Author: Alden T. Vaughan
Publisher: Cambridge University Press
ISBN: 9780521458177
Category : Drama
Languages : en
Pages : 328
Book Description
Shakespeare's Caliban examines The Tempest's "savage and deformed slave" as a fascinating but ambiguous literary creation with a remarkably diverse history. The authors, one a historian and the other a Shakespearean, explore the cultural background of Caliban's creation in 1611 and his disparate metamorphoses to the present time.
Shakespeare's Caliban
Author: Alden T. Vaughan
Publisher: Cambridge University Press
ISBN: 9780521458177
Category : Drama
Languages : en
Pages : 328
Book Description
Shakespeare's Caliban examines The Tempest's "savage and deformed slave" as a fascinating but ambiguous literary creation with a remarkably diverse history. The authors, one a historian and the other a Shakespearean, explore the cultural background of Caliban's creation in 1611 and his disparate metamorphoses to the present time.
Publisher: Cambridge University Press
ISBN: 9780521458177
Category : Drama
Languages : en
Pages : 328
Book Description
Shakespeare's Caliban examines The Tempest's "savage and deformed slave" as a fascinating but ambiguous literary creation with a remarkably diverse history. The authors, one a historian and the other a Shakespearean, explore the cultural background of Caliban's creation in 1611 and his disparate metamorphoses to the present time.
The Tempest
Author: William Shakespeare
Publisher: Paw Prints
ISBN: 9781442042247
Category :
Languages : en
Pages : 0
Book Description
Critical and historical notes accompany Shakespeare's play about a shipwrecked duke who learns to command the spirits.
Publisher: Paw Prints
ISBN: 9781442042247
Category :
Languages : en
Pages : 0
Book Description
Critical and historical notes accompany Shakespeare's play about a shipwrecked duke who learns to command the spirits.
Hag-Seed
Author: Margaret Atwood
Publisher: Hogarth
ISBN: 0804141304
Category : Fiction
Languages : en
Pages : 286
Book Description
NEW YORK TIMES BESTSELLER • The beloved author of The Handmaid’s Tale reimagines Shakespeare’s final, great play, The Tempest, in a gripping and emotionally rich novel of passion and revenge. “A marvel of gorgeous yet economical prose, in the service of a story that’s utterly heartbreaking yet pierced by humor, with a plot that retains considerable subtlety even as the original’s back story falls neatly into place.”—The New York Times Book Review Felix is at the top of his game as artistic director of the Makeshiweg Theatre Festival. Now he’s staging aTempest like no other: not only will it boost his reputation, but it will also heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And also brewing revenge, which, after twelve years, arrives in the shape of a theatre course at a nearby prison. Margaret Atwood’s novel take on Shakespeare’s play of enchantment, retribution, and second chances leads us on an interactive, illusion-ridden journey filled with new surprises and wonders of its own. Praise for Hag-Seed “What makes the book thrilling, and hugely pleasurable, is how closely Atwood hews to Shakespeare even as she casts her own potent charms, rap-composition included. . . . Part Shakespeare, part Atwood, Hag-Seed is a most delicate monster—and that’s ‘delicate’ in the 17th-century sense. It’s delightful.”—Boston Globe “Atwood has designed an ingenious doubling of the plot of The Tempest: Felix, the usurped director, finds himself cast by circumstances as a real-life version of Prospero, the usurped Duke. If you know the play well, these echoes grow stronger when Felix decides to exact his revenge by conjuring up a new version of The Tempest designed to overwhelm his enemies.”—Washington Post “A funny and heartwarming tale of revenge and redemption . . . Hag-Seed is a remarkable contribution to the canon.”—Bustle
Publisher: Hogarth
ISBN: 0804141304
Category : Fiction
Languages : en
Pages : 286
Book Description
NEW YORK TIMES BESTSELLER • The beloved author of The Handmaid’s Tale reimagines Shakespeare’s final, great play, The Tempest, in a gripping and emotionally rich novel of passion and revenge. “A marvel of gorgeous yet economical prose, in the service of a story that’s utterly heartbreaking yet pierced by humor, with a plot that retains considerable subtlety even as the original’s back story falls neatly into place.”—The New York Times Book Review Felix is at the top of his game as artistic director of the Makeshiweg Theatre Festival. Now he’s staging aTempest like no other: not only will it boost his reputation, but it will also heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And also brewing revenge, which, after twelve years, arrives in the shape of a theatre course at a nearby prison. Margaret Atwood’s novel take on Shakespeare’s play of enchantment, retribution, and second chances leads us on an interactive, illusion-ridden journey filled with new surprises and wonders of its own. Praise for Hag-Seed “What makes the book thrilling, and hugely pleasurable, is how closely Atwood hews to Shakespeare even as she casts her own potent charms, rap-composition included. . . . Part Shakespeare, part Atwood, Hag-Seed is a most delicate monster—and that’s ‘delicate’ in the 17th-century sense. It’s delightful.”—Boston Globe “Atwood has designed an ingenious doubling of the plot of The Tempest: Felix, the usurped director, finds himself cast by circumstances as a real-life version of Prospero, the usurped Duke. If you know the play well, these echoes grow stronger when Felix decides to exact his revenge by conjuring up a new version of The Tempest designed to overwhelm his enemies.”—Washington Post “A funny and heartwarming tale of revenge and redemption . . . Hag-Seed is a remarkable contribution to the canon.”—Bustle
