Vol. 2 of 3 Lucy about wherever she went, holding tightly by her hand. There was no one to interfere, or to prevent the hitherto neglected child from be coming the chief interest of the house. He felt the loss far more, though it was to his immediate advantage, than Lucy did, who cried a little when she woke every morning at the recollection, but put on her crape with a certain melancholy pleasure in the completeness and depth of her mourning. Mrs. Ford, though she cried too, could not but admire and wonder at these black dresses covered with crape, which she felt it would have been a pleasure to old Mr. Trevor to see, so deep were they, and showing so much respect. It was almost like widows' mourning, she declared, deeper far than that which ordinary mourners wore for a parent: but then, when you considered what Lucy had lost - and gained But little Jock got no satisfaction out of his hat-band; he found no comfort in anything but Lucy's hand, which he clung to as his only. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Clare Backhouse
Publisher: Bloomsbury Publishing
ISBN: 1786721961
Category : History
Languages : en
Pages : 379

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Fashion featured in black-letter broadside ballads over a hundred years before fashion magazines appeared in England. In the seventeenth century, these single-sheet prints contained rhyming song texts and woodcut pictures, accessible to almost everyone in the country. Dress was a popular subject for ballads, as well as being a commodity with close material and cultural connections to them.This book analyses how the distinctive words and images of these ballads made meaning, both in relation to each other on the ballad sheet and in response to contemporary national events, sumptuary legislation, religious practice, economic theory, the visual arts and literature. In this context, Clare Backhouse argues, seventeenth-century ballads increasingly celebrated the proliferation of print and fashionable dress, envisioning new roles for men and women in terms of fashion consumption and its importance to national prosperity. The book demonstrates how the hitherto overlooked but extensive source material that these ballads offer can enrich the histories of dress, art and culture in early modern England.

Author: Charles Knight
Publisher: Forgotten Books
ISBN: 9781528037631
Category : Great Britain
Languages : en
Pages : 770

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Excerpt from The Popular History of England, Vol. 8 London Gazette of the 3rd of April. This holding out the hand of fellowship did not produce a corresponding demonstration. The great Democratic party were bent upon war. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Jules Verne
Publisher: e-artnow
ISBN: 8026868862
Category : Fiction
Languages : en
Pages : 10928

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This carefully crafted ebook: “JULES VERNE Ultimate Collection: Science Fiction Classics, Action & Adventure Novels, Historical Works (Illustrated)” is formatted for your eReader with a functional and detailed table of contents: Novels Five Weeks in a Balloon Journey to the Centre of the Earth From the Earth to the Moon Around the Moon The Adventures of Captain Hatteras In Search of the Castaways Twenty Thousand Leagues Under the Sea A Floating City The Adventures of Three Englishmen and Three Russians in South Africa The Fur Country Around the World in Eighty Days The Mysterious Island The Survivors of the Chancellor Michael Strogoff Hector Servadac The Underground City Dick Sand, A Captain at Fifteen The Begum's Fortune Tribulations of a Chinaman in China The Steam House Eight Hundred Leagues on the Amazon Godfrey Morgan or, The Robinson Crusoe School The Green Ray Mathias Sandorf The Star of the South Ticket No. “9672” Robur the Conqueror The Master of the World The Waif of “Cynthia” North Against South or, Texar's Revenge The Flight to France or, The Memoirs of a Dragoon Kéraban the Inflexible Adrift in Pacific or, Two Years' Vacation Topsy Turvy Cæsar Cascabel Mistress Branican The Castle of the Carpathians Claudius Bombarnac Captain Antifer Facing the Flag An Antarctic Mystery Short Stories A Voyage in a Balloon A Drama in Mexico Master Zacharius A Winter Amid The Ice The Blockade Runners Doctor Ox's Experiment Martin Paz Ascent of Mont Blanc The Mutineers of the Bounty Frritt-Flacc An Express of the Future In The Year 2889 Travel The Exploration of the World The Great Navigators of the 18th Century The Great Explorers of 19th Century Miscellaneous A Chinese Banquet Jules Gabriel Verne (1828-1905) was a French novelist, poet, and playwright best known for his adventure novels and his profound influence on the literary genre of science fiction.

Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1238

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Author: Henry Cabot Lodge
Publisher: 谷月社
ISBN:
Category : Literary Collections
Languages : en
Pages : 228

