Shakespearean Comedy PDF Download

Author: Malcolm Bradbury
Publisher: Holmes & Meier Publishers
ISBN: 9780841958203
Category :
Languages : en
Pages : 247

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Author: G. Beiner
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838634677
Category : Drama
Languages : en
Pages : 332

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Book Description
"As the poetics is based on the texts (not derived by deduction or theoretical extension from some principle of poetics), so it is applied as a tool of analysis to the texts and used in conjunction with evaluation. The underlying assumption is that the task of poetics is instrumental, and that its usefulness has to be demonstrated and verified in practice. Hence, the division of the book into two parts. As Part I formulates a poetics on the basis of the texts, so Part II applies the poetics to the major texts - always within the dynamics of the multiple-plot and multi-layered perspective on a play. Part II focuses in detail on The Merry Wives of Windsor, The Merchant of Venice, and Twelfth Night, analyzing the agons and placing them in relation to the comedy of love and the perspective of folly."--Jacket.

Author: Bradbury Malcolm
Publisher:
ISBN:
Category : English drama (Comedy)
Languages : en
Pages : 247

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Author: R. Bell
Publisher: Springer
ISBN: 0230337724
Category : Literary Criticism
Languages : en
Pages : 326

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Book Description
This lively, lucid book undertakes a detailed and provocative study of Shakespeare's fascination with clowns, fools, and fooling. Through close reading of plays over the whole course of Shakespeare's theatrical career, Bell highlights the fun, wit, insights, and mysteries of some of Shakespeare's most vibrant and often vexing figures.

Author: Charles Martindale
Publisher: Cambridge University Press
ISBN: 9781139453639
Category : Literary Criticism
Languages : en
Pages : 340

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Book Description
Shakespeare and the Classics demonstrates that the classics are of central importance in Shakespeare's plays and in the structure of his imagination. Written by an international team of Shakespeareans and classicists, this book investigates Shakespeare's classicism and shows how he used a variety of classical books to explore crucial areas of human experience such as love, politics, ethics and history. The book focuses on Shakespeare's favourite classical authors, especially Ovid, Virgil, Seneca, Plautus and Terence, and, in translation only, Plutarch. Attention is also paid to the humanist background and to Shakespeare's knowledge of Greek literature and culture. The final section, from the perspective of reception, examines how Shakespeare's classicism was seen and used by later writers. This accessible book offers a rounded and comprehensive treatment of Shakespeare's classicism and will be a useful first port of call for students and others approaching the subject.

Author: Imtiaz H. Habib
Publisher: Susquehanna University Press
ISBN: 9780945636373
Category : Drama
Languages : en
Pages : 264

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Book Description
The presentation of a complex character such as Shylock bears resemblance to the technique of anamorphic portraiture and trick perspective in the sense that, seen one way he appears a villain, but seen another way he appears a persecuted victim. The clashing and merging of opposed frames of ideological reference that cannot be held apart or resolved and that remain in a kind of uneasy balance may be a technique of comic characterization that exploits relativism and ambiguity in the presentation of human personality and self on stage. A similar technique can be seen at work in the Histories in the characters of Richard and Bolingbroke, who, as has long been noted, compete contrarily for the audience's ideological sympathies over the course of the play.

Author: William Shakespeare
Publisher: Penguin
ISBN: 1101143509
Category : Drama
Languages : en
Pages : 307

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The Signet Classics edition of William Shakespeare's comedy of lovers misled. Romantic folly and false identites abound as an unusual love triangle takes the stage in this play about Orsino, the infatuated Duke of Illyria; Olivia, the countess he pursues; and Viola, the woman disguised as a man who comes between them. This revised Signet Classics edition includes unique features such as: • An overview of Shakespeare's life, world, and theater • A special introduction to the play by the editor, Herschel Baker • Selections from Barnabe Rich, Of Apolonius and Silla, the source from which Shakespeare derived Twelfth Night • Dramatic criticism from Samuel Johnson, William Hazlitt, Charles Lamb, and others • A comprehensive stage and screen history of notable actors, directors, and productions • Text, notes, and commentaries printed in the clearest, most readable text • And more...

Author: William Shakespeare
Publisher: Penguin
ISBN: 9780451526922
Category : Drama
Languages : en
Pages : 370

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The Signet Classics edition of William Shakespeare's incomparable tragic play. "To be, or not to be: that is the question" There is arguably no work of fiction quoted as often as William Shakespeare's Hamlet. This haunting tragedy of a troubled Danish prince devoted to avenging his father's death has captivated audiences for centuries. This title in the Signet Classics Shakespeare series includes: • An overview of Shakespeare's life, world, and theater • A special introduction to the play by the editor, Sylvan Barnet • A note on the sources from which Shakespeare derived Hamlet • Dramatic criticism from Samuel Taylor Coleridge, A.C. Bradley, Maynard Mack, and others • A comprehensive stage and screen history of notable actors, directors, and productions of Hamlet • Text, notes, and commentaries printed in the clearest, most readable format • Recommended readings

Author: Anthony David Nuttall
Publisher: Yale University Press
ISBN: 9780300118650
Category : Literary Criticism
Languages : en
Pages : 228

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Book Description
In pursuit of a powerful, common-sense argument about realism, renowned scholar A. D. Nuttall discusses English eighteenth-century and French neo-classical conceptions of realism, and considers Julius Caesar, Coriolanus, The Merchant of Venice, Othello, and both parts of King Henry IV as a prolonged feat of mimesis, with particular emphasis on Shakespeare’s perception of society and culture as subject to historical change. Shakespeare is chosen as the great example of realism because he addresses not only the stable characteristics but also the flux of things, and he is thus seen as a perceiver of that flux and not a mere specimen. An acknowledged classic of literary studies, A New Mimesis is reissued here with a new preface by the author.

Author: Michael Neill
Publisher: Oxford University Press
ISBN: 0192517902
Category : Drama
Languages : en
Pages :

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Book Description
Death, like most experiences that we think of as natural, is a product of the human imagination: all animals die, but only human beings suffer Death; and what they suffer is shaped by their own time and culture. Tragedy was one of the principal instruments through which the culture of early modern England imagined the encounter with mortality. The essays in this book approach the theatrical reinvention of Death from three perspectives. Those in Part I explore Death as a trope of apocalypse — a moment of un-veiling or dis-covery that is figured both in the fearful nakedness of the Danse Macabre and in the shameful openings enacted in the new theatres of anatomy. Separate chapters explore the apocalyptic design of two of the periods most powerful tragedies — Shakespeare's Othello, and Middleton and Rowley's The Changeling. In Part 2, Neill explores the psychological and affective consequences of tragedy's fiercely end-driven narrative in a number of plays where a longing for narrative closure is pitched against a particularly intense dread of ending. The imposition of an end is often figured as an act of writerly violence, committed by the author or his dramatic surrogate. Extensive attention is paid to Hamlet as an extreme example of the structural consequences of such anxiety. The function of revenge tragedy as a response to the radical displacement of the dead by the Protestant abolition of purgatory — one of the most painful aspects of the early modern re-imagining of death — is also illustrated with particular clarity. Finally, Part 3 focuses on the way tragedy articulates its challenge to the undifferentiating power of death through conventions and motifs borrowed from the funereal arts. It offers detailed analyses of three plays — Shakespeare's Antony and Cleopatra, Webster's The Duchess of Malfi, and Ford's The Broken Heart. Here, funeral is rewritten as triumph, and death becomes the chosen instrument of an heroic self-fashioning designed to dress the arbitrary abruption of mortal ending in a powerful aesthetic of closure.