Shakespeare's Impact on his Contemporaries PDF Download

Author: E A J Honigmann
Publisher: Springer
ISBN: 1349071978
Category : Literary Criticism
Languages : en
Pages : 162

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Author: E. A. J. Honigmann
Publisher: Manchester University Press
ISBN: 9780719019807
Category : Literary Criticism
Languages : en
Pages : 164

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Author: Charles Nicholl
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 120

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Book Description
Shakespeare belonged to a talented and influential group of writers, poets and dramatists, all of whom are illustrated throughout with portraits, engravings and documents, showing how these writers saw themselves, and how Elizabethan society valued literary talent as well

Author: John Elsom
Publisher: Routledge
ISBN: 1134950365
Category : Performing Arts
Languages : en
Pages : 201

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Book Description
This book is an account of a public seminar held in honour of Jan Kott's influential study, Shakespeare Our Contemporary. Attracting international contributors, the seminar focused on the relevance of her study for Shakespearian theatre today.

Author: E.A.J. Honigmann
Publisher: Springer
ISBN: 1349047643
Category : Literary Criticism
Languages : en
Pages : 162

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Book Description

Author: Michele Marrapodi
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754655046
Category : Literary Criticism
Languages : en
Pages : 310

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Book Description
Applying recent developments in new historicism and cultural materialism-along with the new perspectives opened up by the current debate on intertextuality and the construction of the theatrical text-the essays collected here reconsider the pervasive infl

Author: Michele Marrapodi
Publisher: Routledge
ISBN: 1351815121
Category : Literary Criticism
Languages : en
Pages : 672

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Book Description
Critical investigation into the rubric of 'Shakespeare and the visual arts' has generally focused on the influence exerted by the works of Shakespeare on a number of artists, painters, and sculptors in the course of the centuries. Drawing on the poetics of intertextuality and profiting from the more recent concepts of cultural mobility and permeability between cultures in the early modern period, this volume’s tripartite structure considers instead the relationship between Renaissance material arts, theatre, and emblems as an integrated and intermedial genre, explores the use and function of Italian visual culture in Shakespeare’s oeuvre, and questions the appropriation of the arts in the production of the drama of Shakespeare and his contemporaries. By studying the intermediality between theatre and the visual arts, the volume extols drama as a hybrid genre, combining the figurative power of imagery with the plasticity of the acting process, and explains the tri-dimensional quality of the dramatic discourse in the verbal-visual interaction, the stagecraft of the performance, and the natural legacy of the iconographical topoi of painting’s cognitive structures. This methodolical approach opens up a new perspective in the intermedial construction of Shakespearean and early modern drama, extending the concept of theatrical intertextuality to the field of pictorial arts and their social-cultural resonance. An afterword written by an expert in the field, a rich bibliography of primary and secondary literature, and a detailed Index round off the volume.

Author: A. J. Hoenselaars
Publisher: Cambridge University Press
ISBN: 0521767547
Category : Literary Criticism
Languages : en
Pages : 327

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Book Description
This Companion is devoted to the life and works of Shakespeare and contemporary playwrights in early modern London.

Author: Ton Hoenselaars
Publisher: Cambridge University Press
ISBN: 1107494338
Category : Literary Criticism
Languages : en
Pages : 327

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Book Description
While Shakespeare's popularity has continued to grow, so has the attention paid to the work of his contemporaries. The contributors to this Companion introduce the distinctive drama of these playwrights, from the court comedies of John Lyly to the works of Richard Brome in the Caroline era. With chapters on a wide range of familiar and lesser-known dramatists, including Thomas Kyd, Christopher Marlowe, Ben Jonson, John Webster, Thomas Middleton and John Ford, this book devotes particular attention to their personal and professional relationships, occupational rivalries and collaborations. Overturning the popular misconception that Shakespeare wrote in isolation, it offers a new perspective on the most impressive body of drama in the history of the English stage.

Author: Richard Meek
Publisher: Manchester University Press
ISBN: 0719098947
Category : Literary Criticism
Languages : en
Pages : 383

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Book Description
This collection of essays offers a major reassessment of the meaning and significance of emotional experience in the work of Shakespeare and his contemporaries. Recent scholarship on early modern emotion has relied on a medical-historical approach, resulting in a picture of emotional experience that stresses the dominance of the material, humoral body. The Renaissance of emotion seeks to redress this balance by examining the ways in which early modern texts explore emotional experience from perspectives other than humoral medicine. The chapters in the book seek to demonstrate how open, creative and agency-ridden the experience and interpretation of emotion could be. Taken individually, the chapters offer much-needed investigations into previously overlooked areas of emotional experience and signification; taken together, they offer a thorough re-evaluation of the cultural priorities and phenomenological principles that shaped the understanding of the emotive self in the early modern period. The Renaissance of emotion will be of particular interest to students and scholars of Shakespeare and Renaissance literature, the history of emotion, theatre and cultural history, and the history of ideas.