Is He a Monster? - Caliban in William Shakespeare's 'The Tempest'
Author: Sandra Graf
Publisher: GRIN Verlag
ISBN: 3640338146
Category : Language Arts & Disciplines
Languages : en
Pages : 41
Book Description
Seminar paper from the year 2004 in the subject English Language and Literature Studies - Literature, grade: 1,5, University of Tubingen (Englisches Seminar), course: Proseminar II Literatur: The World and Shakespeare, 11 entries in the bibliography, language: English, abstract: "A salvage and deformed slave." With these words William Shakespeare describes the figure of Caliban in the dramatis person of his play The Tempest. For almost four centuries, literary critics have dealt with trying to answer the question how Shakespeare's character has to be regarded. Is Caliban to be considered as a monster representing humanity's bestial side including all its vices, and thereby arousing the audience's disgust? Or has he rather to be looked at the victim of an imperia l tyrant - personified in Prospero - who arouses the spectator's pity? In which way Shakespeare really intended Caliban to be was, is and will ever be a secret he took to his grave. However, the reception history of the play has proven that Shakespeare's presentation of the characters - especially Caliban - opened up a large scope for various, often contradicting interpretations of the "slave." Thus, the following paper analyses the play with regard to the basic question whether or not Caliban is a monster. It is divided into two parts. The first one concentrates only on how Shakespeare's drama The Tempest in general and the character of Caliban in particular have been staged and interpreted throughout the last barely four centuries of reception. For this purpose, a small selection of representations of the play on stage and in editions are introduced and discussed, which show the major strands and general tendencies of Caliban's changing interpretations in the course of time. One of the main changes in Caliban's interpretation is the difference of reading the character in colonial and in post-colonial eras. After the end of the Second World War and after most of the world's colonies had been released and g
Publisher: GRIN Verlag
ISBN: 3640338146
Category : Language Arts & Disciplines
Languages : en
Pages : 41
Book Description
Seminar paper from the year 2004 in the subject English Language and Literature Studies - Literature, grade: 1,5, University of Tubingen (Englisches Seminar), course: Proseminar II Literatur: The World and Shakespeare, 11 entries in the bibliography, language: English, abstract: "A salvage and deformed slave." With these words William Shakespeare describes the figure of Caliban in the dramatis person of his play The Tempest. For almost four centuries, literary critics have dealt with trying to answer the question how Shakespeare's character has to be regarded. Is Caliban to be considered as a monster representing humanity's bestial side including all its vices, and thereby arousing the audience's disgust? Or has he rather to be looked at the victim of an imperia l tyrant - personified in Prospero - who arouses the spectator's pity? In which way Shakespeare really intended Caliban to be was, is and will ever be a secret he took to his grave. However, the reception history of the play has proven that Shakespeare's presentation of the characters - especially Caliban - opened up a large scope for various, often contradicting interpretations of the "slave." Thus, the following paper analyses the play with regard to the basic question whether or not Caliban is a monster. It is divided into two parts. The first one concentrates only on how Shakespeare's drama The Tempest in general and the character of Caliban in particular have been staged and interpreted throughout the last barely four centuries of reception. For this purpose, a small selection of representations of the play on stage and in editions are introduced and discussed, which show the major strands and general tendencies of Caliban's changing interpretations in the course of time. One of the main changes in Caliban's interpretation is the difference of reading the character in colonial and in post-colonial eras. After the end of the Second World War and after most of the world's colonies had been released and g
Miranda and Caliban
Author: Jacqueline Carey
Publisher: Tor Books
ISBN: 0765386801
Category : Fiction
Languages : en
Pages : 350
Book Description
