Shakespearean Music in the Plays and Early Operas PDF Download

Author: Frederick Bridge
Publisher: London : J. M. Dent
ISBN:
Category : Music
Languages : en
Pages : 116

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Author: FREDERICK BRIDGE
Publisher:
ISBN:
Category :
Languages : en
Pages : 93

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Author: Sir Frederick Bridge
Publisher:
ISBN:
Category : Music and literature
Languages : en
Pages : 93

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Author: Sir Frederick Bridge
Publisher:
ISBN:
Category : Shakespeare, William, 1564-1616
Languages : en
Pages :

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Author: Christopher R. Wilson
Publisher: Oxford University Press
ISBN: 0190945141
Category : Drama
Languages : en
Pages : 1289

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Book Description
"This compendium reflects the latest international research into the many and various uses of music in relation to Shakespeare's plays and poems, the contributors' lines of enquiry extending from the Bard's own time to the present day. The coverage is global in its scope, and includes studies of Shakespeare-related music in countries as diverse as China, the Czech Republic, France, Germany, India, Italy, Japan, Russia, South Africa, Sweden, and the Soviet Union, as well as the more familiar Anglophone musical and theatrical traditions of the UK and USA. The range of genres surveyed by the book's team of distinguished authors embraces music for theatre, opera, ballet, musicals, the concert hall, and film, in addition to Shakespeare's ongoing afterlives in folk music, jazz, and popular music. The authors take a range of diverse approaches: some investigate the evidence for performative practices in the Early Modern and later eras, while others offer detailed analyses of representative case studies, situating these firmly in their cultural contexts, or reflecting on the political and sociological ramifications of the music. As a whole, the volume provides a wide-ranging compendium of cutting-edge scholarship engaging with an extraordinarily rich body of music without parallel in the history of the global arts"--

Author: Frederick William Sternfeld
Publisher: Psychology Press
ISBN: 9780415353274
Category : Literary Criticism
Languages : en
Pages : 392

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First published in 1963. When originally published this book was the first to treat at full length the contribution which music makes to Shakespeare's great tragedies, among them Hamlet, Othello, and King Lear. Here the playwright's practices are studied in conjunction with those of his contemporaries: Marlowe and Jonson, Marston and Chapman. From these comparative assessments there emerges the method that is peculiar to Shakespeare: the employment of song and instrumental music to a degree hitherto unknown, and their use as an integral part of the dramatic structure.

Author: F W Sternfeld
Publisher: Routledge
ISBN: 1136569162
Category : Literary Criticism
Languages : en
Pages : 392

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Book Description
First published in 1963. When originally published this book was the first to treat at full length the contribution which music makes to Shakespeare's great tragedies, among them Hamlet, Othello, and King Lear. Here the playwright's practices are studied in conjunction with those of his contemporaries: Marlowe and Jonson, Marston and Chapman. From these comparative assessments there emerges the method that is peculiar to Shakespeare: the employment of song and instrumental music to a degree hitherto unknown, and their use as an integral part of the dramatic structure.

Author: Alfred Roffe
Publisher: Legare Street Press
ISBN: 9781019575413
Category :
Languages : en
Pages : 0

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Book Description
Originally published in 1927, this reference book is a comprehensive guide to the hundreds of musical compositions based on the works of William Shakespeare. From early Elizabethan madrigals to modern opera and ballet, this book provides detailed information on the composers and performers who have set Shakespeare's words to music. This book is an invaluable resource for musicians, scholars, and anyone interested in the intersection of music and literature. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: Julie Sanders
Publisher: Polity
ISBN: 0745632971
Category : Language Arts & Disciplines
Languages : en
Pages : 243

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Book Description
This is a study of the rich and diverse range of musical responses to Shakespeare that have taken place from the seventeenth century onwards. Written from a literary perspective, the book explores the many genres and contexts in which Shakespeare and his work have enjoyed a musical afterlife discussing opera, ballet, and classical symphony alongside musicals and film soundtracks, as well as folk music and hip-hop traditions. Taking as its starting point ideas of creativity and improvisation stemming from early modern baroque practices and the more recent example of twentieth-century jazz adaptation, this volume explores the many ways in which Shakespeares plays and poems have been re-worked by musical composers. It also places these cultural productions in their own historical moment and context. Adaptation studies is a fast emerging field of scholarship and as a contribution to this field, Shakespeare and Music: Afterlives and Borrowings: develops theories and practices from adaptation studies to think about musical responses to Shakespeare across the centuries brings together in an exciting intellectual encounter ideas and methodologies deriving from literary criticism, theatre history, film studies, and musicology explores music in its widest context, looking at classical symphonies including the work of Berlioz and Elgar and operas by Verdi and Britten as well as Broadway musicals, film scores by Shostakovich, Walton, and contemporary performers, and the jazz adaptations of Duke Ellington and others. This is a timely study that will appeal to a wide readership from lovers of Shakespeare and classical music through to students of film and historians of the theatre.

Author: Gary Schmidgall
Publisher:
ISBN: 9780735103450
Category : Music
Languages : en
Pages : 0

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