Shakespeare’s Extremes PDF Download

Author: Julián Jiménez Heffernan
Publisher: Springer
ISBN: 1137523581
Category : Literary Criticism
Languages : en
Pages : 246

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Book Description
Shakespeare's Extremes is a controversial intervention in current critical debates on the status of the human in Shakespeare's work. By focusing on three flagrant cases of human exorbitance - Edgar, Caliban and Julius Caesar - this book seeks to limn out the domain of the human proper in Shakespeare.

Author: George Koppelman
Publisher: Axletree Books
ISBN: 0692500324
Category : Literary Criticism
Languages : en
Pages : 407

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Book Description
A study of manuscript annotations in a curious copy of John Baret's ALVEARIE, an Elizabethan dictionary published in 1580. This revised and expanded second edition presents new evidence and furthers the argument that the annotations were written by William Shakespeare. This ebook contains text in color, and images. We recommend reading it on a device that displays both.

Author: Peter G. Phialas
Publisher: UNC Press Books
ISBN: 0807836974
Category : Literary Criticism
Languages : en
Pages : 399

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Book Description
Phialas provides commentaries on Shakespeare's romantic comedies, treats in detail individual scenes and characters, and makes illuminating comparisons and contrasts of character with character. The chief concern of the book is with the action of each play, the nature and relationship of its parts, and the meaning that the action dramatizes. Originally published in 1966. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Author: Bettina Boecker
Publisher: Springer
ISBN: 1137379960
Category : Literary Criticism
Languages : en
Pages : 190

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Book Description
Comparatively little is known about Shakespeare's first audiences. This study argues that the Elizabethan audience is an essential part of Shakespeare as a site of cultural meaning, and that the way criticism thinks of early modern theatregoers is directly related to the way it thinks of, and uses, the Bard himself.

Author: Tom Bishop
Publisher: Routledge
ISBN: 1351019686
Category : Literary Criticism
Languages : en
Pages : 234

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Book Description
Currently in its seventeenth year and formerly published by Ashgate, The Shakespearean International Yearbook surveys the present state of Shakespeare studies, addressing issues that are fundamental to our interpretive encounter with Shakespeare's work and his time, across the whole spectrum of his literary output. Contributions are solicited from among the most active and insightful scholars in the field, from both hemispheres of the globe. New trends are evaluated from the point of view of established scholarship, and emerging work in the field encouraged, to present a view of what is happening all around the world. Each issue includes a special section under the guidance of a specialist Guest Editor, as well as a review of recent critical work in Shakespeare studies. An essential reference tool for scholars of early modern literature and culture, this annual captures, from year to year, current and developing thought in Shakespeare scholarship and theater practice worldwide.

Author: Nicholas Luke
Publisher: Cambridge University Press
ISBN: 1108386636
Category : Literary Criticism
Languages : en
Pages : 261

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Book Description
In this distinctive study, Nicholas Luke explores the abiding power of Shakespeare's tragedies by suggesting an innovative new model of his character creation. Rather than treating characters as presupposed beings, Luke shows how they arrive as something more than functional dramatis personae - how they come to life as 'subjects' - through Shakespeare's orchestration of transformational dramatic events. Moving beyond dominant critical modes, Luke combines compelling close readings of Romeo and Juliet, Othello, Hamlet, Macbeth, and King Lear with an accessible analysis of thinkers such as Badiou, Žižek, Bergson, Whitehead and Latour, and the 'adventist' Christian tradition flowing from Saint Paul through Luther to Kierkegard. Representing a significant intervention into the way we encounter Shakespeare's tragic figures, the book argues for a subjectivity which is not singular or abiding, but perilous and leaping.

Author: Rob Pensalfini
Publisher: Springer
ISBN: 1137450215
Category : Literary Criticism
Languages : en
Pages : 236

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Book Description
This book explores the development of the global phenomenon of Prison Shakespeare, from its emergence in the 1980s to the present day. It provides a succinct history of the phenomenon and its spread before going on to explore one case study the Queensland Shakespeare Ensemble's (Australia) Shakespeare Prison Project in detail. The book then analyses the phenomenon from a number of perspectives, and evaluates a number of claims made about the outcomes of such programs, particularly as they relate to offender health and behaviour. Unlike previous works on the topic, which are largely individual case studies, this book focuses not only on Prison Shakespeare's impact on the prisoners who directly participate, but also on prison culture and on broader social attitudes towards both prisoners and Shakespeare.

Author: Eric Harber
Publisher: Cambridge Scholars Publishing
ISBN: 1527561070
Category : Drama
Languages : en
Pages : 676

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Book Description
This book shows that, when Shakespeare wrote his plays, he responded to the political, religious and social conflicts in the Christianity of the day, giving those areas a new perspective through pagan (Italian and Greek) mythology. In particular, it offers a reading of The Winter’s Tale, which it has been said is “one of the most linguistically dense, emotionally demanding and spiritually rich of all the plays”. Productions as far afield as Mexico and Paris have brought Shakespeare’s plays up to date to enhance or challenge the lives of their communities. From South Africa to Gdansk, Shakespeare has been adapted to be read in schools. His plays have prompted a dialogue with many European scholars whom this book addresses.

Author: Valentin Gerlier
Publisher: Routledge
ISBN: 1000582558
Category : Drama
Languages : en
Pages : 230

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Book Description
Crossing the boundaries between literature, philosophy and theology, Shakespeare and the Grace of Words pioneers a reading strategy that approaches language as grounded in praise; that is, as affirmation and articulation of the goodness of Being. Offering a metaphysically astute theology of language grounded in the thought of Renaissance theologian Nicholas of Cusa, as well as readings of Shakespeare that instantiate and complement its approach, this book shows that language in which the divine gift of Being is received, apprehended and expressed, even amidst darkness and despair, is language that can renew our relationship with one another and with the things and beings of the world. Shakespeare and the Grace of Words aims to engage the reader in detailed, performative close readings while exploring the metaphysical and theological contours of Shakespeare’s art—as a venture into a poetic illumination of the deep grammar of the real.

Author: Julián Jiménez Heffernan
Publisher: Routledge
ISBN: 0429675941
Category : Literary Criticism
Languages : en
Pages : 261

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Book Description
Shakespeare’s poetic-dramatic worlds are inescapably limited. There is always, in his poems and plays, a force (a contingent drive, a pre-textual undertow, a rational-critical momentum, an ironic stance, the deflections of error) coercing plot and meaning to their end. By examining the work of limits in the sonnets and in five of his plays, this book seeks not only to highlight the poet’s steadfast commitment to critical rationality. It also aims to plead a case of hermeneutic continence. Present-day appraisals of Shakespeare’s world-making and meaning-projecting potential are often overruled by a neo-romantic and phenomenological celebration of plenty. This pre-critical tendency unwittingly obtains epistemic legitimation from philosophical quarters inspired by Alain Badiou’s derisive rejection of "the pathos of finitude". But finitude is much more than a modish, neo-existentialist, watchword. It is what is left of ontology when reason is done. And cool reason was already at work before Kant. In accounting for the way in which Shakespeare places limits to life (Romeo and Juliet), to experience (The Tempest), to love (the Sonnets), to time (Macbeth), to the world (Hamlet) and to knowledge (Othello), Limited Shakespeare: The Reason of Finitude aims to underscore the deeply mediated dimension of Shakespearean experience, always over-determined by the twin forces of contingency and textual determinism, and his meta-rational and virtually ironic taste for irrational, accidental, and error-driven limits (bonds, bounds, deaths).