Shakespeare's Use of Music PDF Download

Author: John H. Long
Publisher:
ISBN:
Category : English drama (Comedy)
Languages : en
Pages : 248

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Book Description

Author: Richmond Samuel Howe Noble
Publisher: London : Oxford University Press
ISBN:
Category : Music and literature
Languages : en
Pages : 170

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Book Description

Author: Christopher R. Wilson
Publisher: A&C Black
ISBN: 1472557522
Category : Literary Criticism
Languages : en
Pages : 418

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Book Description
With an A-Z of over 300 entries, Music in Shakespeare is the most comprehensive study of all the musical terms found in Shakespeare's complete works. It includes a definition of each musical term in its historical and theoretical context, and explores the diverse extent of musical imagery across the full range of Shakespeare's dramatic and poetic work, as well as analysing the usage of instruments and sound effects on the Shakespearean stage. This is a comprehensive reference guide for scholars and students with interests in the thematic and allegorical relevance of music in Shakespeare, and the history of performance. Identifying all musical terms found in the Shakespeare canon, it will also be of use to the growing number of directors and actors concerned with recovering the staging conditions of the early modern theatre.

Author: Ross W. Duffin
Publisher: W. W. Norton & Company
ISBN: 9780393058895
Category : Art
Languages : en
Pages : 536

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Book Description
Eight years in the making, "Shakespeare's Songbook" is a meticulously researched collection of 160 songs--ballads and narratives, drinking songs, love songs, and rounds--that appear in, are quoted in, or alluded to in Shakespeare's plays.

Author: David Lindley
Publisher: Bloomsbury Publishing
ISBN: 1408143674
Category : Literary Criticism
Languages : en
Pages : 297

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Book Description
This unique and comprehensive study examines how music affects Shakespeare's plays and addresses the ways in which contemporary audiences responded to it. David Lindley sets the musical scene of Early Modern England, establishing the kinds of music heard in the streets, the alehouses, private residences and the theatres of the period and outlining the period's theoretical understanding of music. Focusing throughout on the plays as theatrical performances, this work analyzes the ways Shakespeare explores and exploits the conflicting perceptions of music at the time and its dramatic and thematic potential.

Author: John H. Long
Publisher:
ISBN:
Category : Incidental music
Languages : en
Pages : 306

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Book Description

Author: Bill Barclay
Publisher: Cambridge University Press
ISBN: 1107139333
Category : Drama
Languages : en
Pages : 303

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Book Description
This volume traces the uses of music in Shakespearean performance from the first Globe and Blackfriars to contemporary, global productions.

Author: Frederick William Sternfeld
Publisher: Psychology Press
ISBN: 9780415353274
Category : Literary Criticism
Languages : en
Pages : 392

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Book Description
First published in 1963. When originally published this book was the first to treat at full length the contribution which music makes to Shakespeare's great tragedies, among them Hamlet, Othello, and King Lear. Here the playwright's practices are studied in conjunction with those of his contemporaries: Marlowe and Jonson, Marston and Chapman. From these comparative assessments there emerges the method that is peculiar to Shakespeare: the employment of song and instrumental music to a degree hitherto unknown, and their use as an integral part of the dramatic structure.

Author: John Henderson Long
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 240

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Book Description
This three volume study examines Shakespeare's use of music, the performed music in the histories, tragedies, and comedies. By the term "use of music" the author means the dramatic functions served by the performed music in those productions of the plays occurring between 1590 and 1615. This includes the manner of performance, the original music scores or notation used (when possible), and the significance of these data to peripheral problems of interpretation, text, staging, and stage history. This study attempts to meet the interests of students of Elizabethan music, drama in performance, and literature, as well as the producers of Shakespeare faced with practical problems. One of the more remarkable characteristics of the English Renaissance is the sense of kinship and close relationship of the arts, and the alert eye for the practical -- an ethos that should guide producers in any time and place.

Author: Edward W. Naylor
Publisher: BoD – Books on Demand
ISBN: 3734046866
Category : Fiction
Languages : en
Pages : 182

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Book Description
Reproduction of the original: Shakespeare and Music by Edward W. Naylor