Miranda and Caliban is bestselling fantasy author Jacqueline Carey’s gorgeous retelling of The Tempest. With hypnotic prose and a wild imagination, Carey explores the themes of twisted love and unchecked power that lie at the heart of Shakespeare’s masterpiece, while serving up a fresh take on the play's iconic characters. A lovely girl grows up in isolation where her father, a powerful magus, has spirited them to in order to keep them safe. We all know the tale of Prospero's quest for revenge, but what of Miranda? Or Caliban, the so-called savage Prospero chained to his will? In this incredible retelling of the fantastical tale, Jacqueline Carey shows readers the other side of the coin—the dutiful and tenderhearted Miranda, who loves her father but is terribly lonely. And Caliban, the strange and feral boy Prospero has bewitched to serve him. The two find solace and companionship in each other as Prospero weaves his magic and dreams of revenge. Always under Prospero’s jealous eye, Miranda and Caliban battle the dark, unknowable forces that bind them to the island even as the pangs of adolescence create a new awareness of each other and their doomed relationship. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Publisher: Tor Books
ISBN: 0765386801
Category : Fiction
Languages : en
Pages : 350
Book Description
Miranda and Caliban is bestselling fantasy author Jacqueline Carey’s gorgeous retelling of The Tempest. With hypnotic prose and a wild imagination, Carey explores the themes of twisted love and unchecked power that lie at the heart of Shakespeare’s masterpiece, while serving up a fresh take on the play's iconic characters. A lovely girl grows up in isolation where her father, a powerful magus, has spirited them to in order to keep them safe. We all know the tale of Prospero's quest for revenge, but what of Miranda? Or Caliban, the so-called savage Prospero chained to his will? In this incredible retelling of the fantastical tale, Jacqueline Carey shows readers the other side of the coin—the dutiful and tenderhearted Miranda, who loves her father but is terribly lonely. And Caliban, the strange and feral boy Prospero has bewitched to serve him. The two find solace and companionship in each other as Prospero weaves his magic and dreams of revenge. Always under Prospero’s jealous eye, Miranda and Caliban battle the dark, unknowable forces that bind them to the island even as the pangs of adolescence create a new awareness of each other and their doomed relationship. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Caliban - his representation in Shakespeare's "The Tempest" and three film versions
Author: Julia Hansens
Publisher: GRIN Verlag
ISBN: 3638262928
Category : Literary Criticism
Languages : en
Pages : 29
Book Description
Seminar paper from the year 2003 in the subject English Language and Literature Studies - Literature, grade: 1,3 (A), University of Potsdam (Anglistics), course: Hauptseminar für Literaturwissenschaft: 'The Tempest - Shakespeare's play and its film versions', language: English, abstract: This paper on Shakespeare’s Caliban from “The Tempest” aims at examining whether, and if in how far, the description and depiction of this character in the printed version and the film adaptations by John Gorrie, Derek Jarman and Jack Bender differ from each other. After a short summary of the play “The Tempest”, general information about the play will be given. In the main part, the description and depiction of the character Caliban, his outward appearance and his character as well as his relation to other characters from the original play, will be of interest. But the focus will lie on Caliban’s representation in different film versions of “The Tempest”, especially on John Gorrie’s adaptation of 1980, Derek Jarman’s of 1979 and Jack Bender’s adaptation of 1999. Towards the end, the comparison between Caliban in the printed version and Caliban in the film versions examined will be of importance.
Publisher: GRIN Verlag
ISBN: 3638262928
Category : Literary Criticism
Languages : en
Pages : 29
Book Description
Seminar paper from the year 2003 in the subject English Language and Literature Studies - Literature, grade: 1,3 (A), University of Potsdam (Anglistics), course: Hauptseminar für Literaturwissenschaft: 'The Tempest - Shakespeare's play and its film versions', language: English, abstract: This paper on Shakespeare’s Caliban from “The Tempest” aims at examining whether, and if in how far, the description and depiction of this character in the printed version and the film adaptations by John Gorrie, Derek Jarman and Jack Bender differ from each other. After a short summary of the play “The Tempest”, general information about the play will be given. In the main part, the description and depiction of the character Caliban, his outward appearance and his character as well as his relation to other characters from the original play, will be of interest. But the focus will lie on Caliban’s representation in different film versions of “The Tempest”, especially on John Gorrie’s adaptation of 1980, Derek Jarman’s of 1979 and Jack Bender’s adaptation of 1999. Towards the end, the comparison between Caliban in the printed version and Caliban in the film versions examined will be of importance.
