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Author: John O'Meara Publisher: iUniverse ISBN: 0595422292 Category : Biography & Autobiography Languages : en Pages : 55
Book Description
Recent interest in who Shakespeare's Muse may have been prompts one to come forth to dispel the drastically simplistic notions that have been brought forward. In this essay John O'Meara suggests where our concern with Shakespeare should actually lie or what form of Muse we can suppose it was that commanded his development the way it did. Shakespeare was fated for a certain experience from which he could not extricate himself, even if he had wished to. Highlighted is his struggle with Martin Luther's injunction to imagine human depravity to the fullest, with which O'Meara compares the route travelled by Christopher Marlowe. The challenge was laid down to Shakespeare to imagine the worst of human tragedy, which finally focuses for him in the precipitated death of the loved one. But it testifies to the enduring power of Shakespeare's Muse that She has 'borne' this death with him. "I find myself very much in sympathy with your general approach." Stanley Wells, general editor of The Oxford Shakespeare and formerly Director of The Shakespeare Institute, Stratford-Upon-Avon, England.
Author: John O'Meara Publisher: iUniverse ISBN: 0595422292 Category : Biography & Autobiography Languages : en Pages : 55
Book Description
Recent interest in who Shakespeare's Muse may have been prompts one to come forth to dispel the drastically simplistic notions that have been brought forward. In this essay John O'Meara suggests where our concern with Shakespeare should actually lie or what form of Muse we can suppose it was that commanded his development the way it did. Shakespeare was fated for a certain experience from which he could not extricate himself, even if he had wished to. Highlighted is his struggle with Martin Luther's injunction to imagine human depravity to the fullest, with which O'Meara compares the route travelled by Christopher Marlowe. The challenge was laid down to Shakespeare to imagine the worst of human tragedy, which finally focuses for him in the precipitated death of the loved one. But it testifies to the enduring power of Shakespeare's Muse that She has 'borne' this death with him. "I find myself very much in sympathy with your general approach." Stanley Wells, general editor of The Oxford Shakespeare and formerly Director of The Shakespeare Institute, Stratford-Upon-Avon, England.
Author: Robert Sanford Brustein Publisher: Yale University Press ISBN: 0300115768 Category : Literary Criticism Languages : en Pages : 289
Book Description
This book is a masterful and engaging exploration of both Shakespeare's works and his age. Concentrating on six recurring prejudices in Shakespeare's plays--such as misogyny, elitism, distrust of effeminacy, and racism--Robert Brustein examines how Shakespeare and his contemporaries treated them. More than simply a thematic study, the book reveals a playwright constantly exploiting and exploring his own personal stances. These prejudices, Brustein finds, are not unchanging; over time they vary in intensity and treatment. Shakespeare is an artist who invariably reflects the predilections of his age and yet almost always manages to transcend them. Brustein considers the whole of Shakespeare's plays, from the early histories to the later romances, though he gives special attention to Hamlet, King Lear, Othello, and The Tempest. Drawing comparisons to plays by Marlowe, Middleton, and Marston, Brustein investigates how Shakespeare's contemporaries were preoccupied with similar themes and how these different artists treated the current prejudices in their own ways. Rather than confining Shakespeare to his age, this book has the wonderful quality of illuminating both what he shared with his time and what is unique about his approach.
Author: Ron Rosenbaum Publisher: Random House ISBN: 0307807924 Category : Biography & Autobiography Languages : en Pages : 626
Book Description
“[Ron Rosenbaum] is one of the most original journalists and writers of our time.” –David Remnick In The Shakespeare Wars, Ron Rosenbaum gives readers an unforgettable way of rethinking the greatest works of the human imagination. As he did in his groundbreaking Explaining Hitler, he shakes up much that we thought we understood about a vital subject and renews our sense of excitement and urgency. He gives us a Shakespeare book like no other. Rather than raking over worn-out fragments of biography, Rosenbaum focuses on cutting-edge controversies about the true source of Shakespeare’s enchantment and illumination–the astonishing language itself. How best to unlock the secrets of its spell? With quicksilver wit and provocative insight, Rosenbaum takes readers into the midst of fierce battles among the most brilliant Shakespearean scholars and directors over just how to delve deeper into the Shakespearean experience–deeper into the mind of Shakespeare. Was Shakespeare the one-draft wonder of Shakespeare in Love? Or was he rather–as an embattled faction of textual scholars now argues–a different kind of writer entirely: a conscientious reviser of his greatest plays? Must we then revise our way of reading, staging, and interpreting such works as Hamlet and King Lear? Rosenbaum pursues key partisans in these debates from the high tables of Oxford to a Krispy Kreme doughnut shop in a strip mall in the Deep South. He makes ostensibly arcane textual scholarship intensely seductive–and sometimes even explicitly sexual. At an academic “Pleasure Seminar” in Bermuda, for instance, he examines one scholar’s quest to find an orgasm in Romeo and Juliet. Rosenbaum shows us great directors as Shakespearean scholars in their own right: We hear Peter Brook–perhaps the most influential Shakespearean director of the past century–disclose his quest for a “secret play” hidden within the Bard’s comedies and dramas. We listen to Sir Peter Hall, founder of the Royal Shakespeare Company, as he launches into an impassioned, table-pounding fury while discussing how the means of unleashing the full intensity of Shakespeare’s language has been lost–and how to restore it. Rosenbaum’s hilarious inside account of “the Great Shakespeare ‘Funeral Elegy’ Fiasco,” a man-versus-computer clash, illustrates the iconic struggle to define what is and isn’t “Shakespearean.” And he demonstrates the way Shakespearean scholars such as Harold Bloom can become great Shakespearean characters in their own right. The Shakespeare Wars offers a thrilling opportunity to engage with Shakespeare’s work at its deepest levels. Like Explaining Hitler, this book is destined to revolutionize the way we think about one of the overwhelming obsessions of our time.
Author: John O'Meara
Author: John O'Meara
Author: Robert Sanford Brustein
Author: Mrs. Horace Howard Furness
Author: Helen K. Furness
Author: William Shakespeare
Author: Henry Brown (of Newington Butts.)
Author: Ron Rosenbaum
Author: Henry Brown
Author: Henry Brown (of Newington Butts.)
Author: Helen Kate Rogers Furness