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Shakespeare's Patrons & Other Essays

Shakespeare's Patrons & Other Essays PDF Author: Henry Brown (of Newington Butts.)
Publisher:
ISBN:
Category : Authors and patrons
Languages : en
Pages : 152

Book Description


Shakespeare's Patrons & Other Essays

Shakespeare's Patrons & Other Essays PDF Author: Henry Brown (of Newington Butts.)
Publisher:
ISBN:
Category : Authors and patrons
Languages : en
Pages : 152

Book Description


Shakespeare's Patrons & Other Essays

Shakespeare's Patrons & Other Essays PDF Author: Henry Brown (of Newington Butts.)
Publisher:
ISBN:
Category : Authors and patrons
Languages : en
Pages : 152

Book Description


Patrons and Patron Saints in Early Modern English Literature

Patrons and Patron Saints in Early Modern English Literature PDF Author: Alison Chapman
Publisher: Routledge
ISBN: 1135132313
Category : Literary Criticism
Languages : en
Pages : 251

Book Description
This book visits the fact that, in the pre-modern world, saints and lords served structurally similar roles, acting as patrons to those beneath them on the spiritual or social ladder with the word "patron" used to designate both types of elite sponsor. Chapman argues that this elision of patron saints and patron lords remained a distinctive feature of the early modern English imagination and that it is central to some of the key works of literature in the period. Writers like Jonson, Shakespeare, Spenser, Drayton, Donne and, Milton all use medieval patron saints in order to represent and to challenge early modern ideas of patronage -- not just patronage in the narrow sense of the immediate economic relations obtaining between client and sponsor, but also patronage as a society-wide system of obligation and reward that itself crystallized a whole culture’s assumptions about order and degree. The works studied in this book -- ranging from Shakespeare’s 2 Henry VI, written early in the 1590s, to Milton’s Masque Performed at Ludlow Castle, written in 1634 -- are patronage works, either aimed at a specific patron or showing a keen awareness of the larger patronage system. This volume challenges the idea that the early modern world had shrugged off its own medieval past, instead arguing that Protestant writers in the period were actively using the medieval Catholic ideal of the saint as a means to represent contemporary systems of hierarchy and dependence. Saints had been the ideal -- and idealized -- patrons of the medieval world and remained so for early modern English recusants. As a result, their legends and iconographies provided early modern Protestant authors with the perfect tool for thinking about the urgent and complex question of who owed allegiance to whom in a rapidly changing world.

The Assassination of Shakespeare's Patron

The Assassination of Shakespeare's Patron PDF Author: Leo Daugherty
Publisher:
ISBN: 9781604978469
Category : Biography & Autobiography
Languages : en
Pages : 349

Book Description
Lord Ferdinando Stanley was the fifth earl of Derby, a leading claimant to the throne. Considered a man who had everything, he was also the patron of the company of players which was fortunate enough to include William Shakespeare. One April Fool's Day, 1594, he was reportedly approached by a witch (one of the famous legion of "Lancashire witches") and they engaged in brief conversation while strolling outside his largest palace, Lathom Hall. Four days later, he fell violently ill. For twelve days he lingered, while four of the best doctors in the country, including the famous Dr. John Case of Oxford, labored in vain to save him.Who killed Lord Stanley and why? Historians started debating that question almost as soon as he died, and outraged gossip was to be heard everywhere in England. This second edition studies the death of Lord Derby within the immediate contexts of Elizabethan power politics, succession mania, passionate religious controversy, the records of prominent families in the North, and the cult of personality just then beginning to become a major factor in the nation's social history. The book's scope also includes subcultural contexts such as Elizabethan poetry (Lord Derby was a pastoral love poet, some of whose work survives), witchcraft, medicine, spy networks, and both approved and disapproved methods of political assassination (with poison being the most frowned upon because of its disreputable "Italianate" connotations).

