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Author: Brian O'Farrell Publisher: Bloomsbury Publishing ISBN: 1441191585 Category : Biography & Autobiography Languages : en Pages : 285
Book Description
William Herbert, Third Earl of Pembroke, 1580-1630, was the 'uomo universale' of the Early Stuart Age. A prominent courtier in the reigns of Elizabeth I, James I and Charles I, he was the most important patron of the arts of the early seventeenth century, and almost certainly the person to whom Shakespeare dedicated his Sonnets. He was, in fact, the patron of almost every great literary and artistic figure of the period; Ben Jonson, Inigo Jones, John Donne, and George Herbert. Pembroke was an astute and powerful politician, the greatest electoral manager of the time, the wealthiest nobleman in the country, a powerful industrial entrepreneur, Chancellor of Oxford University and an indefatigable promoter of colonial enterprises. This major new work, the product of many years of research, is the first full length study of Pembroke. It has been exhaustively researched with all the extant manuscript and printed materials studied. Pembroke's poetry and patronage are fully discussed, his political life analysed, and his business activities both at home and abroad fully investigated.
Author: Brian O'Farrell Publisher: Bloomsbury Publishing ISBN: 1441191585 Category : Biography & Autobiography Languages : en Pages : 285
Book Description
William Herbert, Third Earl of Pembroke, 1580-1630, was the 'uomo universale' of the Early Stuart Age. A prominent courtier in the reigns of Elizabeth I, James I and Charles I, he was the most important patron of the arts of the early seventeenth century, and almost certainly the person to whom Shakespeare dedicated his Sonnets. He was, in fact, the patron of almost every great literary and artistic figure of the period; Ben Jonson, Inigo Jones, John Donne, and George Herbert. Pembroke was an astute and powerful politician, the greatest electoral manager of the time, the wealthiest nobleman in the country, a powerful industrial entrepreneur, Chancellor of Oxford University and an indefatigable promoter of colonial enterprises. This major new work, the product of many years of research, is the first full length study of Pembroke. It has been exhaustively researched with all the extant manuscript and printed materials studied. Pembroke's poetry and patronage are fully discussed, his political life analysed, and his business activities both at home and abroad fully investigated.
Author: Leo Daugherty Publisher: ISBN: 9781604978469 Category : Biography & Autobiography Languages : en Pages : 349
Book Description
Lord Ferdinando Stanley was the fifth earl of Derby, a leading claimant to the throne. Considered a man who had everything, he was also the patron of the company of players which was fortunate enough to include William Shakespeare. One April Fool's Day, 1594, he was reportedly approached by a witch (one of the famous legion of "Lancashire witches") and they engaged in brief conversation while strolling outside his largest palace, Lathom Hall. Four days later, he fell violently ill. For twelve days he lingered, while four of the best doctors in the country, including the famous Dr. John Case of Oxford, labored in vain to save him.Who killed Lord Stanley and why? Historians started debating that question almost as soon as he died, and outraged gossip was to be heard everywhere in England. This second edition studies the death of Lord Derby within the immediate contexts of Elizabethan power politics, succession mania, passionate religious controversy, the records of prominent families in the North, and the cult of personality just then beginning to become a major factor in the nation's social history. The book's scope also includes subcultural contexts such as Elizabethan poetry (Lord Derby was a pastoral love poet, some of whose work survives), witchcraft, medicine, spy networks, and both approved and disapproved methods of political assassination (with poison being the most frowned upon because of its disreputable "Italianate" connotations).
Author: William Shakespeare Publisher: ISBN: 9780198184317 Category : Drama Languages : en Pages : 768
Book Description
'This Complete Sonnets and Poems is a distinguished addition to a distinguished series. It will repay continuing study, and act as a valuable point of reference for readers concerned more generally with Shakespeare's art and language. Colin Burrow's good sense, tact and balance as aneditor are deeply impressive.' -H. R. Woudhuysen, Times Literary SupplementThis is the only fully annotated and modernized edition to bring together Shakespeare's Sonnets as well as all his poems (including those attributed to him after his death). A full introduction discusses his development as a poet, and how the poems relate to his plays; detailed notes explain the language and allusions in clear modern English. While accessibly written, the edition takes account of the most recent scholarship and criticism.
