Hell Is Empty and All the Devils Are Here PDF Download

Author: Kings Players
Publisher:
ISBN: 9781074132422
Category :
Languages : en
Pages : 120

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Book Description
This Shakespearean literary themed 6 x 9 inch blank lined journal, sports a typeset quote, complete with runny ink blotches, reading 'Hell is empty and all the devils are here.', from The Tempest, Act 1, Scene 2, Page 10. An ideal drama themed gift for lovers of the bard, of theatre, students, and actors. Also makes a funny halloween gag gift for teachers returning to school, or politicians elected to senate, congress, or Westminster after mid term or general elections. This fantastic 120-page blank lined journal is just perfect for all your noting needs. Whether you're scribbling down your most secret inner thoughts or carefully copying out your favourite recipe for dip; recording reflections and reminiscences or setting out your aims and objectives for the coming year. You can keep it hidden by your bed, carry it conveniently in your school-bag or pull it out, with more than a little theatrical flourish, at your next big meeting. You can fill it up with lines from Shakespeare or your own private verses. Iambic pentameter not required! Key Features: 6" x 9" - conveniently sized, and just perfect for your school bag, backpack, or desk 118 fully usable white lined pages PLUS a bookplate page for your own name AND with a meaningful quotation on the reverse side Printed on high-quality paper throughout Glossy cover bearing a quote from The Tempest in a stylised typeface Perfect for use as a journal, notebook, diary or...well, you choose

Author: Shalu Sharma
Publisher:
ISBN: 9781794433465
Category :
Languages : en
Pages : 126

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Book Description
I Would Challenge You to a Battle of Wits Journal/Notebook I would challenge you to a battle of wits, but I see you are unarmed. A lovely meaningful quote from The English Classic Taming of the Shrew! This notebook/journal with the quote from William Shakespeare's play "The Taming of the Shrew" is an ideal gift for anyone who loves English Literature. *120+ journal pages *Ideal size 5x8 inches *Smart attractive cover *Inspirational quotes by William Shakespeare

Author: Kings Players
Publisher:
ISBN: 9781074168872
Category :
Languages : en
Pages : 120

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Book Description
This Shakespearean literary themed 6 x 9 inch blank lined journal, sports laurel leaves, a dagger, and blood spatter with Caesar's famous last words from Act 3, Scene 1, as he recognises his friend Brutus as one of his assassins. An ideal drama themed gift for lovers of the bard, of theatre, students and actors. Also makes a great gag gift for politicians fighting and flipping in the Senate and House of Congress. Et tu Brute? Then fall, Caesar.

Author: Martin Harries
Publisher: Stanford University Press
ISBN: 9780804736213
Category : Philosophy
Languages : en
Pages : 236

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Book Description
This book argues that moments of allusion to the supernatural in Shakespeare are occasions where Karl Marx and John Maynard Keynes register the perseverance of haunted structures in modern culture. This "reenchantment," at the heart of modernity and of literary and political works central to our understanding of modernity, is the focus of this book. The author shows that allusion to supernatural moments in Shakespeare ("scare quotes") allows writers to both acknowledge and distance themselves from the supernatural phenomena that challenge their disenchanted understanding of the social world. He also uses these modern appropriations of Shakespeare as provocations to reread some of his works, notably Hamlet and Macbeth. Two pairs of linked chapters form the center of the book. One pair joins a reading of Marx, concentrating on The Eighteenth Brumaire, to Hamlet; the other links a reading of Keynes, focusing on The Economic Consequences of the Peace, to Macbeth. The chapters on Marx and Keynes trace some of the strange circuits of supernatural rhetoric in their work, Marx's use of ghosts and Keynes's fascination with witchcraft. The sequence linking Marx to Hamlet, for example, has as its anchor the Frankfurt School's concept of the phantasmagoria, the notion that it is in the most archaic that one encounters the figure of the new. Looking closely at Marx's association of the Ghost in Hamlet with the coming revolution in turn illuminates Hamlet's association of the Ghost with the supernatural beings many believed haunted mines. An opening chapter discusses Henry Dircks, a nineteenth-century English inventor who developed—and then lost his claim to—a phantasmagoria or machine to project ghosts on stage. Dircks resorted to magical rhetoric in response to his loss, which is emblematic for the book as a whole, charting ways the scare quote can, paradoxically, continue the work of enlightenment.

Author: Jeffrey Kahan
Publisher: Routledge
ISBN: 1135973652
Category : Literary Criticism
Languages : en
Pages : 385

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Book Description
Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink

Author: Julie Maxwell
Publisher: Cambridge University Press
ISBN: 1107134242
Category : Drama
Languages : en
Pages : 325

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Book Description
Shakespeare is both the world's most quoted author and a frequent quoter himself. This volume unites these creative practices.

Author: Insight Editions
Publisher: Insights
ISBN: 9781683837664
Category : Fiction
Languages : en
Pages : 0

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Book Description
Let the delightful writing of Jane Austen inspire your own musings with this cloth-bound, lightly illustrated hardcover ruled journal, featuring some of her most iconic quotes and passages. Designed to look like a vintage edition of one of Jane Austen’s classic novels, this journal lies flat when open and includes an elastic band, a ribbon marker, and a back pocket for storing keepsakes and mementos.

Author: Margaret Graham Tebo
Publisher: American Bar Association
ISBN: 9781604428360
Category : Law
Languages : en
Pages : 172

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Book Description
Shakespeare for Lawyers contains more than 100 funny, sharp, witty, sad, and instructional quotes pulled from Shakespeare's plays and sonnets by a lawyer, for lawyers, and includes instructions on how they might be used in a courtroom, mediation, or elsewhere. And of course, the book features an extra section exploring what the Bard had to say about the law and those who practice it.

Author: William Shakespeare
Publisher: Franklin Classics Trade Press
ISBN: 9780353395947
Category : Drama
Languages : en
Pages : 184

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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: Julie Maxwell
Publisher: Cambridge University Press
ISBN: 1108592295
Category : Literary Criticism
Languages : en
Pages : 325

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Book Description
Shakespeare is the most frequently quoted English author of all time. Quotations appear everywhere, from the epigraphs of novels to the mottoes on coffee cups. But Shakespeare was also a frequent quoter himself - of classical and contemporary literature, of the Bible, of snatches of popular songs and proverbs. This volume brings together an international team of scholars to trace the rich history of quotation from Shakespeare's own lifetime to the present day. Exploring a wide range of media, including Romantic poetry, theatre criticism, novels by Jane Austen, Thomas Hardy and Ian McEwan, political oratory, propaganda, advertising, drama, film and digital technology, the chapters draw fresh connections between Shakespeare's own practices of creative reworking and the quotation of his work in new and traditional forms. Richly illustrated and featuring an Afterword by Margreta de Grazia, the collection tells a new story of the making and remaking of Shakespeare's plays and poems.