Shakespeare and Theatrical Patronage in Early Modern England

Shakespeare and Theatrical Patronage in Early Modern England PDF Author: Paul Whitfield White
Publisher: Cambridge University Press
ISBN: 9780521034302
Category : Drama
Languages : en
Pages : 340

Book Description
During the past quarter of a century, the study of patronage-theatre relations in early modern England has developed considerably. This, however, is an extensive, wide-ranging and representative 2002 study of patronage as it relates to Shakespeare and the theatrical culture of his time. Twelve distinguished theatre historians address such questions as: What important functions did patronage have for the theatre during this period? How, in turn, did the theatre impact and represent patronage? Where do paying spectators and purchasers of printed drama fit into the discussion of patronage? The authors also show how patronage practices changed and developed from the early Tudor period to the years in which Shakespeare was the English theatre's leading artist. This important book will appeal to scholars of Renaissance social history as well as those who focus on Shakespeare and his playwriting contemporaries.

Shakespeare's Patrons

Shakespeare's Patrons PDF Author: Henry Brown
Publisher:
ISBN: 9781331296171
Category : Literary Collections
Languages : en
Pages : 152

Book Description
Excerpt from Shakespeare's Patrons: And Other Essays The poet was throughout his life greatly indebted to the patronage and support of royal and noble personages; his royal patrons were Queen Elizabeth and King James I., both of whom greatly loved the drama. The virgin queen devoted herself to the study of the ancient classical period; she also delighted in our own theatrical entertainments, and used her influence in the progress of the English drama, and fostered the inimitable genius of Shakespeare. In regard to her taste for the ancient stage, Sir Roger Naunton tells us "That the great Queen translated one of the tragedies of Euripides from the original Greek for her amusement." Shakespeare was ardently attracted to Elizabeth and her Court, and proved a faithful servant to his royal mistress. The first evidence of this is in his fine eulogy of the virgin queen in that most sweetly poetical early drama, A Midsummer-Night's Dream, as "a fair vestal throned by the west"; the play was probably produced for a special Court performance. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Contemporary Evidence of Shakespeare's Identity

Contemporary Evidence of Shakespeare's Identity PDF Author: Richard Lewis Ashhurst
Publisher:
ISBN:
Category :
Languages : en
Pages : 88

Book Description


The Shakespeare Circle

The Shakespeare Circle PDF Author: Paul Edmondson
Publisher: Cambridge University Press
ISBN: 1316404625
Category : Literary Criticism
Languages : en
Pages :

Book Description
This original and enlightening book casts fresh light on Shakespeare by examining the lives of his relatives, friends, fellow-actors, collaborators and patrons both in their own right and in relation to his life. Well-known figures such as Richard Burbage, Ben Jonson and Thomas Middleton are freshly considered; little-known but relevant lives are brought to the fore, and revisionist views are expressed on such matters as Shakespeare's wealth, his family and personal relationships, and his social status. Written by a distinguished team, including some of the foremost biographers, writers and Shakespeare scholars of today, this enthralling volume forms an original contribution to Shakespearian biography and Elizabethan and Jacobean social history. It will interest anyone looking to learn something new about the dramatist and the times in which he lived. A supplementary website offers imagined first-person audio accounts from the featured subjects.

Patrons of Enlightenment

Patrons of Enlightenment PDF Author: Edward Andrew
Publisher: University of Toronto Press
ISBN: 0802090648
Category : Philosophy
Languages : en
Pages : 297

Book Description
Patrons of Enlightenment emphasizes the dependency of thinkers upon patrons and compares the patron-client relationships in the French, English, and Scottish republics of letters.

Acting Companies and their Plays in Shakespeare’s London

Acting Companies and their Plays in Shakespeare’s London PDF Author: Siobhan Keenan
Publisher: A&C Black
ISBN: 1472575687
Category : Performing Arts
Languages : en
Pages : 288

Book Description
Acting Companies and their Plays in Shakespeare's London explores the intimate and dynamic relationship between acting companies and playwrights in this seminal era in English theatre history. Siobhan Keenan's analysis includes chapters on the traditions and workings of contemporary acting companies, playwriting practices, stages and staging, audiences and patrons, each illustrated with detailed case studies of individual acting companies and their plays, including troupes such as Lady Elizabeth's players, 'Beeston's Boys' and the King's Men and works by Shakespeare, Jonson, Middleton, Brome and Heywood. We are accustomed to focusing on individual playwrights: Acting Companies and their Plays in Shakespeare's London makes the case that we also need to think about the companies for which dramatists wrote and with whose members they collaborated, if we wish to better understand the dramas of the English Renaissance stage.