Author: Mark Bradbeer Publisher: Routledge ISBN: 1000567214 Category : Literary Criticism Languages : en Pages : 225
Book Description
This book presents original material which indicates that Aemilia Lanyer – female writer, feminist, and Shakespeare contemporary – is Shakespeare’s hidden and arguably most significant co-author. Once dismissed as the mere paramour of Shakespeare’s patron, Lord Hunsdon, she is demonstrated to be a most articulate forerunner of #MeToo fury. Building on previous research into the authorship of Shakespeare’s works, Bradbeer offers evidence in the form of three case studies which signal Aemilia’s collaboration with Shakespeare. The first case study matches the works of "George Wilkins" – who is currently credited as the co-author of the feminist Shakespeare play Pericles (1608) – with Aemilia Lanyer’s writing style, education, feminism and knowledge of Lord Hunsdon’s secret sexual life. The second case-study recognizes Titus Andronicus (1594), a play containing the characters Aemilius and Bassianus, to be a revision of the suppressed play Titus and Vespasian (1592), as authored by the unmarried pregnant Aemilia Bassano, as she then was. Lastly, it is argued that Shakespeare’s clowns, Bottom, Launce, Malvolio, Dromio, Dogberry, Jaques, and Moth, arise in her deeply personal war with the misogynist Thomas Nashe. Each case study reveals new aspects of Lanyer’s feminist activism and involvement in Shakespeare’s work, and allows for a deeper analysis and appreciation of the plays. This research will prove provocative to students and scholars of Shakespeare studies, English literature, literary history, and gender studies.
Author: Alison Chapman Publisher: Routledge ISBN: 1135132313 Category : Literary Criticism Languages : en Pages : 251
Book Description
This book visits the fact that, in the pre-modern world, saints and lords served structurally similar roles, acting as patrons to those beneath them on the spiritual or social ladder with the word "patron" used to designate both types of elite sponsor. Chapman argues that this elision of patron saints and patron lords remained a distinctive feature of the early modern English imagination and that it is central to some of the key works of literature in the period. Writers like Jonson, Shakespeare, Spenser, Drayton, Donne and, Milton all use medieval patron saints in order to represent and to challenge early modern ideas of patronage -- not just patronage in the narrow sense of the immediate economic relations obtaining between client and sponsor, but also patronage as a society-wide system of obligation and reward that itself crystallized a whole culture’s assumptions about order and degree. The works studied in this book -- ranging from Shakespeare’s 2 Henry VI, written early in the 1590s, to Milton’s Masque Performed at Ludlow Castle, written in 1634 -- are patronage works, either aimed at a specific patron or showing a keen awareness of the larger patronage system. This volume challenges the idea that the early modern world had shrugged off its own medieval past, instead arguing that Protestant writers in the period were actively using the medieval Catholic ideal of the saint as a means to represent contemporary systems of hierarchy and dependence. Saints had been the ideal -- and idealized -- patrons of the medieval world and remained so for early modern English recusants. As a result, their legends and iconographies provided early modern Protestant authors with the perfect tool for thinking about the urgent and complex question of who owed allegiance to whom in a rapidly changing world.
Author: Marshall Grossman Publisher: University Press of Kentucky ISBN: 9780813133454 Category : Literary Criticism Languages : en Pages : 284
Book Description
Conventional wisdom credits only entrepreneurs with the vision to create America's commercial airline industry and contends that it was not until Roosevelt's Civil Aeronautics Act of 1938 that federal airline regulation began. In Airlines and Air Mail, F. Robert van der Linden persuasively argues that Progressive republican policies of Herbert Hoover actually fostered the growth of American commercial aviation. Air mail contracts provided a critical indirect subsidy and a solid financial foundation for this nascent industry. Postmaster General Walter F. Brown used these contracts as a carrot a.
Author: Meredith Anne Skura Publisher: University of Chicago Press ISBN: 9780226761800 Category : Drama Languages : en Pages : 348
Book Description
For the Renaissance, all the world may have been a stage and all its people players, but Shakespeare was also an actor on the literal stage. Meredith Anne Skura asks what it meant to be an actor in Shakespeare's England and shows why a knowledge of actual theatrical practices is essential for understanding both Shakespeare's plays and the theatricality of everyday life in early modern England. Despite the obvious differences between our theater and Shakespeare's, sixteenth-century testimony suggests that the experience of acting has not changed much over the centuries. Beginning with a psychoanalytically informed account of acting today, Skura shows how this intense and ambivalent experience appears not only in literal references to acting in Shakespearean drama but also in recurring narrative concerns, details of language, and dramatic strategies used to engage the audience. Looking at the plays in the context of both public and private worlds outside the theater, Skura rereads the canon to identify new configurations in the plays and new ways of understanding theatrical self-consciousness in Renaissance England. Rich in theatrical, psychoanalytic, biographical, and historical insight, this book will be invaluable to students of Shakespeare and instructive to all readers interested in the dynamics of performance.
Author: Brian O'Farrell
Author: Brian O'Farrell
Author: Leo Daugherty
Author: Charlotte Carmichael Stopes
Author: Henry Brown (of Newington Butts.)
Author: William Shakespeare
Author: Mark Bradbeer
Author: Emma Josephine Smith
Author: Alison Chapman
Author: Marshall Grossman
Author: Meredith Anne Skura