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Author: Louis Booker Wright Publisher: MIT Press ISBN: 9780918016058 Category : Drama Languages : en Pages : 44
Book Description
This volume presents a brief discussion about the characteristics of William Shakespeare's stages, the history of Elizabethan theaters, the physical conditions of the stage, the composition of the companies of actors, the influence of the physical nature of the stage upon the quality of the drama, and many other related topics. The plays of Shakespeare during his lifetime were performed on stages in private theaters, provincial theaters, and playhouses. His plays were acted out in the yards of bawdy inns and in the great halls of the London inns of court. Although the Globe is certainly the most well known of all the Renaissance stages associated with Shakespeare and is rightfully the primary focus of discussion, this work includes a brief introduction to some of the other Elizabethan theaters of the time in order to provide a more complete picture of the world in which Shakespeare lived and worked.
Author: Louis Booker Wright Publisher: MIT Press ISBN: 9780918016058 Category : Drama Languages : en Pages : 44
Book Description
This volume presents a brief discussion about the characteristics of William Shakespeare's stages, the history of Elizabethan theaters, the physical conditions of the stage, the composition of the companies of actors, the influence of the physical nature of the stage upon the quality of the drama, and many other related topics. The plays of Shakespeare during his lifetime were performed on stages in private theaters, provincial theaters, and playhouses. His plays were acted out in the yards of bawdy inns and in the great halls of the London inns of court. Although the Globe is certainly the most well known of all the Renaissance stages associated with Shakespeare and is rightfully the primary focus of discussion, this work includes a brief introduction to some of the other Elizabethan theaters of the time in order to provide a more complete picture of the world in which Shakespeare lived and worked.
Author: Louis B (Louis Booker) 1899 Wright Publisher: Hassell Street Press ISBN: 9781013484605 Category : Languages : en Pages : 44
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Robert Weimann Publisher: JHU Press ISBN: 9780801835063 Category : Education Languages : en Pages : 358
Book Description
Internationally hailed upon its original publication Shakespeare and the Popular Tradition in the Theater was revised and updated for this English translation.
Author: Robert Weimann Publisher: Baltimore : Johns Hopkins University Press ISBN: Category : Drama Languages : en Pages : 360
Book Description
Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.'
Author: Daisy Black Publisher: Manchester University Press ISBN: 1526172127 Category : Literary Criticism Languages : en Pages : 410
Book Description
A collection of essays which show how early drama traditions were transformed, recycled, re-used and reformed across time to form new relationships with their audiences. Medieval afterlives brings new insight to the ways in which peoples in the sixteenth century understood, manipulated and responded to the history of their performance spaces, stage technologies, characterisation and popular dramatic tropes. In doing so, this volume advocates for a new understanding of sixteenth-seventeenth century theatre makers as highly aware of the medieval traditions that formed their performance practices, and audiences who recognised and appreciated the recycling of these practices between plays.
Author: Douglas Bruster Publisher: Routledge ISBN: 1134313705 Category : Literary Criticism Languages : en Pages : 221
Book Description
This eye-opening study draws attention to the largely neglected form of the early modern prologue. Reading the prologue in performed as well as printed contexts, Douglas Bruster and Robert Weimann take us beyond concepts of stability and autonomy in dramatic beginnings to reveal the crucial cultural functions performed by the prologue in Elizabethan England. While its most basic task is to seize the attention of a noisy audience, the prologue's more significant threshold position is used to usher spectators and actors through a rite of passage. Engaging competing claims, expectations and offerings, the prologue introduces, authorizes and, critically, straddles the worlds of the actual theatrical event and the 'counterfeit' world on stage. In this way, prologues occupy a unique and powerful position between two orders of cultural practice and perception. Close readings of prologues by Shakespeare and his contemporaries, including Marlowe, Peele and Lyly, demonstrate the prologue's role in representing both the world in the play and playing in the world. Through their detailed examination of this remarkable form and its functions, the authors provide a fascinating perspective on early modern drama, a perspective that enriches our knowledge of the plays' socio-cultural context and their mode of theatrical address and action.
Author: Louis Booker Wright
Author: Louis Booker Wright
Author: Louis Booker Wright
Author: Louis B (Louis Booker) 1899 Wright
Author: Robert Weimann
Author: Robert Weimann
Author: S. L. Bethell
Author: Louis Booker Wright
Author: Alfred Harbage
Author: Daisy Black
Author: Douglas Bruster