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Volume IX (of X) - America Ever since civilized man has had a literature he has apparently sought to make selections from it and thus put his favorite passages together in a compact and convenient form. Certain it is, at least, that to the Greeks, masters in all great arts, we owe this habit. They made such collections and named them, after their pleasant imaginative fashion, a gathering of flowers, or what we, borrowing their word, call an anthology. So to those austere souls who regard anthologies as a labor-saving contrivance for the benefit of persons who like a smattering of knowledge and are never really learned, we can at least plead in mitigation that we have high and ancient authority for the practise. In any event no amount of scholarly deprecation has been able to turn mankind or that portion of mankind which reads books from the agreeable habit of making volumes of selections and finding in them much pleasure, as well as improvement in taste and knowledge. With the spread of education and with the great increase of literature among all civilized nations, more especially since the invention of printing and its vast multiplication of books, the making of volumes of selections comprizing what is best in one's own or in many literatures is no longer a mere matter of taste or convenience as with the Greeks, but has become something little short of a necessity in this world of many workers, comparatively few scholars, and still fewer intelligent men of leisure. Anthologies have been multiplied like all other books, and in the main they have done much good and no harm. The man who thinks he is a scholar or highly educated because he is familiar with what is collected in a well-chosen anthology, of course, errs grievously. Such familiarity no more makes one a master of literature than a perusal of a dictionary makes the reader a master of style. But as the latter pursuit can hardly fail to enlarge a man's vocabulary, so the former adds to his knowledge, increases his stock of ideas, liberalizes his mind and opens to him new sources of enjoyment. The Greek habit was to bring together selections of verse, passages of especial merit, epigrams and short poems. In the main their example has been followed. From their days down to the "Elegant Extracts in Verse" of our grandmothers and grandfathers, and thence on to our own time with its admirable "Golden Treasury" and "Oxford Handbook of Verse," there has been no end to the making of poetical anthologies and apparently no diminution in the public appetite for them. Poetry indeed lends itself to selection. Much of the best poetry of the world is contained in short poems, complete in themselves, and capable of transference bodily to a volume of selections. There are very few poets of whose quality and genius a fair idea can not be given by a few judicious selections. A large body of noble and beautiful poetry, of verse which is "a joy forever," can also be given in a very small compass. And the mechanical attribute of size, it must be remembered, is very important in making a successful anthology, for an essential quality of a volume of selections is that it should be easily portable, that it should be a book which can be slipt into the pocket and readily carried about in any wanderings whether near or remote. An anthology which is stored in one or more huge and heavy volumes is practically valueless except to those who have neither books nor access to a public library, or who think that a stately tome printed on calendered paper and "profusely illustrated" is an ornament to a center-table in a parlor rarely used except on solemn or official occasions. I have mentioned these advantages of verse for the purposes of an anthology in order to show the difficulties which must be encountered in making a prose selection. Very little prose is in small parcels which can be transferred entire, and therefore with the very important attribute of completeness, to a volume of selections. From most of the great prose writers it is necessary to take extracts, and the chosen passage is broken off from what comes before and after. The fame of a great prose writer as a rule rests on a book, and really to know him the book must be read and not merely passages from it. Extracts give no very satisfactory idea of "Paradise Lost" or "The Divine Comedy," and the same is true of extracts from a history or a novel. It is possible by spreading prose selections through a series of small volumes to overcome the mechanical difficulty and thus make the selections in form what they ought above all things to be—companions and not books of reference or table decorations. But the spiritual or literary problem is not so easily overcome. What prose to take and where to take it are by no means easy questions to solve. Yet they are well worth solving, so far as patient effort can do it, for in this period of easy printing it is desirable to put in convenient form before those who read examples of the masters which will draw us back from the perishing chatter of the moment to the literature which is the highest work of civilization and which is at once noble and lasting. Upon that theory this collection has been formed. It is an attempt to give examples from all periods and languages of Western civilization of what is best and most memorable in their prose literature. That the result is not a complete exhibition of the time and the literatures covered by the selections no one is better aware than the editors. Inexorable conditions of space make a certain degree of incompleteness inevitable when he who is gathering flowers traverses so vast a garden, and is obliged to confine the results of his labors within such narrow bounds. The editors are also fully conscious that, like all other similar collections, this one too will give rise to the familiar criticism and questionings as to why such a passage was omitted and such another inserted; why this writer was chosen and that other passed by. In literature we all have our favorites, and even the most catholic of us has also his dislikes if not his pet aversions. I will frankly confess that there are authors represented in these volumes whose writings I should avoid, just as there are certain towns and cities of the world to which, having once visited them, I would never willingly return, for the simple reason that I would not voluntarily subject myself to seeing or reading what I dislike or, which is worse, what bores and fatigues me. But no editor of an anthology must seek to impose upon others his own tastes and opinions. He must at the outset remember and never afterward forget that so far as possible his work must be free from the personal equation. He must recognize that some authors who may be mute or dull to him have a place in literature, past or present, sufficiently assured to entitle them to a place among selections which are intended above all things else to be representative. To those who wonder why some favorite bit of their own was omitted while something else for which they do not care at all has found a place I can only say that the editors, having supprest their own personal preferences, have proceeded on certain general principles which seem to be essential in making any selection either of verse or prose which shall possess broader and more enduring qualities than that of being a mere exhibition of the editor's personal taste. To illustrate my meaning: Emerson's "Parnassus" is extremely interesting as an exposition of the tastes and preferences of a remarkable man of great and original genius. As an anthology it is a failure, for it is of awkward size, is ill arranged and contains selections made without system, and which in many cases baffle all attempts to explain their appearance. On the other hand, Mr. Palgrave, neither a very remarkable man nor a great and original genius, gave us in the first "Golden Treasury" a collection which has no interest whatever as reflecting the tastes of the editor, but which is quite perfect in its kind. Barring the disproportionate amount of Wordsworth which includes some of his worst things—and which, be it said in passing, was due to Mr. Palgrave's giving way at that point to his personal enthusiasm—the "Golden Treasury" in form, in scope, and in arrangement, as well as in almost unerring taste, is the best model of what an anthology should be which is to be found in any language.