Author: Eric Partridge Publisher: Routledge ISBN: 1134522096 Category : Foreign Language Study Languages : en Pages : 312
Book Description
This classic work sold with continued success in its original format This new edition will attract review coverage and is appearing in the Autumn Partridge Promotion Foreword by Stanley Wells - General editor of `Oxford Shakespeare'
Author: Pauline Kiernan Publisher: Penguin ISBN: 110116140X Category : Drama Languages : en Pages : 305
Book Description
Celebrating the Bard in all his bawdy glory, an eminent scholar puts the spotlight on the down-and-dirty sexual puns lurking in Shakespeare?s work. Everyone knows of his matchless understanding of the human condition, but we have been deprived for centuries of the full extent of one of Shakespeare?s most brilliant dramatic devices. Restoring the saucy, often shocking meanings that lie beneath his words, Filthy Shakespeare gives modern readers a tour of the brothels, buggery, trannies, pimps, pricks, and other tawdry references populating his best-known works. The tension between sexual wordplay and politics provides a captivating historical backdrop, while the fascinating facts about life in Will?s England make us see his masterworks in their gritty authenticity. Revealing and riotously funny, Filthy Shakespeare is the perfect gift for anyone who wants to rediscover the master of the sexual pun at his most inventive.
Author: Frankie Rubinstein Publisher: Springer ISBN: 1349204528 Category : Literary Criticism Languages : en Pages : 394
Book Description
'...Rubinstein is far from innocent and comes to our aid with a lot of learning...and is quite right to urge that not to appreciate the sexiness of Shakespeare's language impoverishes our own understanding of him. For one thing, it was a strong element in his appeal to Elizabethans, who were much less woolly-mouthed and smooth-tongued than we are. For another, it has constituted a salty preservative for his work, among those who can appreciate it...an enlightening book.' A.L.Rowse, The Standard.
Author: Sabrina Feldman Publisher: Dog Ear Publishing ISBN: 1457507218 Category : Authorship, Disputed Languages : en Pages : 376
Book Description
Sabrina Feldman manages the Planetary Science Instrument Development Office at the NASA Jet Propulsion Laboratory. Born and raised in Riverside, California, she attended college and graduate school at the University of California at Berkeley, where she enjoyed the wonderful performances of the Berkeley Shakespeare Company, studied Shakespeare's works for a semester with Professor Stephen Booth, and received a Ph.D. in experimental physics in 1996. She has worked on many different instrument development projects for NASA, and is the former deputy director of JPL's Center for Life Detection. Her scientific training, combined with a lifelong love of literature and all things Shakespearean, gives her a unique perspective on the Shakespeare authorship mystery. Dr. Feldman lives in Pasadena, California with her husband and two children. This is her first book. If William Shakespeare wrote the Bard's works... Who wrote the Shakespeare Apocrypha? During his lifetime and for many years afterwards, William Shakespeare was credited with writing not only the Bard's canonical works, but also a series of 'apocryphal' Shakespeare plays. Stylistic threads linking these lesser works suggest they shared a common author or co-author who wrote in a coarse, breezy style, and created very funny clown scenes. He was also prone to pilfering lines from other dramatists, consistent with Robert Greene's 1592 attack on William Shakespeare as an "upstart crow." The anomalous existence of two bodies of work exhibiting distinct poetic voices printed under one man's name suggests a fascinating possibility. Could William Shakespeare have written the apocryphal plays while serving as a front man for the 'poet in purple robes, ' a hidden court poet who was much admired by a literary coterie in the 1590s? And could the 'poet in purple robes' have been the great poet and statesman Thomas Sackville (1536-1608), a previously overlooked authorship candidate who is an excellent fit to the Shakespearean glass slipper? Both of these scenarios are well supported by literary and historical records, many of which have not been previously considered in the context of the Shakespeare authorship debate.
Author: Virginia Boecker Publisher: Little, Brown Books for Young Readers ISBN: 031632728X Category : Young Adult Fiction Languages : en Pages : 342
Book Description
Shakespeare in Love meets Mr. and Mrs. Smith in this witty and thrilling story of star-crossed assassins in Elizabeth England, perfect for fans of My Lady Jane and TheGentleman's Guide to Vice and Virtue! When Lady Katherine's father is killed for being an illegally practicing Catholic, she discovers treason wasn't the only secret he's been hiding: he was also involved in a murder plot against the reigning Queen Elizabeth I. With nothing left to lose, Katherine disguises herself as a boy and travels to London to fulfill her father's mission, and to take it one step further -- kill the queen herself. Katherine's opportunity comes in the form of William Shakespeare's newest play, which is to be performed in front of Her Majesty. But what she doesn't know is that the play is not just a play. It's a plot to root out insurrectionists and destroy the rebellion once and for all. The mastermind behind this ruse is Toby Ellis, a young spy for the queen with secrets of his own. When Toby and Katherine are cast opposite each other as the play's leads, they find themselves inexplicably drawn to one another. But the closer they grow, the more precarious their positions become. And soon they learn that star-crossed love, mistaken identity, and betrayal are far more dangerous off the stage than on.
Author: Douglas Bruster Publisher: Cambridge University Press ISBN: 9780521607063 Category : Biography & Autobiography Languages : en Pages : 192
Book Description
Douglas Bruster's provocative study of English Renaissance drama explores its links with Elizabethan and Jacobean economy and society, looking at the status of playwrights such as Shakespeare and the establishment of commercial theatres. He identifies in the drama a materialist vision which has its origins in the climate of uncertainty engendered by the rapidly expanding economy of London. His examples range from the economic importance of cuckoldry to the role of stage props as commodities, and the commercial significance of the Troy story in Shakespeare's Troilus and Cressida, and he offers new ways of reading English Renaissance drama, by returning the theatre and the plays performed there, to its basis in the material world.