Caliban
Mrs. Caliban
Author: Rachel Ingalls
Publisher: New Directions Publishing
ISBN: 081122709X
Category : Fiction
Languages : en
Pages : 115
Book Description
Now back in print, Mrs. Caliban is “totally unforgettable” (The New York Times Book Review) and “something of a miracle” (The New Yorker) In the quiet suburbs, while Dorothy is doing chores and waiting for her husband to come home from work, not in the least anticipating romance, she hears a strange radio announcement about a monster who has just escaped from the Institute for Oceanographic Research… Reviewers have compared Rachel Ingalls’s Mrs. Caliban to King Kong, Edgar Allan Poe’s stories, the films of David Lynch, Beauty and the Beast, The Wizard of Oz, E.T., Richard Yates’s domestic realism, B-horror movies, and the fairy tales of Angela Carter—how such a short novel could contain all of these disparate elements is a testament to its startling and singular charm.
Publisher: New Directions Publishing
ISBN: 081122709X
Category : Fiction
Languages : en
Pages : 115
Book Description
Now back in print, Mrs. Caliban is “totally unforgettable” (The New York Times Book Review) and “something of a miracle” (The New Yorker) In the quiet suburbs, while Dorothy is doing chores and waiting for her husband to come home from work, not in the least anticipating romance, she hears a strange radio announcement about a monster who has just escaped from the Institute for Oceanographic Research… Reviewers have compared Rachel Ingalls’s Mrs. Caliban to King Kong, Edgar Allan Poe’s stories, the films of David Lynch, Beauty and the Beast, The Wizard of Oz, E.T., Richard Yates’s domestic realism, B-horror movies, and the fairy tales of Angela Carter—how such a short novel could contain all of these disparate elements is a testament to its startling and singular charm.
A Tempest
Shakespeare's Monarchies
Author: Constance Jordan
Publisher: Cornell University Press
ISBN: 9780801486296
Category : Kings and rulers in literature
Languages : en
Pages : 244
Book Description
Constance Jordan looks at how Shakespeare, through his romances, contributed to the cultural debates over the nature of monarchy in Jacobean England. Stressing the differences between absolutist and constitutionalist principles of rule, Jordan reveals Shakespeare's investment in the idea that a head of state should be responsive to law, and not be governed by his unbridled will. Conflicts within royal courts which occur in the romances show wives, daughters, and servants resisting tyrannical husbands, fathers, masters, and monarchs by relying on the authority of conscience. These loyal subjects demonstrated to Shakespeare's diverse audiences that the vitality of the body politic, its dynastic future, and its material productivity depend on a cooperative union of ruler and subject. Drawing on representations of servitude and slavery in the humanist and political literature of the period, Jordan shows that Shakespeare's abusive rulers suffer as much as they impose on their subjects. Shakespeare's Monarchies recognizes the romances as politically inflected texts and confirms Shakespeare's involvement in the public discourse of the period.
Publisher: Cornell University Press
ISBN: 9780801486296
Category : Kings and rulers in literature
Languages : en
Pages : 244
Book Description
Constance Jordan looks at how Shakespeare, through his romances, contributed to the cultural debates over the nature of monarchy in Jacobean England. Stressing the differences between absolutist and constitutionalist principles of rule, Jordan reveals Shakespeare's investment in the idea that a head of state should be responsive to law, and not be governed by his unbridled will. Conflicts within royal courts which occur in the romances show wives, daughters, and servants resisting tyrannical husbands, fathers, masters, and monarchs by relying on the authority of conscience. These loyal subjects demonstrated to Shakespeare's diverse audiences that the vitality of the body politic, its dynastic future, and its material productivity depend on a cooperative union of ruler and subject. Drawing on representations of servitude and slavery in the humanist and political literature of the period, Jordan shows that Shakespeare's abusive rulers suffer as much as they impose on their subjects. Shakespeare's Monarchies recognizes the romances as politically inflected texts and confirms Shakespeare's involvement in the public discourse of the period.